Mary-Louise Parker (born 02.08.1964) Mary-Louise Parker is an American actress best known for her role in the TV series 'Weeds'.
Childhood: Mary-Louise Parker was born in Fort Jackson, South Carolina. Her parents were Caroline Louise and John Morgan Parker, a judge. She attended the North Carolina School of the Arts where she majored in drama. While trying to pursue acting, she got a job at a shoe company measuring people's feet.
Acting career: Mary-Louise Parker made her acting debut in the soap opera 'Ryan's Hope' in 1988. In 1990, she appeared on Broadway for the first time in a production of 'Prelude to a Kiss' for which she won a Clarence Derwent Award and was nominated for a Tony. In 1991, she starred alongside Kevin Kline and Kathy Bates in 'Grand Canyon'.
1994 saw her with Susan Sarandon and Tommy Lee Jones in legal thriller 'The Client'. She was also in Woody Allen's crime comedy 'Bullets Over Broadway' opposite John Cusack and Dianne Wiest. The following year she appeared in the drama 'Boys on the Side' opposite Drew Barrymore and Whoopi Goldberg, and the movie adaptation of the Craig Lucas play 'Reckless' with Mia Farrow.
She later appeared in a Broadway version of the movie, for which she was nominated for another Tony. In 1996, she starred in 'The Portrait of a Lady' alongside Nicole Kidman, Viggo Mortensen, Christian Bale and John Malkovich.
In 2004, she was in the comedy movie 'Saved!' with Mandy Moore and Macaulay Culkin as well as TV movie 'Miracle Run' with Aidan Quinn, while in 2006 she landed herself a Golden Globe for her role in the drama comedy 'Weeds' which she was in from 2005 to 2012. In 2007, she was nominated for an Emmy for her role in TV movie 'The Robber Bride'; an adaptation of the Margaret Atwood novel of the same name.
That year Mary-Louise Parker also appeared in 'The Assassination of Jesse James by the Coward Robert Ford' opposite Brad Pitt and Casey Affleck. Her next film was the movie adaptation of the novel series 'The Spiderwick Chronicles' in 2008 in which she starred alongside Freddie Highmore, Sarah Bolger and Martin Short.
She also appeared in the play 'Dead Man's Cell Phone'. In 2010, she starred alongside Bruce Willis in 'RED' and reprised her role in the 2013 sequel 'RED 2'.
Personal life: Mary-Louise Parker has a son named William Atticus Crudup, whose father is her partner from 1996 to 2003 Billy Crudup. She also dated Jeffrey Dean Morgan between 2006 and 2008. In 2007, she adopted a girl from Ethiopia named Caroline 'Ash' Aberash Parker.
For a comedy that so desperately wants to be rude and sexy, this movie is remarkably timid. It does a great job putting up a front as an anarchic laugh riot, but the genuinely funny moments are few and far between. And it seems to have been written by sniggering teenage boys who can only imagine what it's like to experience sex, drugs and romance, but they haven't a clue, really. Thankfully, the starry cast makes it just about watchable.
With a drunken mom (Mary-Louise Parker) and a deadbeat dad (Cary Elwes), 17-year-old Rick (Nat Wolff) pretty much has to grow up on his own. Then over two fateful weeks everything starts going wrong. Just as he seems to be making progress with hot good-girl Nina (Selena Gomez), he gets caught in a drug deal with a strip-club manager (Dylan McDermott), the cops find a dead mobster in his car, and then everyone is arrested when a house party he throws turns into a drug-fuelled sex romp. Even more precarious for Rick is the fact that he has just lost his virginity to Pamela (Elisabeth Shue), who is both his mother's best friend and the mother of his best friend Billy (Lachlan Buchanan).
Yes, the script wallows in sex and drugs, but never seems quite sure what to do with them, shying away whenever anything remotely grown-up threatens to happen. Instead, scenes degenerate into corny broad comedy that feels more than a little desperate. Director Tim Garrick throws everything he can think of at the screen, so naturally a few gags stick. Even if the plot is paper-thin, and several of the jokes are beyond offensive (including gags hinging on both statutory and prison rape), there are also several witty zingers that elicit outright laughter. Such as when Nina remarks casually that her parents are away from home attending a pro-life gun rally in Dallas.
Continue reading: Behaving Badly Review
While this true prison drama is sharply shot and acted, there isn't a moment we haven't seen before. Instead of drawing out the uniqueness of the real events, the filmmakers rely on the usual stereotypes, which leaves this feeling more like a run-of-the-mill TV movie. But there's a very strong narrative buried in here, and some terrific performances underneath the preachy melodrama.
