Devoted father Ben (Viggo Mortensen) has been raising his six children in the forests of the Pacific NorthWest with his wife and teaches them the skills for a sustainable life off the grid.
However the death of Ben's wife forces the family to be thrust into the real world and not live on the outside anymore, they are forced to integrate and learn new skills that make them 'fit in' with everyone else. This comes as a challenge for Ben as he quickly becomes under threat for his parenting skills and he finds himself questioning all that he has ever known. This film sees a family pulling together through a hard stage in their life and provides heart- warming entertainment.
Captain Fantastic offers a unique look in to the lives of a family that have been cut off from the world and their different approach to living.
Matt Ross - Variety's Creative Impact Awards And 10 Directors To Watch Brunch at The 27th Annual Palm Springs International Film Festival - Los Angeles, California, United States - Sunday 3rd January 2016
Matt Ross - Variety's Creative Impact Awards and 10 Directors To Watch Brunch at the Parker Palm Springs hotel - Arrivals at Parker Hotel - Palm Springs, California, United States - Sunday 3rd January 2016
Chris Eigeman makes an impressive debut as writer/director of Turn the River, ably abetted by an intense, edgy star turn from Famke Janssen as a pool hustler who wants to grab her abused son away from his weak, alcoholic father and get the hell out of town fast.
Continue reading: Turn The River Review
A schizoid doppelganger mind-bender wrapped around your standard ticking-bomb scenario (it's hidden somewhere in Los Angeles and could take out the whole basin if detonated -- or something), Face/Off is an utterly lunatic film in the best possible way. Originally a futuristic thriller, the script was retooled for a modern-day setting, keeping several of its sci-fi elements but focusing more intently on its personality-shifting aspects which seemed to come straight out of Woo's international breakthrough, The Killer. An FBI agent, Sean Archer (John Travolta) has been hunting jet-set super-criminal Castor Troy (Nicolas Cage) for years. For Archer, it's gone beyond personal to haunted obsession, particularly after Troy tried to shoot Archer but missed and killed his son instead. After a gonzo opening sequence involving a Humvee/private jet showdown on a runway and about ten thousand expended rounds (mostly fired by people flying sideways in slo-mo, of course), Archer's team brings down Troy.
Continue reading: Face/off Review
From the first notes of The Beach Boys' "God Only Knows" ringing under an otherworldly opening credit sequence, Big Love hints at a combination of somber connection and sincere personal adoration. At the center is Bill Henrickson (Bill Pullman), an ambitious home superstore owner who lives a clean, Utah Mormon life... along with his three wives and gaggle of kids.
Continue reading: Big Love: Season One Review
As its title would imply, The Aviator focuses Hughes through the lens of the airplane, his greatest passion in the world. Hughes is known for many things -- business, movies, his women, hypochondria, political scandal (the lattermost is barely touched in this film) -- but it's his love of and scientific advances with aircraft that have had the most lasting effects on society.
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The story of the witch-hunt has endlessly retold, usually laden with the same self-satisfied 20/20 hindsight that afflicts stories of the civil rights movement, and fortunately Clooney and co-writer Grant Heslov see no need to go through it all again. With admirable precision, they've sliced away most all the accoutrements often used to open up the era for the modern viewer, ala Quiz Show. This is a film that takes place almost entirely inside a CBS studio and newsroom, with occasional trips to hallways, elevators, and a network executive's wood-paneled office. Once, they all go out to a bar. It's best in the studio, because that's where we find Murrow - incarnated with almost indecent accuracy by David Strathairn - looking and sounding like as though Rod Serling had decided to rejoin the human race, his manner clipped and astringent, cigarette cocked in one hand like a talisman warding off evil.
Continue reading: Good Night, And Good Luck Review
The Manhattan-based indie traces a few weeks in the life of urban greenhorn Eddie (Matt Ross), whose titular move is from the wide-open, cheesy state of Wisconsin to the dog-eat-dog world of New York City. Eddie, a genetics researcher and rice breeder, faces the world alone -- a stranger in a strange land. He lives in a cheap motel while he tries to find a non-psychotic roommate, can't get a simple hamburger at a restaurant, and finds his Midwestern sensibilities out of place in the big city.
Continue reading: Ed's Next Move Review
It's eight years later, and Poiré has directed another small comedy about two 12th century Frenchmen (hmm, played by Jean Reno and that same popular French guy) who are mistakenly transported to Chicago 2000. Hey, wait a minute!
Continue reading: Just Visiting Review
At its heart, the movie is a haunted house flick in the vein of recent films like House on Haunted Hill and Thirteen Ghosts, albeit one that takes a long time to get going, a long time to build up a story, and a long time to get over with. But they had a lot of commercials to sell, so who can fault them, huh?
Continue reading: Rose Red Review
Eschewing every pitfall of the biopic genre and delving deeply into the essence of both Howard Hughes' genius and his slow burn into madness, Martin Scorsese's "The Aviator" is a film of grand scope and masterfully intimate nuance, portraying a wild young mustang of a man who lived a fast life on an epic scale.
Presenting Hughes' view of the world as one in which nothing is impossible and the most momentous, groundbreaking decisions come instantly and instinctively ("What would controlling interest in TWA cost me?"), the film's crux is not the psychosis the man is best known for today, but his gift for sparing no expense to pursue novel visions no one else could see.
"We gotta reshoot 'Hell's Angels' for sound," Hughes decides on a whim in an early scene, after having already spent four years and millions of his own dollars perfecting his first foray into filmmaking -- a World War I epic featuring dozens of biplanes in an ambitious, jaw-dropping dogfight scene, parts of which Hughes shoots from a plane he flies into the fray himself.
Continue reading: The Aviator Review
The 1969 session, including the only known recording of 'Sunshine Woman' by the band, will be included on a re-issue of 'The Complete BBC Sessions'...
The 55 year old actor joined Chris Martin and co. on stage in New Jersey to perform 'Earth Angel' and 'Johnny B. Goode'.
Bjork Digital comes to London's Somerset House in September, along with a single live show at the Royal Albert Hall.
Kim Kardashian released an audio excerpt from a phone call between Kanye and Taylor Swift over the lyrics of 'Famous' - but if it was recorded...
There's very much a strength of conviction in remaining what you were, but arguably more so in becoming what you want to be.
The BBC drama starring Aidan Turner returns to BBC One on September 4th.
Guns N' Roses were detained at the Canadian border last week for gun possession but they're adamant the weapon didn't belong to them.
Devoted father Ben (Viggo Mortensen) has been raising his six children in the forests of...
The mythology of Howard Hughes is quite possibly bigger than the man could ever live...
One doesn't need much more of a reason to go to the movies than this:...
In 1993, director Jean-Marie Poiré created a small comedy sensation about two 12th century Frenchmen...
Invest six hours in the DVD release of this Steven King miniseries and you'll come...
Eschewing every pitfall of the biopic genre and delving deeply into the essence of both...
"American Psycho" could be called a personality sketch of a serial killer, but Patrick Bateman...