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Going In Style Trailer


There comes a point in life where you get to a certain age and realise that right and wrong no longer means anything. Being a law-abiding citizen sure doesn't guarantee you comfort or security, so when Willie (Morgan Freeman), Joe (Michael Caine) and Albert (Alan Arkin) find they have had their pension payments cut off, they really have nothing else to lose. When Joe visits the bank to have a meeting about his mortgage repayments, he witnesses a professional bank robbery and is so impressed by the organisation of it that he decides enough is enough; he wants to get in on that kind of action himself. So these three long-time buddies band together to pull off the ultimate theft of the bank that is systematically destroying the lives of hard-working citizens, get their money back and give the rest to charity.

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Matt Dillon - Photographs of a variety of stars as they attended the 2015 FOX Winter Television Critics Association All-Star Party which was held at the Langham Huntington Hotel in Los Angeles, California, United States - Saturday 17th January 2015

Matt Dillon
Matt Dillon
Matt Dillon
Matt Dillon
Matt Dillon
Matt Dillon

The Art Of The Steal Trailer


Crunch Calhoun is a motorcycle stunt artist and former art thief who caused himself some pretty crippling damage in his last daredevil show. Now, feeling useless and bored without his usual adrenaline fix, he decides to go back to work in a new heist - right after his neck brace comes off first. He enlists his half-brother Nicky into his latest criminal scene, as well as his forger friend Guy de Cornet and his new apprentice Francie Tobin, while Crunch himself will use his motorcycle skills as the party's wheelman. The plan? Steal the Gutenberg Bible; the world's most valuable book; and switch it for a fake. It soon becomes clear as the heist gets underway, however, that not everyone in on the scheme can be trusted. Can such a huge plot be successful with betrayal on the cards?

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Girl Most Likely Review


Very Good

Even though this comedy has a tendency to dip into cartoonish silliness, it's anchored by a razor-sharp performance by Wiig as a woman forced to confront everything she hates about herself. The film is also packed with hilarious moments that keep us laughing, and it also gets surprisingly sexy and emotional along the way.

Wiig plays Imogene, who has done nothing with her career after winning a rising-star playwright award. Then she loses her day job as a listings editor just as her high-flier boyfriend (Petsos) leaves her. When she fakes a suicide attempt to get some attention, she's court-ordered to move in with her free-spirited mother Zelda (Bening) back home in New Jersey. There she struggles with Zelda's colourful boyfriend George (Dillon), who claims to be a top-secret spy, her goofy-inventor brother Ralph (Fitzgerald) and the smart, sexy and very young lodger Lee (Criss) who rents her old bedroom. But just as she's beginning to cope, a family secret shakes her to the core.

Even as the script strains to be improbably zany, Wiig holds the film together with a startlingly honest comical turn. From the start we knew she didn't fit in with her Manhattan friends, and her slightly out-of-control personality is much more suited to the Jersey Shore. Her scenes with Criss are very nicely played, as they develop an unexpected relationship. By contrast, Bening struggles to appear as dim as Zelda seems to be, while Dillon hams it up as her fantasist toy boy and Fitzgerald's Ralph is so nutty that he seems to be from another movie altogether.

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Matt Dillon - FOX 2103 Upfront Presentation Post-Party at Wollman Rink - Central Park - New York City, NY, United States - Monday 13th May 2013

Matt Dillon
Matt Dillon

Girl Most Likely Trailer


Imogene cannot seem to move on from her unsuccessful career as a playwright in New York and her destroyed relationship with a former boyfriend. Dreaming of the past and what could've been, she goes into meltdown and wakes up in the bed of a psychiatric unit with a doctor informing her that she must either stay in hospital or be cared for by a close relative. She is ultimately forced to go back to her hometown in New Jersey to be with her wayward mother who has never had the ability to take care of her properly as a child let alone as an adult. However, when she gets home, she discovers that her mother is living with an eccentric compulsive liar and has rented out Imogene's bedroom to a young man, who happens to be rather charming. She soon learns that in order to get better and be able to stand on her own two feet again, she must accept her family as it is and forgive her mother for her past struggles.

