Shia LaBeouf is well-cast in this freewheeling combination of comedy, romance and action. He plays a scruffy guy with no plans and nothing to lose, lost in a strange culture while falling in love with the wrong woman. It's not a particularly original premise, and much of what happens feels wildly improbable, but the characters and situations are so entertaining that we can't help but hold on for the ride.
It opens in Chicago, where Charlie (LaBeouf) watches helplessly as his mother (Melissa Leo) dies in hospital, asking her what he should do next. Then there she is appearing to him, telling him to visit Bucharest. "That's weirdly specific," he replies, but he follows her advice, and on the flight over has another encounter with a dead person. This one asks him to look up his daughter Gabi (Evan Rachel Wood) and give her a message. Of course, Charlie is instantly smitten, but tries to ignore the fact that Gabi's psychopathic husband Nigel (Mads Mikkelsen) looks easily capable of murder. As does the mobster club owner Darko (Til Schweiger) Charlie has a run in with while out on the town with his youth hostel roommates, two chucklehead Brits (Rupert Grint and James Buckley).
As the title suggests, Charlie feels like death is inevitable for him, especially now that he seems to have caught whatever that kid from The Sixth Sense had. LaBeouf gives Charlie just the right mix of hapless loser and quick-thinking resourcefulness, and his chemistry with Wood is tetchy and fun to watch. Meanwhile, the scene-stealing supporting stars Mikkelsen, Schweiger, Grint and Buckley add a terrific mixture of comedy silliness and dark peril. This seems to be director Fredrik Bond's main goal here: to blend genres from grim drama to sweet romance to goofy slapstick to Taken-style action violence.
Continue reading: The Necessary Death of Charlie Countryman Review
Five teenagers - Holden; Curt; Marty; Jules and Dana - decide to go on a weekend trip to let off some steam. Not surprisingly, their location of choice is a cabin in the woods. So remote is this cabin that it doesn't show up on the teens' GPS.
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Based on an award-winning story by Tom McNeal, Tully is a guy-at-a-crossroads tale, told with a welcome lack of standard convention. The title character, played by able newcomer Anson Mount (Crossroads), is a young, good-looking fella admired by most of the women in his Nebraska farming town, and playing his quiet popularity for all it's worth. Tully works on his pappy's farm with his younger brother, Earl, but still finds time to get it on with a local stripper (Catherine Kellner) on the hood of her car (or his car, if available).
Continue reading: Tully Review