Massimo Girotti

Massimo Girotti

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The Monster (1994) Review


Good
I suppose that the problem with subtitled films is one of being literary. Sure, you can watch intelligent films until the cows come home, but the passerby on CNN's Showbiz Today said it best when he said "I don't like to read when I go to movies."

The fact is that most people don't like to read anymore. I am highly unusual in my affinity for the written word (I not only read books, but write them as a hobby), in my love of conversation as an art form. A small percentage of America likes that. This is the latter half of the 20th century. The information age where the only things that we like to read anymore are web pages. Our stories are told to us through movies. Our book reports are done courtesy of Cliffs (who, don't ask me why, did Slaughterhouse-Five, one of the easiest reads ever).

Continue reading: The Monster (1994) Review

Facing Windows Review


Good
Director and screenwriter Ferzan Ozpetek's latest movie Facing Windows begins like a Hitchcock thriller. 1943 in Nazi occupied Italy. Late one night a young man commits murder, runs off into the wet and shadowy back alleys, and mysteriously disappears forever.

In sudden counterpoint to this fear and tension from the past come the modern strains of a couple arguing about kids and money. Giovanna (Giovanna Mezzogiorno) hates her job as a bookkeeper in a chicken factory and husband Filippo (Filippo Nigro) can't seem to hold a job and is too dependent on her. She wants more from him than he seems able to give.

Continue reading: Facing Windows Review

The Monster Review


Good
I suppose that the problem with subtitled films is one of being literary. Sure, you can watch intelligent films until the cows come home, but the passerby on CNN's Showbiz Today said it best when he said "I don't like to read when I go to movies."

The fact is that most people don't like to read anymore. I am highly unusual in my affinity for the written word (I not only read books, but write them as a hobby), in my love of conversation as an art form. A small percentage of America likes that. This is the latter half of the 20th century. The information age where the only things that we like to read anymore are web pages. Our stories are told to us through movies. Our book reports are done courtesy of Cliffs (who, don't ask me why, did Slaughterhouse-Five, one of the easiest reads ever).

Continue reading: The Monster Review

Teorema Review


OK
Teorema translates to "theorem" in Italian, and that's an apt metaphor for this ridiculously experimental film from auteur Pier Paolo Pasolini.

Fewer than 1,000 words of dialogue are spoken during the film. That actually sounds like a lot, but the average person speaks at a rate of 280 words per minute (probably more in Italian). That translates to less than four minutes of dialogue during the film's 98-minute running time.

Continue reading: Teorema Review

The Red Tent Review


Very Good
Since they realized they were there, explorers everywhere have had a fascination with visiting the poles of the earth. By 1928, the North Pole had been well visited and documented by the likes of Peary and Amundsen, but Italian Umberto Nobile decided he wanted to head up there anyway. Only Nobile's crackpot idea was to go there in a blimp.

Strangely, because of Nobile's renown in working with Amundsen on his 1926 flight to the Pole, no one said this was a bad idea. One day after daparting, heavy wind ripped the blimp apart, stranding the crew on the Arctic ice, where they holed up in a makeshift red tent, waiting for aid to arrive. For a month they were presumed dead, until an amateur radio operator picked up a transmission. A massive rescue operation commenced, with Amundsen himself even getting in on the deal.

Continue reading: The Red Tent Review

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Facing Windows Movie Review

Facing Windows Movie Review

Director and screenwriter Ferzan Ozpetek's latest movie Facing Windows begins like a Hitchcock thriller. 1943...

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