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Meryl Starr, Matt Dillon and Aviva Drescher - Meryl Starr, Matt Dillon and Aviva Drescher Tuesday 2nd October 2012 GLAAD honors the best in LGBT Inclusive Advertising at XL Nightclub

Meryl Starr, Matt Dillon and Aviva Drescher

Matt Dillon Monday 4th April 2011 Celebration for The New Group Off-Broadway production of 'Wallace Shawn's Marie and Bruce' held at the Heartland Brewery - Arrivals. New York City, USA

Matt Dillon
Matt Dillon
Matt Dillon
Matt Dillon

Takers Trailer


Up unTIl now Gordon Cozier and his bank robber gang have remained one of the most proficient crews in the business. Each robbery is planned with meticulous precision, nothing is left to chance and every eventuality is planned for.

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Old Dogs Review


Terrible
To call this comedy a disaster is an understatement. It's aggressively awful, and manages to push its worst gags so numbingly off the scale that we're left slack-jawed in disbelief. Amazingly, the cast members just about get out alive.

Charlie and Dan (Travolta and Williams) are old pals and partners as sports publicists. Charlie is a relentless bachelor, teasing Dan about his impulsive, brief Vegas marriage to Vicki (Preston) eight years earlier. What neither of them knows is that Vicki gave birth to Dan's twins (Ella Bleu Travolta and Rayburn), and now she needs him to watch them for two weeks. Nutty antics ensue as these cute kids upset these men's life, dragging them off for a weekend camping trip and of course slowly winning them over in the process.

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Matt Dillon - Friday 5th March 2010 at Independent Spirit Awards Los Angeles, California

Matt Dillon

Matt Dillon - Thursday 4th March 2010 at Beverly Hilton Hotel Beverly Hills, California

Matt Dillon
Matt Dillon
Matt Dillon

Matt Dillon and Charlotte Ronson - Friday 12th February 2010 at New York Fashion Week New York City, USA

Matt Dillon and Charlotte Ronson
Matt Dillon and Charlotte Ronson

Armoured Trailer


Watch the trailer for Armoured

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Matt Dillon - Tuesday 1st December 2009 at Independent Spirit Awards Los Angeles, California

Matt Dillon
Matt Dillon and Taraji P. Henson
Matt Dillon
Matt Dillon and Taraji P. Henson
Matt Dillon and Taraji P. Henson
Matt Dillon and Taraji P. Henson

Old Dogs Trailer


Watch the trailer for Old Dogs

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Matt Dillon Tuesday 23rd June 2009 Persol 'Incognito Design' Exhibition Opening held at The Whitney Museum New York City, USA

Matt Dillon
Matt Dillon
Matt Dillon and Pierre
Matt Dillon

Matt Dillon Tuesday 27th January 2009 Riverkeeper's Reflected Light IV auction and cocktail party at the IAC buliding New York City, USA

Matt Dillon
Matt Dillon

Joe Strummer: The Future Is Unwritten Review


Excellent
The flames from the bonfires around which the participants in Julien Temple's loving filmic portrait Joe Strummer: The Future is Unwritten helps bring something more to their faces and words than the cold glare of a documentarian's prying camera. Warmth, heat, honesty... whatever it is, that factor is a large part of what makes this documentary such a rollicking, damn near inspirational film, since these people for the most part don't appear to be simply spitting words at an interviewer in the standard manner of a documentary, but rather conversing. They're not being interviewed, it seems, but just talking, telling stories around a fire to whomever happens to be listening (as one does), helping the crackling flames keep back the circle of night by remembering one of the century's most astounding and inexplicable talents.

