Matt Smith (born 28.10.1982) Matt Smith is a British actor best known for playing the eleventh Doctor in the long-running British sci-fi series 'Doctor Who'.
Childhood: Matt Smith was born in Northampton, England. He attended Northampton School for Boys where he developed a love of football and an ambition to become a professional football player while he was involved in the youth teams Northampton Town F.C., Nottingham Forest F.C. and Leicester City F.C. A back injury resulting in spondylosis, an osteoarthritic condition, meant that he could no longer embark on a football career, but he was introduced to acting after being encouraged to take part in a rendition of Reginald Rose's 1954 play 'Twelve Angry Men'.
He then joined the National Youth Theatre and attended the University of East Anglia where he studied Drama and Creative Writing.
Acting Career: After appearing in several plays as part of the National Youth Theatre and Royal National Theatre and making his West End debut with 'Swimming with Sharks', he made his first TV appearances alongside Billie Piper in the adaptions of the books 'The Ruby in the Smoke' and 'The Shadow in the North'. He played Danny Foster in the BBC drama series 'Party Animals' and appeared opposite Billie Piper for a second time in an episode of the Belle de Jour drama 'Secret Diary of a Call Girl'.
He began his Doctor Who career in 2010 following the departure of the tenth Doctor played by David Tennant. Being 26 when he was unveiled as the new actor, he became the youngest to take on the role and has been so for three series, revealing that he plans to stay on until 2014 at least. His portrayal as the Doctor has earned him a BAFTA nomination.
Personal Life: Matt Smith was in a relationship with model Daisy Lowe, but split with her in 2011 due to other commitments. He has no religious affiliation and is an enthusiastic fan of football team Blackburn Rovers.
'The Crown's writer Peter Morgan has suggested that, as the royal couple get older in the series, Foy and Smith may have to be replaced.
However, fans will apparently only be able to enjoy seeing Foy and Smith in their roles as the royal couple for one more season, as the show’s writer Peter Morgan revealed plans to re-cast the roles in order to accurately depict the royals as they get older.
Foy, 32, and Smith, 34, have depicted the couple in the late 1950s and early 1960s in the first season of ‘The Crown’, and they’ve both confirmed they’ve signed up for the upcoming second season. However, speaking to ScreenDaily, writer Morgan suggested that most of the characters would have to be re-cast for the purposes of any series after that.
Matt Smith and Claire Foy arrives at the 23rd Annual Screen Actors Guild Awards (SAG) 2017 held at The Shrine Auditorium Media Complex - Los Angeles, California, United States - Sunday 29th January 2017
Could he replace Peter Capaldi after season 10?
There's a rumour going around that former 'Doctor Who' star Matt Smith is set to return as the Doctor following the departure of Peter Capaldi, despite the fact that no Doctor has ever returned on a long-term basis before. Moffat, who is also preparing to leave the show in 2017, talked about the actor's regret about leaving.
Matt Smith wants to come back to 'Doctor Who'
Series 10 is set to air next year and will be the final series starring Peter Capaldi. There's no word yet on who might replace him, but Moffat has hinted that Smith could be a contender once again. While it's very unlikely that Smith will come back to the show (except on a brief cameo basis) given that no other Doctor ever has, whispers of his return started after 'Doctor Who' writer Steven Moffat confessed that the actor missed the show.
Continue reading: Will Matt Smith Fulfill His Wish Of Returning To 'Doctor Who'?
Only funny if you like that sort of thing.
The long-awaited film adaptation of Seth Grahame-Smith's 'Pride and Prejudice and Zombies' (itself a humorous horror take on the Jane Austen novel) has finally hit cinemas, and the critical reception is predictably mixed. Overall, it seems that it's a low-budget laugh, if lacking a stimulating plot.
Pride And Prejudice And Zombies divides critics
Basically, the story follows that of 'Pride And Prejudice' in that the Bennet sisters' mother is attempting to marry them off to wealthy suitors, with the added idea that their father is having them undergo weapons training to defend themselves against the zombies that roam the land.
In a world where the undead are waiting around every corner to tear you limb from limb, naturally you have worries more pressing than trying to penetrate the brooding aloofness of Mr Darcy. And yet, Elizabeth Bennet's dexterity in destroying zombies leaves her able to ponder the trivial moments of her life; not that potential marriage is regarded as such within the Bennet household. Elizabeth's parents are determined to wed their daughters to some wealthy newcomers, and while she isn't the prettiest of her sisters, her down-to-earth and bookish nature is enough to catch Mr Darcy's eye. But this isn't a straight-forward relationship; this couple have a lot of feelings to unlock while defending each other against flesh-eating fiends. Let's just hope death doesn't get in the way of what could truly be a match made in heaven.
This declining franchise really needed a jolt to the head, but the producers disappointingly opt to play it safe with an unambitious script and child-friendly action. After the OK part 3 (2003's Rise of the Machines) and a weak part 4 (2009's Salvation), this film is unlikely to win new fans or keep the old ones hoping for more. Even though it's made to a high technical standard, the movie feels derivative and safe, avoiding any properly dangerous tension for a series of badly contrived action set-pieces.
It opens in 2029, as plucky rebel John Connor (Jason Clarke) is fighting the world-dominating Skynet machines with the help of his right-hand man Kyle Reese (Jai Courtney). When Skynet sends a Terminator (the young Arnold Schwarzenegger) back to 1984 Los Angeles to kill John's mother Sarah (Emilia Clarke), Kyle follows to rescue her. But he arrives to find the timeline already altered. Sarah had been attacked years earlier, rescued at age 9 and raised by an ageing Terminator she calls Pop (the present-day Arnie). Since everything has changed, Sarah and Kyle decide to jump forward to 2017 San Francisco so they can stop Skynet from taking over the planet with its Genisys operating system. But when they arrive, they realise that there's been even more jiggery-pokery in the timeline.
