The Brothers Solomon is destined to become a movie you find yourself watching on late night cable. As with most "comedies," the laughs are the focus and not the simple plot -- in this case, two home-schooled, degenerate brothers try to find a woman to impregnate in an attempt to fulfill their father's dying wish of having a grandchild. After all, absurd plots make for hilarious scenes, right? No, and the two Wills (Arnett as John and Forte as Dean) suck the life right out of this film with the help of director Bob Odenkirk. You may remember Odenkirk from HBO's Mr. Show with Bob and David or that Seinfeld episode in which Elaine is dating a med student taking his exams and she helps him study in the hopes of dating a doctor. If you watch The Brothers Solomon with your eyes closed (and you are not asleep), you would swear that the stale dialogue spoken in a self-aware, "look at me, I'm saying something funny" tone was coming straight out of Odenkirk's mouth.
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Well, Let's Go to Prison also stars Dax Shepard, so maybe that should sound the alarm. But Prison is actually too mediocre to explain away by the presence of one guy from Punk'd. In fact, Shepard isn't a problem at all. He plays John Lyshitski (the film nicks one of the saddest Farrelly brothers trademarks -- non-jokes where the very presence of the S-word functions as a de facto punchline), a career petty criminal plagued by his own ineptitude and a hardass judge. Before he can get revenge, the judge dies -- so naturally he frames the judge's spoiled son, Nelson Biederman IV (Arnett), and gets himself thrown back in jail, pretending to befriend Biederman but tormenting him behind his back.
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Calling to mind everything from Kindergarten Cop to Mr. Mom, director Steve Carr's Day Care pits unemployed fathers Charlie (Murphy) and Phil (Jeff Garlin) against an army of adorable adolescents when the dads decide to earn cash by opening a day care center. Steve Zahn tags along, polishing the edges off his goofball slacker persona with touching and humorous results. Meanwhile, Anjelica Huston assumes an off-kilter dominatrix mentality to play the headmaster at a rival preschool.
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