A child of British diplomats who was always keenly embarrassed of his public school education and refers to himself as "a mouthy little git," Strummer was squatting in London with gypsies in the mid-1970s, busking for food money, playing in a pub band called the 101ers, and generally charming the pants off of everyone he met. It was a hand-to-mouth existence, but seemed like the kind of thing Strummer could do for years, living his beloved lowlife. Then he was being introduced to a trio of short-haired punks, The Clash was formed, and Strummer was on his way to rock stardom. He wasn't a singer, he was a yelper (as some fantastic footage of him laying down the vocal track for "White Riot" shows particularly well), a snaggletoothed smoker with a penchant for nonsensical lyrics and overblown statements. But in Strummer's work, with The Clash and afterwards, there always rang true a tone of absolute and unmistakable sincerity, sung and played with complete conviction each and every time. This was a man without irony, leading a band that set the model for all the conscious groups which would follow (tellingly, Bono is one of the interviewees here, talking about The Clash being his first concert, and in short the reason he got into music).

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Crash (2005) Review


Excellent
In Crash, a simple car accident forms an unyielding foundation for the complex exploration of race and prejudice. Thoroughly repulsive throughout, but incredibly thought provoking long after, Paul Haggis' breathtaking directorial debut succeeds in bringing to the forefront the behaviors that many people keep under their skin. And by thrusting these attitudes toward us with a highly calculated, reckless abandon, Haggis puts racism on the highest pedestal for our review.

There is no better place for this examination than the culturally diverse melting pot of modern-day Los Angeles. In just over 24 hours, Crash brings together people from all walks of life. Two philosophizing black men (Ludacris and Larenz Tate) steal the expensive SUV belonging to the white, L.A. District Attorney (Brendan Fraser), and his high-strung wife (Sandra Bullock). A similar vehicle belonging to a wealthy black television director (Terrence Howard) and his wife (Thandie Newton) is later pulled over by a racist cop (Matt Dillon) and his partner (Ryan Phillippe). Soon, many of these people get mixed up with a Latino locksmith (Michael Peña), a Persian storekeeper (Shaun Toub), and two ethnically diverse, dating police detectives (Don Cheadle and Jennifer Esposito).

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Loverboy Review


Bad
Much like Robert Towne's recent adaptation of Ask the Dust, Kevin Bacon's Loverboy is a labor of love. Sometime in 2003, Kyra Sedgwick (Bacon's spouse) handed him a copy of Victoria Redel's novel, Loverboy, and both found themselves eager to bring the story to the screen. And similar to Towne's effort, Bacon is so enthusiastic about the material that he can't get his concentration correct.

Emily Stoll (Sedgwick) is in her late 20s and roaming the Midwest and just about everywhere else for the right ejaculate. After a miscarriage from a "no father," multi-partner pregnancy, she meets Paul (Campbell Scott) and in one night of passion, a child is conceived. The son, Paul aka Loverboy (Dominic Scott Kay), quickly becomes Emily's entire life, trying to make life a magical, ongoing discovery. Emily has nightmarish flashbacks of her lovebird parents (Bacon and Marisa Tomei) who were too busy being in love to take care of a child properly, and she daydreams of her fantasy mother, Mrs. Harker (Sandra Bullock). Loverboy eventually becomes wise to his mother's obsessive grasp on him and begins to revolt, especially when she tries to seduce Mark (Matt Dillon), a father figure. This, of course, can't end well.

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Once In A Lifetime: The Extraordinary Story Of The New York Cosmos Review


Very Good
Like most people, I couldn't care less about professional soccer, but the U.S. in the 1970s is a wholly different story. Hell, from the exhorbitant length of the title of Once in a Lifetime: The Extraordinary Story of the New York Cosmos alone you can tell that this particular era in soccer history really resonated.

And kudos to Once in a Lifetime for jogging my memory about one of the most peculiar eras in pro sports. For a few short years, pro soccer teams were selling out some of the largest venues in America: 75,000 would turn out to watch the New York Cosmos (with superstar Pelé at the helm) kick a little white ball around on a giant field of grass. By comparison, the most popular team in baseball, the New York Yankees, currently draw about 52,000 people to see each game.

