Writer Joanna and real estate agent Michael have been married for four years and live in a modest apartment in New York. When Joanna accompanies Michael to a party, she is worried to find him deep in conversation with his beautiful colleague, Laura. Joanna is frightened that Michael might be cheating on her and she confronts him about it. Michael assures his wife that he isn't and the couple reconcile.
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After a company party, Joanna (Knightley) challenges her husband Michael (Worthington) about his feelings toward his sexy colleague Laura (Mendes).
Nothing has happened between them, but he admits that there might be some attraction. The problem is that he's travelling the following night to Philadelphia with Laura and another colleague (Gold). There, Joanna's suggestion opens him to some serious temptation. Meanwhile in New York, Joanna is surprised when a former flame from Paris, Alex (Canet), arrives for one night. And she too is faced with the chance to do something she shouldn't.
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The blandly-titled Leo is the story of the titular boy (Davis Sweat), the illegitimate son of a sudden widow (Elisabeth Shue), who corresponds with a felon (Fiennes) via mail. Felon gets out, and these two men slowly converge upon one another, though something odd about the movie compels us to wonder if there isn't a deeper connection. Some big names parade through the film, almost at random, including a mopey Sam Shepard and a ridiculously over-the-top Dennis Hopper, who strikes the film's most curious note when he cracks an egg and smears it on Deborah Unger's thighs.
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Macabre, intense, and daring, The Jacket is like a surrealistic nightmare interlaced with an unambiguous daydream fantasy; it totters between asylum and insanity, pain and pleasure, and heaven and hell. Part romantic drama, time travel odyssey, murder mystery, and gothic thriller, the film never decides on a definite genre, and is similar in some ways to experimental films like Donnie Darko and Blue Velvet. Due to its unique design, the less viewers know about the plot before they see it, the more absorbing and revealing the film will be. Thus, a very vague synopsis follows:
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Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...