Mateo Gil

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Blackthorn Trailer

Butch Cassidy is infamous for being a bank and train robber and the leader of the Wild Bunch Gang, which included the criminals Elzy Lay, George Curry, Laura Bullion and Harry Tracy. He is perhaps well known for committing his crimes with Harry Longabaugh, also known as the Sundance Kid and Longabaugh's girlfriend Etta Place.

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Agora Review

Ambitious in scope, this film feels over-serious and oddly cold. Fans of historical dramas may love it, but you're in trouble when theories about the sun and earth are more involving than the interpersonal dramas.

In 4th century Alexandria, Hypatia (Weisz) is a noted philosopher who teaches at the famed library. But the world around her is changing, as Greek and Egyptian beliefs conflict with Christians and Jews. And with the Roman Empire gaining power, the Christians have the edge. As Hypatia continues to explore her far-advanced theories about the earth and the universe, she finds herself caught between two men who love her: loyal servant Davus (Minghella) and the civic leader Orestes (Isaac). And the fundamentalist Romans aren't happy with her radical thoughts.

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The Method Review

The reality television metaphors come flying at you fast and thick in Spanish filmmaker Marcelo Piñeyro's The Method, which provides for a lot of easy audience identification -- hey, I've seen Survivor -- but makes it just a bit too recognizable for comfort, at least until the end, when its existential modus operandi becomes terrifyingly clear. There are plenty of other comparisons to be drawn from this exercise in business-world gamesmanship, from Mamet's Glengarry Glen Ross to LaBute's In the Company of Men, though Piñeyro's has a more gender-neutral agenda: in short, women are just as exceptional bastards as men.

Set almost entirely in a nicely-appointed conference room in a Madrid office building, The Method begins with a very telling split-screen montage: As we watch the characters go about their morning routines, traffic is piling up and the streets thickening with protestors. The IMF-World Bank conference is in town and the anti-globalization forces are marshalling for a Seattle-esque day of angry confrontation. But this is of little concern to the seven, who have taken advantage of the protests (many offices have shut down for the day) to go to a group interview for an executive job at Dexia Corporation. Of course, we are never privy to knowing what it is that Dexia does, but such specifics are entirely beside the point.

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The Sea Inside Review

The Sea Inside has Spanish filmmaker Alejandro Amenábar's (Open Your Eyes) auteuristic grip all over it. Besides directing, Amenábar also co-produced, co-wrote (with longtime collaborator, Mateo Gil), scored and edited this saga about a true-life quadriplegic who campaigned for 30 years against Spain's judiciary for the right to end his life. Paralyzed after a diving accident, Ramón Sampedro (Javier Bardem) is reduced to lying supine in a room of his older brother José's farmhouse. Day and night, year after year, Ramón is vigilantly cared for by José (Celso Bugallo), and his small clan. The slow grind of Ramón 's existence, salved only by his family's devotion, eventually wears the patient down to where he feels euthanasia is the only dignified option left.

Ramón's outspokenness wins the interest -- and the affections -- of a pair of women: Julia (Belén Rueda), the terminally ill lawyer who helps Ramón build his case, and Rosa (Lola Dueñas), a single mother drawn to Ramón out of loneliness and her admiration for his strength. But while the sensuous Julia, herself coping with illness, fully sympathizes with Ramón 's cause, the feisty Rosa sulks and frets whenever Ramón so much as breathes a word of his intentions.

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Open Your Eyes Review

If Stanley Kubrick and David Lynch had collaborated on a project, the result might have been something like Open Your Eyes. Kubrick's most common themes -- imaginary worlds, sexual and social obsessions, distrust of emotion, human depravity, and a journey towards freedom and self-knowledge -- present themselves here. Lynch's usual themes -- dreams and illusion vs. reality, persuasion, fear, self-submission, murder, and curiosity -- also sprinkle themselves into this movie's stirring, complex recipe.

From the moment the movie opens, it's unclear of what is real and what is not. We meet a handsome, young, successful businessman named César (Eduardo Noriega), who drives expensive cars, resides in a classy residence, and enjoys an endless supply of beautiful women.

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