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Factotum Review


Very Good
While Bent Hamer's Factotum isn't equal to the source material, it's a must-see for all of us fascinated by Charles Bukowski, by his persona as much as his words. Adapted from the namesake novel by Hamer and Jim Stark, Factotum's central character is Henry Chinaski, Bukowski's fictional alter ego who, like its author, is a shambling, hard-drinking writer, slumming away at odd jobs, quartering in hole-in-the-wall apartments, while he scrawls away at poems and stories every chance he gets.To watch Matt Dillon personify Chinaski/Bukowski is thrilling: At least from outward appearance, the actor has nailed the role, and, at times, he seems to be channeling Bukowski from the grave. It's an eerie simulacrum: Dillon skulks about the screen, slouch-shouldered, sporting a scruffy beard, a mane of combed-back hair, wearing the short-sleeves and slacks that was Bukowski's standard wardrobe, regarding the world with hangdog eyes and a jaw jutting outward in a subtle show of defiance.Equally arresting is the always-fantastic Lili Taylor, playing Chinaski's on-again, off-again girlfriend, Jan. She's his kindred spirit, which means the two get along best with a jug of wine between them. As Jan, Taylor projects a mannish energy. Wearing a perpetual sneer, keeping her frayed hair and shoulders tossed back, she enters any room like she's spoiling for a fight. Jan is also fiercely possessive of Chinaski and panics whenever any windfall threatens their low-rent, booze-sodden lifestyle. She's also the only person who can push the bearish Chinaski's buttons. When they break up, their trails lead back to each other and entwine, as before, then wind apart again, exactly like twin DNA strands.Chinaski's search for work and his rocky relationship with Jan form Factotum's nominal narrative thread. No sooner does Chinaski land a job that he gets bored with it or chafes under the authority of white-collar boobs, and leaves. He hates them so much -- in the same way he hates his father (as one scene implies) -- that he defies their authority in ways both direct and passive-aggressive: After one boss, finding him at a local dive instead of on the job, fires him, Chinaski calmly replies by offering him a drink. Midway through Factotum, we get a romantic interlude of sorts involving Laura (Marisa Tomei), a gold-digging floozy. Laura's got her hands in the pockets of a moneyed, European eccentric (Didier Flamand) who offers wayward women asylum in his morgue-like home. Chinaski's sojourn with Laura and her ilk takes Factotum into outer David Lynch territory, and, somehow, we're glad when Chinaski breaks free of them and returns to his sunnier, native habitat of the urban jungle.Like Post Office and Ham on Rye, Factotum is ultimately a chronicle of its author's anxious, unconquerable desire to write, to transcribe his toils, obsessions, and pains into the stuff of art. Beneath Bukowski's reticent surface, fires raged -- stoked by the man's angry, lustful, transgressive emotions. Words plucked from those fires were then hammered into shape and branded onto the page. It's that smoldering quality in the prose that missing in Stark and Hamer's handling -- the contradiction between the inner and outer dimensions of the writer. Rather than finding an expressive style that rendered the world as grotesquely as Chinaski sees it, a style to counterpoint the character's calm, composed exterior, the material settles for a safe, neutered approach. This Factotum is more eager and willing to put Bukowski's words in prettily composed frames. Hamer and Stark only get the outlines of Chinaski's life right -- the hand-to-mouth living and boozing in which all that spiritually sustains the writer are the hours spent hunched over his notepad with a ballpoint pen. Finally, Dillon and Taylor are the sources of Factotum's vitriol and sharpness. They seem willing to delve where Hamer's direction dare not go.Last call.

You, Me And Dupree Review


Terrible
Entertainment gossip trackers shamelessly debate an actor's chosen sexuality in much the same way that baseball fans discuss a player's stats. Is he gay? Is she bisexual? Some even make broad assumptions that everyone in Hollywood bats for the proverbial "other team."

Such a proclamation borders on absurd, and yet it's becoming more difficult to entirely refute the claim. This year, Ang Lee's Brokeback Mountain earned sweeping critical praise and a handful of Oscar nominations, losing a tight Best Picture race to Crash. Even during the summer, when audiences typically are lured to theaters by testosterone-soaked summer blockbusters, it's Johnny Depp's fey, ambiguous, and decidedly swishy Capt. Jack Sparrow who has sailed to the front of the box-office pack.