The title character is 14-year-old James (Lofranco), who has been in trouble with the law since he was 6. Abused as a child, he has a long and violent criminal record, and since he's been labelled as a "bad" kid he knows he'll never get a chance to achieve anything at his new high school. His mother (Parker) tries her best, but he still ends up hanging out with druggy Crystal (Salazar) and her gangster friend Roc (Trotter). For James, a life of crime seems more useful than going to school, so he begins working for Roc, only barely managing to avoid arrest and death. Then he meets local shop girl Sarah (Farmiga), who gives him a reason to rethink his life.
This plot is intercut with a parallel story of James in prison three years later, so we know what's going to happen. Of course, the thing that put him behind bars is the oldest cliche in the book: he does one last job for Roc before going straight for Sarah. This intercut half of the film is even darker, as James moves between warring with a rival inmate (Gomez) to clashing with the hard-headed warden (Woods) to resisting the advice of a Shawshank-like guru (Rhames) to trying to help a doomed newbie (Rosenfield).
Continue reading: Jamesy Boy Review
The ingredients are all here, but this mash-up of Ghost with Men in Black is a painful misfire, neither funny nor engaging on any level. Even usually fine actors like Bridges and Bacon are left with nothing to do, while Reynolds strains to be the straight guy in a comedy that never raises a smile. And we can feel the filmmakers straining to crank up the wackiness at every turn.
Set in Boston, the story begins when young police detective Nick (Reynolds) refuses to join in a dirty deal proposed by his partner Bobby (Bacon), who then shoots him in cold blood. In the afterlife, Nick is recruited by a manager (Parker) into the Rest In Peace Department, protecting humanity from ghosts who have escaped judgement. His new partner is Wild West sheriff Roy (Bridges), who is reluctant to break the rules when Nick decides to investigate his own death to help protect his widow (Szostak) from Bobby's nefarious plan.
Yes, the plot is so in-grown that it never takes off, circling around a handful of characters even though it involves bringing about the end of humanity. Of course it does. These kinds of movies couldn't have stories that make any sense, and filmmakers can't resist making the ghosts goofy, rubbery cartoons rather than characters who are actually scary or interesting. The excessive use of digital effects makes the whole movie feel desperate as it strains for both laughs and teary emotion, but it gets neither.
Continue reading: R.I.P.D. Review
That A-list cast of "retired, extremely dangerous" spies is back, coasting through another amiable but uninspired action-comedy. It may be occasionally funny, but the script is so lazy that it never does anything with the characters or situations. So there's never even a hint of suspense.
In the years since the events of 2010's RED, Frank (Willis) has been trying to live quietly with Sarah (Parker). But trouble seeks them out when their pal Marvin (Malkovich) is the target of a car bomb, and Frank discovers that MI6 and the CIA have sent assassins to kill him: his ruthless former colleague Victoria (Mirren) and the fiendishly unstoppable Han (Lee), respectively. So Frank, Sarah and Marvin head to Paris to solve the mess, crossing paths with Frank's ex, the seductive Katya (Zeta-Jones). Sarah isn't happy about this, but tags along to London, where they locate a nutty scientist (Hopkins) who has the key to all the chaos: namely that they need to get to Moscow to stop a rogue nuke.
As in the first film, the plot bounces along merrily without bothering with either logic or subtext. This is just a silly story about goofy old killers, and the film's main joke is seeing Mirren in camouflage firing a machine-gun. At least the cast shows that they're still feisty, taking on each other with gusto as they try to steal every scene. Malkovich's surreal humour, Mirren's snappy punchlines, Zeta-Jones' purring sexuality and Hopkins' scatter-brained genius are pretty funny, while Willis and Parker get the most thankless roles as a couple still working out their relationship.
Continue reading: RED 2 Review
The film's stellar cast narrowly avoids sequel fatigue.
The Bruce Willis starring action comedy Red 2 is going into opening weekend with lukewarm reviews – more of a gentle maroon, if we’re going with the color metaphor. The film chronicles the events of Frank Moses (Bruce Willis) life three years after the original, when the former CIA agent has settled into a comfortable life with his damsel in distress from the first movie Sarah Ross (Mary-Louise Parker), but the couple are forced to come out of retirement by the murder of a friend and their own framing for a Cold War era mission by one of those pesky government agencies. As far as plots go, this one definitely suffers from sequel fatigue, which seems to be what most reviews hold against the film. However, various reviewers find various redeeming aspects of the action, driven by gun-toting pensioners.
Bruce Willis Stars In 'Red 2'
The L.A. Times focuses on the commercial side of things, noting that both audiences and the studio already know that the “Red” concept works and it gets a specific audience into theatres. The question now is, with the novelty wearing off and sequel fatigue beginning to set in, can Summit repeat the hole in one?
Continue reading: The Reviews Are In: A Narrow Pass For 'RED 2'
Crime comedy Red 2's nearly out: is the Red sequel worth a trip to the movies?
