Osvaldo (Pedro) is a young Guarani whose dreams seem to be coming true, so he begins his training as a shaman. But a nasty event spurs the leader of the nomadic group, Nadio (Vilhava), to move to a new location on the side of a large farm owned by a man of European descent (Medeiros). This sets the two communities in conflict: the wealthy landowners and the indigenous people who are watching their land and lifestyle disappear.
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Rocket, City of God's young protagonist agrees, even though he grew up there. His story spans two decades (as far as I can tell, from the mid-1960s to the early 1980s) in this arid housing project 15 miles outside of Rio De Janeiro, beginning with him as a child looking up to the local hoods as they rob delivery trucks, and ending with him photographing them for the local newspaper as they kill each other. And while there were good times, Rocket's narration indicates that he doesn't miss them much. "This is where the politicians dump their garbage", he says. "Criminals? Homeless families? Pack 'em up and send them to City of God!"
Continue reading: City Of God Review
Harvey Weinstein wanted one movie, and almost sacked Peter Jackson over it.
That final battle scene? Yeah, it was a poo-poo. Whatever that means.
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