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In & Out Review


Weak
Lackluster and highly overrated film about a small town schoolteacher who is outed on national TV. The stir it creates in the town is one helluva hootnanny! Or so we are supposed to believe. Droll and not very funny, saved only be a great performance by Kline. Somehow Cusack got an Oscar nomination out of this thing, which proves that, yes, the fix really is in.

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The Outsiders Review


Good
When Francis Ford Coppola made The Outsiders in 1983, he was in the midst of yet another career paradigm shift. Having broke the bank on the gargantuan semi-failures Apocalypse Now and One from the Heart, he turned to adapting a pair of S.E. Hinton novels - which he hyperbolically termed "Camus for kids" - first this one and then Rumble Fish. The Outsiders was relatively cheap, and also brought Coppola back to a kind of human drama that his post-Godfather work had been lacking, the result enrapturing a good number of teens and pre-teens in the 1980s. Coppola can never leave well enough alone, though, and so now we have his new version, The Complete Novel, overall a case in point for directors not being allowed to do this sort of thing.

The original film takes Hinton's spare 1967 novel of young gangs in Tulsa and turns it into grand melodrama, with gorgeous CinemaScope sunsets, sweeping orchestral score, and teen scuffles that take on all the clashing importance of medieval battles. On the crap side of town live the working-class greasers, with their black t-shirts and slicked-back hair, always getting hassled by the socs, preppie bastards with family money and nicer cars. The film centers on the greasers, particularly the sensitive 13-year-old orphan Ponyboy Curtis (C. Thomas Howell) who lives with his older brothers Sodapop (Rob Lowe) and Darrell (Patrick Swayze). The surrogate family hanging around the Curtis' ramshackle house also includes Emilio Estevez and Tom Cruise, while their friend, born-to-lose Dally Winston (Matt Dillon) has just been released from jail. Almost as childlike as Ponyboy is his best friend, Johnny (Ralph Macchio), an angelically bruised kid from a troubled home who provides the film's most emotional moments.

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Herbie: Fully Loaded Review


OK
A car with a mind of its own meets a screenplay with no mind to speak of in Herbie: Fully Loaded, Disney's brainless but painless effort to reintroduce its overhauled Volkswagen Bug to a new generation of gearheads. And while party gal Lindsay Lohan is a significant visual upgrade over original Love Bug stars Buddy Hackett and Dean Jones, Herbie has the same sophomoric physical gags and safe family humor tucked under his hood.

Lohan plays Maggie Peyton, the only daughter born into a family known for producing stock car drivers. Dad (Michael Keaton) calls the shots from the pits, brother Ray (Breckin Meyer) crashes cars on a weekly basis, and Maggie goes unnoticed until the day she comes into contact with a possessed VW Beetle that feels the need for speed. Together with her best friend and fellow mechanic, Kevin (Justin Long), Maggie starts entering local races, where she accidentally humiliates NASCAR Nextel Cup champ Trip Murphy (Matt Dillon) and sets the stage for a showdown race at the California Speedway.

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Beautiful Girls Review


Excellent
With a cryptic title like Beautiful Girls, one starts to wonder to whom this film is being marketed. Is it the frat boy model-ogling crowd? Is it a self-help flick for teenage girls? Is it soft porn? The answer, of course, is none of these: Beautiful Girls is a date movie, and quite a good one at that.

Something like The Big Chill meets Generation X, Beautiful Girls is one of those ensemble character movies that really defies description in terms of plot points. The ostensible main character is Willie (Timothy Hutton), who is ambivalent about girlfriend Tracy (Annabeth Gish) so heads back home to Knight's Ridge, Massachusetts to sort things out during his 10-year high school reunion. Here, he hooks up with old pals Tommy (Matt Dillon) and Paul (Michael Rapaport), each of whom is also flailing helplessly in his own romantic mess.

