Gary (aka Tits) and his friends Dodge, Zippy, Little Gaz and Penfold are an ambitious amateur indie band from Manchester with an unshakeable adoration for The Stone Roses. As a once in a lifetime major gig for the legendary group approaches, the friends are determined to watch musical history unfold as they set out to gatecrash the show on Spike Island. Their plan? Break into the venue without tickets and hand over their precious demo tape to the lead singer with the hope that it will shape their musical futures. However, things aren't as easy as they sound with school and girls as constant distractions, and no initial way of getting to the Island. Not to mention the swarming security and high fences they'll have to pass to get in. Their determined mission will no doubt test their friendship and the way they view the future as they are about to face hard facts about life and dreams.
Continue: Spike Island Trailer
Clearly intent on being a British Hangover/Bridesmaids hybrid, this comedy romp doesn't contain a single laugh. It doesn't help that all of the characters (except perhaps one) are deeply unlikeable, or that the humour is literally centred in the toilet. You have to wonder if anyone read the script before they started making the movie. Or maybe the filmmakers made it up as they went along.
It begins on the morning of a wedding, as bride Alex (Riley) and her bridesmaids (Suvari, Fielding and others) begin to get ready for the ceremony. Meanwhile, groom Jeremy (McNulty) wakes up to a series of pranks staged by his groomsmen (Clarke, Maza and others), plus threats from a crazed ex. Both of them have torturous routes to the church, with obstacles in the form of bodily functions, car crashes, a trip to the emergency room and general idiocy. Maybe these two shouldn't be tying the knot after all.
At least a few of the characters register as real human beings. Goldstein's hapless, hairy groomsman has some vaguely diverting moments that, if not actually funny, have a bit of originality to them due to the actor's full-on physicality. And Fielding's unhappy bridesmaid takes an interesting journey of self-discovery, even though she's subjected to a corny physical gag. Even so, the only likeable character is Riley's bride, who's a genuinely nice person with some depth. Everyone else is mindlessly self-involved and stereotypical, and most of the cast overact their characters into caricatures.
Continue reading: The Knot Review