Maurice Benichou

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Caché Review


OK
A low-rent setup for two penthouse-level thespians, Michael Haneke's Caché is somehow rigorous yet formless, absolutely exacting in its procedure, yet seemingly bereft of intent and meaning, scrupulously acted for not much reason at all. Derived from the same nervous Parisian bourgeois milieu as writer/director Haneke's Code Unknown but quite a bit more tightly-packed, it's a thriller wrapped inside a moral lesson and presented with the glassy omnipotence of the true voyeur.

The story owes a debt on some level to that greatest of cinematic voyeurs, Hitchcock, whose corpulent presence seems constantly in the filmmaker's mind. Juliette Binoche and Daniel Auteuil plays Anne and Georges Laurent, a perfectly respectable married example of the modern Paris intelligentsia. She works for a publisher where she can set her own hours, while he hosts a literary TV talk show. They have a nice little flat and a nice son, Pierrot (Lester Makedonsky). This is all filled in later, however, as the first thing we see is a static shot of the Laurent household which turns out to be a videotape Anne and Georges are watching which had been left on their doorstep with no explanation. Someone simply set up a videocamera across from their flat and filmed it for hours on end. Things escalate, of course, with tapes mysteriously appearing, soon with childlike drawings attached, of a face spitting blood, a chicken getting its head cut off. Someone starts calling for Georges, sending the tapes to his work, sending the notes to Pierrot at school. And there is no demand, no message, no anything but the constant surveillance and the feeling (soon proven) that the watcher knows more than the Laurents would like about themselves and their past, especially Georges'.

Continue reading: Caché Review

The Time Of The Wolf Review


Good
What is it about French filmmakers and the word "wolf?" This is the second French film in three years to ostensibly cover the lupine species... even though it doesn't really.

Director Michael Haneke (The Piano Teacher) offers a tantalizing setup this go-round, yet he ultimately does nothing with it. Here's the gist: A family arrives at their vacation house under suspicious (and weirdly hazy) circumstances, only to find squatters living inside. Soon Haneke reveals that some (unexplained) apocalyptic event has transpired, scattering people across the countryside. What happens when people try to survive a nuclear winter (or thereabouts)? Does soceity break down or does it rebuild?

Continue reading: The Time Of The Wolf Review

Caché Review


OK
A low-rent setup for two penthouse-level thespians, Michael Haneke's Caché is somehow rigorous yet formless, absolutely exacting in its procedure, yet seemingly bereft of intent and meaning, scrupulously acted for not much reason at all. Derived from the same nervous Parisian bourgeois milieu as writer/director Haneke's Code Unknown but quite a bit more tightly-packed, it's a thriller wrapped inside a moral lesson and presented with the glassy omnipotence of the true voyeur.

The story owes a debt on some level to that greatest of cinematic voyeurs, Hitchcock, whose corpulent presence seems constantly in the filmmaker's mind. Juliette Binoche and Daniel Auteuil plays Anne and Georges Laurent, a perfectly respectable married example of the modern Paris intelligentsia. She works for a publisher where she can set her own hours, while he hosts a literary TV talk show. They have a nice little flat and a nice son, Pierrot (Lester Makedonsky). This is all filled in later, however, as the first thing we see is a static shot of the Laurent household which turns out to be a videotape Anne and Georges are watching which had been left on their doorstep with no explanation. Someone simply set up a videocamera across from their flat and filmed it for hours on end. Things escalate, of course, with tapes mysteriously appearing, soon with childlike drawings attached, of a face spitting blood, a chicken getting its head cut off. Someone starts calling for Georges, sending the tapes to his work, sending the notes to Pierrot at school. And there is no demand, no message, no anything but the constant surveillance and the feeling (soon proven) that the watcher knows more than the Laurents would like about themselves and their past, especially Georges'.

Continue reading: Caché Review

Time Of The Wolf Review


OK

The Munich-born, French-dwelling Michael Haneke's work is nothing if not challenging.

The first film I saw of his, "Code Unknown," I found shockingly brilliant, with mesmerizing extended takes exploring all kinds of inner torments, class struggles and frustrations with identity and celebrity.

His follow-up, "The Piano Teacher," was far less satisfying, and struck me as a one-dimensional, unreasonable portrait of a masochist. Nevertheless, "Code Unknown" passed by with barely a whisper and "The Piano Teacher" became a huge art-house phenomenon, even snatching up our San Francisco Film Critics Circle award for Best Actress for star Isabelle Huppert.

Continue reading: Time Of The Wolf Review

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Time Of The Wolf Movie Review

Time Of The Wolf Movie Review

The Munich-born, French-dwelling Michael Haneke's work is nothing if not challenging.The first film I saw...

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