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Wild Things Review


Very Good
The most often-asked question I have gotten in my career as a film critic isn't how I see the movies. It isn't what I review for. It isn't how much do I make, or have I ever been blurbed. It's do I review porn. I smile at this, display a little bit of patience (a little bit more if the person who asks happens to be an attractive woman, and such a situation has happened more than once), and say that I don't. If they pester me with the question, I respond with a simple joke: "My main problem with porn is its lack of plot."

Although, quite honestly, I don't have a particular problem with porn (it just isn't in the regular canon of films to be reviewed, that's all), that simple joke often proves true. One-too-many guilty pleasure flicks have been bashed by me on the account that they do nothing other than serve as a generalized platform for commercializing sex without any other cinematic value. And, although I am willing to give points in such a B-or-C-grade film for casting a woman with certain... assets... that suit the part, I find myself unable to otherwise turn off the "critic's switch" within me to the point that I can be guiltlessly turned on by the images in front of me on the screen.

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Herbie: Fully Loaded Review


Good
Every time Lindsay Lohan and Disney join forces to updatea kiddie movie from the studio's slap-dash period of the 1960s and '70s,they've come away with a winner.

1998's remake of "The Parent Trap" showed a savvy sense of humorwhere the original was merely cutesy-poo. 2003's hilarious "FreakyFriday" expanded on its predecessor's body-swapconcept to hit the nail on the head of mother-daughter relationships. Nowcomes "Herbie: Fully Loaded," a witty and creative follow-upto the dumb but endearing "Love Bug" movies about a race-crazyVolkswagen Beetle that comes to life.

Lohan plays fresh college grad Maggie, a speed demon groundedfrom racing by her struggling NASCAR-driver father (Michael Keaton) aftera bad crash in an illegal street race. For her graduation present, Daddytakes her to a junkyard to pick out a fixer-upper car, and she reluctantlychooses a rusty 1963 Volkswagen Beetle with a forgotten history and waymore personality than Maggie bargained for. The moment Maggie turns thekey in Herbie's ignition, the little Bug takes off like an excited puppy-- with his passenger screaming her head off -- and the pair end up ata backwoods body shop where Herbie gets a make-over and Maggie gets a loveinterest (Justin Long).

While looking for parts at a car show, Herbie and Maggiefall into an impromptu street race, which leads to a nitrous-fueled desertshowdown for pink slips, then a demolition derby ("10 cars enter,one car leaves!" chants the crowd in a "Mad Max" tribute)and -- after some serious souping-up with a roll cage, fat tires, a spoiler,and passing mention of a rules loophole -- a shot at NASCAR glory.

Continue reading: Herbie: Fully Loaded Review

Matt Dillon

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Matt Dillon

Date of birth

18th February, 1964

Occupation

Actor

Sex

Male

Height

1.83




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Matt Dillon Movies

Going in Style Movie Review

Going in Style Movie Review

This is only technically a remake of the iconic 1979 film starring movie icons George...

Rock Dog Trailer

Rock Dog Trailer

Bodi is a Tibetan Mastiff who's tired of his life on Snow Mountain where his...

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Going In Style Trailer

Going In Style Trailer

There comes a point in life where you get to a certain age and realise...

The Art Of The Steal Trailer

The Art Of The Steal Trailer

Crunch Calhoun is a motorcycle stunt artist and former art thief who caused himself some...

Hustlers Trailer

Hustlers Trailer

The pawn shop is the last resort for most broke people; the place where the...

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Girl Most Likely Movie Review

Girl Most Likely Movie Review

Even though this comedy has a tendency to dip into cartoonish silliness, it's anchored by...

Girl Most Likely Trailer

Girl Most Likely Trailer

Imogene cannot seem to move on from her unsuccessful career as a playwright in New...

Takers Movie Review

Takers Movie Review

Loud and very violent (within the limits of a PG-13 rating), this supposedly gritty thriller...

Takers Trailer

Takers Trailer

Up until now Gordon Cozier and his bank robber gang have remained one of the...

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