The way the film wraps in and around the 1984 original is clever, with added intrigue in the fact that Kyle and Sarah haven't yet fallen for each other and conceived John. So when he turns up in San Francisco, there are all sorts of mind-bending possibilities. Alas, the screenwriters can't be bothered to play with them. Instead they structure the film as a series of rambling expository conversations leading to yet another pointless flurry of explosive carnage. Honestly, if Terminators are literally indestructible, why bother trying to defeat them with guns? And yet everyone keeps shooting at them, just making them mad.
Continue reading: Terminator Genisys Review
With the war between mankind and Skynet drawing to a close, resistance leader John Connor (Jason Clarke) discovers a terrible invention - a time machine. Knowing that the almost defeated Skynet have sent a terminator back in time to kill his own mother and stop the human resistance from forming, Connor has to send his best friend and most trusted lieutenant, Kyle Reese (Jai Courtney) back in time to protect her. When Reese arrives, Sarah Connor (Emilia Clarke) is already prepared for the coming storm, as she has been raised since childhood by the machines themselves. A reprogramed Terminator (Arnold Schwarzenegger) has protected her for years, and is not preparing for the ultimate fight against the greatest enemy.
Continue: Terminator Genisys Trailer
Scott Eastwood hits the red carpet in Los Angeles, Ryan Gosling meets his fans in London, and Paul Reubens gets back into Pee-Wee gear for his new movie. Trailers this week offer glimpses at a comedy from Jack Black, action with Pierce Brosnan, both comedy and action with Zach Galifianakis, and a moving documentary about Amy Winehouse...
Rising-star hunk Scott Eastwood hit the red carpet in Los Angeles this week for the premiere of his new movie The Longest Ride, a romantic drama based on the Nicholas Sparks novel. Sparks was on-hand as well, along with costars Oona Chaplin, Britt Robertson, Melissa Benoist and director George Tillman Jr.
With his writing-directing debut, Ryan Gosling shows audacious skill as a visual artist but never quite manages to recount a story that grabs hold of the audience. It's a stunningly gorgeous film packed with strong, earthy performances from a starry cast playing against type. But there's no momentum at all to the narrative, which is packed with random symbolism that never quite resolves into anything either meaningful or emotionally engaging.
Lost River is a decaying, abandoned city on the edge of a lake created by damming up a river and flooding another town. In what's left of their neighbourhood, Billy (Christina Hendricks) lives in her family home with her sons: a toddler and a teen named Bones (Iain De Caestecker), who helps support the household by scavenging for copper in the vacant buildings nearby. But he's encroaching on the turf of self-proclaimed gangster Bully (Matt Smith), who is intent on exacting vicious revenge. Meanwhile, next-door neighbour Rat (Ronan) is caring for her delusional granny (Barbara Steele) and trying to help Bones. And when the new bank manager Dave (Ben Mendelsohn) turns down Billy's cry for help, she takes a job at his seedy underworld nightclub alongside Cat (Eva Mendes).
Aside from some blood-soaked cabaret, what goes on in this nightclub remains rather mysterious, as Billy finds higher-paying work in the purple-hued basement fetish rooms. But then everything in this film is enigmatic, as Gosling deliberately refuses to connect the dots. This gives the film an intriguing David Lynch-style tone, although it lacks Lynch's eerie resonance. There's also a touch of John Waters-style trashiness and Terrence Malick-style natural beauty, plus the clear influence of Gosling's heavily stylised past directors Nicolas Winding Refn (Drive and Only God Forgives) and Derek Cianfrance (Blue Monday and The Place Beyond the Pines). In other words, almost everything in this film feels like a reference to another movie, but it's expertly assembled to look fabulous from start to finish, with some seriously striking sequences along the way.
Continue reading: Lost River Review
Ryan Gosling made a guest appearance at the South by South West Film Festival in Texas on Friday (13th March) and discussed his soon-to-be-released film and the 'Hey Girl' memes.
'Hey Girl' has become synonymous with Ryan Gosling but the 34-year-old actor isn't sure where it came from. Gosling was the guest speaker at the South by Southwest Film Festival and discussed his latest film, Lost River, and 'Hey Girl' with director Guillermo Del Toro.
Ryan Gosling at the premiere of Lost River in Cannes in 2014.
Continue reading: Ryan Gosling Talks 'Hey Girl', 'Lost River' And Detroit At SXSW
Dark times have engulfed the world. With the steady rise of economic depression across the globe, a small town has found itself under the thumb of a feared bully (Matt Smith). Single mother, Billy ('Firefly' and 'Mad Men''s Christina Hendricks) has to engage in a dark lifestyle to provide enough for her family to survive, and provide the best life possible for her children. Her eldest son is desperate to help take some of the load off her shoulders, and ends up stealing from the Bully, earning his hatred. All the while, they town lurks on the banks of a flooded town, known to everyone as the Lost River.
Continue: Lost River Trailer
Date of birth
28th October, 1982
In a world where the undead are waiting around every corner to tear you limb...
This declining franchise really needed a jolt to the head, but the producers disappointingly opt...
With the war between mankind and Skynet drawing to a close, resistance leader John Connor...
With his writing-directing debut, Ryan Gosling shows audacious skill as a visual artist but never...
Dark times have engulfed the world. With the steady rise of economic depression across the...
Mankind has been all but wiped out. When Skynet became self-aware, it launched tactical nuclear...