After Red 2 enjoyed its star-studded premiere it's time to get down to the nitty-gritty of whether 2010's Red was deserving of a sequel or not. The Hollywood Reporter's Justin Lowe mulls over the highs and lows of the sharp new instalment of the crime comedy. With regards to the first film - where former black ops agent is forced back into action after his life is threatened by an assassin - THR doubts that Red 2 has "a whole lot new to offer" over the original premise.
Bruce Willis Back As Ex-Black Ops Guy Who Wants To Settle Into His Retirement In Peace.
Red 2 sees Frank Moses (Willis) trying to lead a normal life with his partner Sarah (Mary-Louise Parker) but is called out of retirement again by his paranoid chum Marvin (John Malkovich) who proposes a new mission - to find a nuclear device that's also being hunted out by the government, some terrorists and even some assassins.
Continue reading: Red 2 Reviews: Is The Comedy Sequel Worth Watching? [Trailer]
Nick Walker was a promising SWAT officer before getting brutally killed in a police raid. But waking up dead isn't the only thing that alarms him as he is whisked away to a police station in the heavens. He may be dead, but to the undead souls of the R.I.P.D., he's much too good to lose and so he is enlisted into the afterlife police force of the 'Rest In Peace Department' because criminals aren't just a thing of life. He must now fight the evil souls of the underworld that have escaped judgement as they threaten to terrorise the living; helping him is the veteran Sheriff Roy Pulsifer, an expert in the field of keeping dead souls at bay. Through the chaos of the misbalance between life and death and good and evil, Nick attempts to find the man who shot him dead and bring justice to both the living and the dead.
Continue: R.I.P.D Trailer
Following the perilous events of the first movie, former CIA agent Frank Moses tries yet again to retire quietly with his young partner Sarah. However, he is soon chased down by his paranoid buddy Marvin Boggs who isn't taking to retirement as well as Frank is and is determined to set out on a new mission; to find a nuclear device that is being hunted by a group government officials, terrorists and brutal assassins. Meanwhile, the aging MI6 agent Victoria is mildly curious to learn that she has been contracted to hunt and kill Frank despite the pair being friends. 'Red 2' is set to be full of more death-defying adventures, dry humour and nigh on impossible missions as the Retired, Extremely Dangerous crew get together once more.
'Red 2' is the follow up from the 2010 movie directed by Robert Schwentke ('The Time Traveller's Wife') and based on the graphic novel mini-series created by Warren Ellis and Cully Hamner on DC Comics' Homage. This time we have an all new director, Oscar winner Dean Parisot ('Galaxy Quest', 'Fun with Dick and Jane'), and two returns from screenwriters Jon Hoeber and Erich Hoeber ('Battleship', 'Whiteout'). It's an action comedy due for release in the UK on August 2nd 2013.
Director: Dean Parisot
Continue: Red 2 Trailer
Part one, "Millennium Approaches" is full of ominous portents, plague and destruction, the rampant spread of AIDS in the chilly clime of '80s conservatism, while the second, "Perestroika" makes the political issues bandied about earlier in the film devastatingly personal. The story runs from 1985 to 1990 and takes in a broad sweep of characters, but not nearly as many as other writers would have packed in, simply to give a broader demographic sampling. Central to the film is Prior Walter (Justin Kirk), a 30-year-old AIDS sufferer whose boyfriend Louis (Ben Shenkman) leaves him in an astonishingly heartless manner, only to take up soon after with recently uncloseted U.S. attorney Joe Pitt (Patrick Wilson). Left mostly to his own devices, with only his friend Belize (Jeffery Wright) to help, as Walter gets sicker, he begins to have visions of an angel (Emma Thompson, odd, arrogant and completely captivating), determined to make him a prophet, claiming that God has deserted the world and that humans are at fault.
Continue reading: Angels In America Review
But seriously, that's what you're going to be doing if you see The Portrait of a Lady -- Jane Campion's follow-up to The Piano, based on Henry James's "classic" novel that you've probably never read. Now, I'm wishing that I had, though, because Portrait is a fantastic movie to watch, exquisitely crafted and painstakingly detailed, gorgeously photographed and full of style -- but it is just plain impossible to follow.
Continue reading: The Portrait Of A Lady Review
Date of birth
2nd August, 1964
For a comedy that so desperately wants to be rude and sexy, this movie is...
While this true prison drama is sharply shot and acted, there isn't a moment we...
The ingredients are all here, but this mash-up of Ghost with Men in Black is...
That A-list cast of "retired, extremely dangerous" spies is back, coasting through another amiable but...
Nick Walker was a promising SWAT officer before getting brutally killed in a police raid....
Following the perilous events of the first movie, former CIA agent Frank Moses tries yet...
Oscar-winning documentarians Epstein and Friedman turn their skills to a narrative feature. Sort of. This...
Based on the graphic novel, this action-comedy has a wacky tone that's entertaining but never...
Not to be confused with that Bruce Willis ghost story, The Five Senses is more...