Moore's character has two lives: Marty lives in hard, bleak New York as a single, nervy, literary agent; Marie is a widowed mother of two in lush, romantic Provence. When she sleeps in one life, she dreams of the other, and yet cannot determine which is real. As Berliner introduces Marty/Marie and her dilemma, it's obvious that Passion of Mind will follow in the thematic footsteps of other similar, bland movies like Sliding Doors. A woman has two parallel lives - what if both are just too flat-out boring to be a movie?
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