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A Girl Cut In Two Review


OK
Quite a good portion of Claude Chabrol's tasty cocktail of romance and jealousy, A Girl Cut in Two, has gone by before you realize that, in essence, nothing much of consequence has happened. This is not a bad thing, and is more a testament to Chabrol's talent behind the camera that he's able to keep his film engaging well past the point that it should have any real right to be. It gives the film a certain drifting quality, even if one knows that something more momentous is waiting in the wings.

Chabrol, who also co-wrote the script with Cécile Maistre, based his story in some measure upon the sensational case of famous architect Stanford White's murder at Madison Square Garden's rooftop theater in 1906. A classic "murder of the century" case, the White murder had a plethora of salacious details for titillation, a number of which Chabrol cannily appropriates for his own scenario. Set in the present day in Lyon, A Girl Cut in Two seems at first like another portrait of an ennui-cloaked artiste, whose fame and fortune no longer excites him. Charles Saint-Denis (François Berléand, excellent in his understatement here just as he was in Tell No One) is an aging novelist of incomparable fame living the perfect life. He lives on a beautiful estate, is feted for his work almost nonstop, has a wife who doesn't appear to notice or care about his habitual flirting, and the money to do essentially whatever he wants. Being a famous novelist on the prowl, it doesn't take long for Saint-Denis to zero in on one of Lyon's most attractive single females, the quite young and innocently beautiful Gabrielle Deneige (Ludivine Sagnier).

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The Jackal Review


Weak
If you can get past Diane Venora's laughable turn as a Russian agent (isn't that why we have Lena Olin?), you might find enough guilty pleasure in the cacophonous remake The Jackal to have a good time. Bruce Willis chews even more scenery as the villain than Richard Gere does as his Irish nemesis. Together they end up with quite an impressive body count -- watch especially for an early performance from the always entertaining Jack Black.
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