An offbeat comedy-drama with a timely kick, this charming family road trip takes on some very deep topics without flinching. It's essentially an impassioned plea to snap out of the way people in the West have been sleepwalking into consumerism and complacency. Viewers who believe that things are just fine will probably be troubled (or angered) by this movie, but those willing to think and have their beliefs challenged will find it entertaining and invigorating.
It opens in the American northwest, where Ben (Viggo Mortensen) is raising his six kids in the middle of a forest, teaching them to use their minds and bodies to think and survive. His wife is ill in hospital, and when she dies the kids insist on attending her funeral, even though her parents (Frank Langella and Ann Dowd) ask Ben not to come. So they pile into the family bus and head across country, stopping to visit Ben's sister and brother-in-law (Kathryn Hahn and Steve Zahn). This encounter and others along the road demonstrate just how far advanced Ben's children are, although they're not terribly well equipped to interact with general society. Eldest son Bodevan (George MacKay) has been accepted into all of the top universities, but hasn't a clue how to talk to a girl. And middle son Rellian (Nicholas Hamilton) is beginning to question the Bohemian lifestyle.
This is a fascinating exploration of a group of children whose upbringing has given them razor-sharp minds, leading them to political beliefs that are far outside the mainstream. The unsubtle connection is that the majority of the public are manipulated by corporate interests that put money ahead of everything else. Actor-turned-filmmaker Matt Ross smartly explores this theme from every angle, which makes the film easy to engage with. And it helps that the driving force of the plot is the emotional desire to say goodbye to a wife and mother.
Continue reading: Captain Fantastic Review
Viggo Mortensen posing alone and with Matt Ross and Annalise Brasso at the premiere of Bleecker Street's latest movie 'Captain Fantastic' held at Harmony Gold Theater. Viggo plays Ben, the father of a large family who live in the woods. Los Angeles, California, United States - Tuesday 28th June 2016
Devoted father Ben (Viggo Mortensen) has been raising his six children in the forests of the Pacific NorthWest with his wife and teaches them the skills for a sustainable life off the grid.
However the death of Ben's wife forces the family to be thrust into the real world and not live on the outside anymore, they are forced to integrate and learn new skills that make them 'fit in' with everyone else. This comes as a challenge for Ben as he quickly becomes under threat for his parenting skills and he finds himself questioning all that he has ever known. This film sees a family pulling together through a hard stage in their life and provides heart- warming entertainment.
Captain Fantastic offers a unique look in to the lives of a family that have been cut off from the world and their different approach to living.
Matt Ross - Variety's Creative Impact Awards And 10 Directors To Watch Brunch at The 27th Annual Palm Springs International Film Festival - Los Angeles, California, United States - Sunday 3rd January 2016
Matt Ross - Variety's Creative Impact Awards and 10 Directors To Watch Brunch at the Parker Palm Springs hotel - Arrivals at Parker Hotel - Palm Springs, California, United States - Sunday 3rd January 2016
Alec Berg, Thomas Middleditch, Zach Woods, Kumail Nanjiani, Mike Judge, Martin Starr and Matt Ross - HBO Presents The Season Two Screening of Silicon Valley With Mike Judge and Alec Berg at The Village - San Francisco, California, United States - Thursday 9th April 2015
Chris Eigeman makes an impressive debut as writer/director of Turn the River, ably abetted by an intense, edgy star turn from Famke Janssen as a pool hustler who wants to grab her abused son away from his weak, alcoholic father and get the hell out of town fast.
Continue reading: Turn The River Review
A schizoid doppelganger mind-bender wrapped around your standard ticking-bomb scenario (it's hidden somewhere in Los Angeles and could take out the whole basin if detonated -- or something), Face/Off is an utterly lunatic film in the best possible way. Originally a futuristic thriller, the script was retooled for a modern-day setting, keeping several of its sci-fi elements but focusing more intently on its personality-shifting aspects which seemed to come straight out of Woo's international breakthrough, The Killer. An FBI agent, Sean Archer (John Travolta) has been hunting jet-set super-criminal Castor Troy (Nicolas Cage) for years. For Archer, it's gone beyond personal to haunted obsession, particularly after Troy tried to shoot Archer but missed and killed his son instead. After a gonzo opening sequence involving a Humvee/private jet showdown on a runway and about ten thousand expended rounds (mostly fired by people flying sideways in slo-mo, of course), Archer's team brings down Troy.
Continue reading: Face/off Review
From the first notes of The Beach Boys' "God Only Knows" ringing under an otherworldly opening credit sequence, Big Love hints at a combination of somber connection and sincere personal adoration. At the center is Bill Henrickson (Bill Pullman), an ambitious home superstore owner who lives a clean, Utah Mormon life... along with his three wives and gaggle of kids.
Continue reading: Big Love: Season One Review
As its title would imply, The Aviator focuses Hughes through the lens of the airplane, his greatest passion in the world. Hughes is known for many things -- business, movies, his women, hypochondria, political scandal (the lattermost is barely touched in this film) -- but it's his love of and scientific advances with aircraft that have had the most lasting effects on society.
Continue reading: The Aviator Review
The story of the witch-hunt has endlessly retold, usually laden with the same self-satisfied 20/20 hindsight that afflicts stories of the civil rights movement, and fortunately Clooney and co-writer Grant Heslov see no need to go through it all again. With admirable precision, they've sliced away most all the accoutrements often used to open up the era for the modern viewer, ala Quiz Show. This is a film that takes place almost entirely inside a CBS studio and newsroom, with occasional trips to hallways, elevators, and a network executive's wood-paneled office. Once, they all go out to a bar. It's best in the studio, because that's where we find Murrow - incarnated with almost indecent accuracy by David Strathairn - looking and sounding like as though Rod Serling had decided to rejoin the human race, his manner clipped and astringent, cigarette cocked in one hand like a talisman warding off evil.
Continue reading: Good Night, And Good Luck Review
The Manhattan-based indie traces a few weeks in the life of urban greenhorn Eddie (Matt Ross), whose titular move is from the wide-open, cheesy state of Wisconsin to the dog-eat-dog world of New York City. Eddie, a genetics researcher and rice breeder, faces the world alone -- a stranger in a strange land. He lives in a cheap motel while he tries to find a non-psychotic roommate, can't get a simple hamburger at a restaurant, and finds his Midwestern sensibilities out of place in the big city.
Continue reading: Ed's Next Move Review
It's eight years later, and Poiré has directed another small comedy about two 12th century Frenchmen (hmm, played by Jean Reno and that same popular French guy) who are mistakenly transported to Chicago 2000. Hey, wait a minute!
Continue reading: Just Visiting Review
At its heart, the movie is a haunted house flick in the vein of recent films like House on Haunted Hill and Thirteen Ghosts, albeit one that takes a long time to get going, a long time to build up a story, and a long time to get over with. But they had a lot of commercials to sell, so who can fault them, huh?
Continue reading: Rose Red Review
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