After ex-cop Brian (Walker) and his girlfriend Mia (Brewster) break Dom (Diesel) out of prison, they head to Rio to hide out with Dom's old pal Vince (Schulze). Naturally, Vince has an elaborate heist planned, of course involving superfast cars. And it goes so spectacularly wrong that doggedly determined Federal agent Hobbs (Johnson) heads to Brazil to track them down. But there's one last job to do, which involves getting even with Rio's ruthless crime boss (de Almeida), so they call their old team (including Gibson, Bridges, Gadot and Kang) into action.
Continue reading: Fast Five Review
Joel Reynolds is a married businessman; his business Reynold's Extract is a failing flavouring company. When his soon to be floor manager is badly injured it's just the start of worse things to come. Constantly frustrated due to the lack of sex in his marriage and his worsening financial status he turns to Dean, his best friend who works as a barman who suggests a medicinal solution to his problems. Joel being the man that he is turns down Dean's offer and returns to work.
Continue: Extract Trailer
The plot of The Transporter never extends beyond the borders of a video game story. Basically, if you need something - or someone - transported from one place to another, you drop a call to Ex-Special Forces operator Frank Martin (Jason Statham) and his "tricked-out" BMW to deliver the goods. But, remember - before you hire Mr. Frank for one of your mysterious and sometimes dangerous tasks - you must remember his three golden rules.
Continue reading: The Transporter Review
In its first 120 seconds, "The Fast and the Furious" makes it abundantly clear that if you're interested in anything more than gunning engines, squealing tires, custom paint jobs and arm-ornament hard-body bimbos, you're watching the wrong movie.
The opening scene is a stunt-driving sequence in which three pimped-out black Hondas ambush an 18-wheeler in what may be the most idiotically complicated hijacking in movie history.
Inside the Hondas are black marketeers looking to boost the truck's load of VCRs. But instead of forcing the truck off the road in more battle-worthy vehicles then holding the driver at gunpoint, one Honda pulls in front and a guy stands up through the sunroof, firing a harpoon through the truck's window. Then he proceeds to edge along the wire attached to the harpoon, climbing into the cab to confront the driver.
Continue reading: The Fast & The Furious Review
Adrenaline-fueled and mirthfully over-the-top, "The Transporter" is the kind of action movie that winks at the audience in a "we know this is stupid, just have fun" way that big, dumb stunts-and-guns summer blockbusters like "XXX" are sorely lacking.
In "XXX," star Vin Diesel seems to think he's genuinely cooler than cool and director Rob Cohen treats his video-game-fodder plot with laughable seriousness.
But in this kaplewy-and-kung-fu fun-ride, equally tough but tongue-in-cheek star Jason Statham ("Snatch," "The One") and martial arts choreographer-turned director Cory Yuen so clearly revel in their picture's excesses that you can imagine Yuen hollering "Cut," and Statham smiling back at him like a kid on a roller coaster, saying "Let's do that again!"
Continue reading: The Transporter Review
Visually and atmospherically, the video game-like vampire-action sequel "Blade II" is slick, dark and cool, yet it doesn't take itself too seriously. The flick's fancy-schmancy martial arts fight scenes even incorporate low-brow wrestling moves like the pile-driver.
But strip away its elusive sense of humor and its expensively hip Hong Kong-spawn sheen, and what's left is a sloppy plot, lifeless characters (no pun intended), and elementary execution masquerading as something more.
Based on one of those now-ubiquitous comic books set in a dusky, dingy alternative reality, the movie is about a vampire hunter who is half vampire himself -- he has all the usual bloodsucker powers but he can go out in the sun. Wesley Snipes, sporting a flamboyant flattop coif, wrap-around shades and a black leather duster, reprises his title role from the 1998 original, which was pretty much nothing but blood-splattered nightwalker-daywalker showdowns set to a rave music beat. Knowledge of that movie isn't a prerequisite for this one, which is a marked improvement while still being saddled with all the same problems.
Continue reading: Blade II Review
Buoyed by the success of last year's 'Ocean Av', Boston-born Brooklynite Emma Frank releases her fourth album 'Come Back'.
The Irish folk brothers have plenty of stories to tell.
In terms of approach, 'Chain Tripping' takes some beating. To call Yacht's latest release conceptual would be underplaying its inspiration wildly.
On 'Tallulah', Grant Nicholas and Taka Hirose seem to have that burning connection again.
Burn My Eyes was released on this day (August 9th) in 1994.
With an eclectic mix of established acts, up and coming talent and resurgent household names, Neverworld once again offered up some superb musical...
Listen to their new song 'Alchemy'.
Director Lin and writer Morgan throw literally everything at the screen in this loud, meaty,...
Joel Reynolds is a married businessman; his business Reynold's Extract is a failing flavouring company....
With the goofiest title of the year so far - The Transporter is a prime...
In its first 120 seconds, "The Fast and the Furious" makes it abundantly clear that...
Adrenaline-fueled and mirthfully over-the-top, "The Transporter" is the kind of action movie that winks at...
Visually and atmospherically, the video game-like vampire-action sequel "Blade II" is slick, dark and cool,...