Martin Scorsese (born 17.11.1942) Martin Scorsese is an Oscar winning, American film director.
Childhood: Martin Scorsese was born and raised in New York City. His parents, Luciano and Catherine, both worked in New York City's Garment District. Luciano often took his son to movie theatres and Martin developed an early passion for film and overtook his initial desire to become a priest.
Film Career: Scorsese avoided having to serve in the Vietnam War, due to his asthma. Instead, he attended New York University's film school, where he made his first feature length film, Who's That Knocking at My Door, along with Harvey Keitel, a fellow student at the time.
Scorsese became good friends with a number of prominent film directors of the 1970s, including Steven Spielberg, George Lucas and Brian De Palma. Scorsese worked as one of the editors on Woodstock, where he met the actor John Cassavetes, who also became a close friend of his.
Martin Scorsese released Boxcar Bertha in 1972, a film that taught him to make a film quickly and on a tight budget.
Mean Streets was Scorsese's breakthrough film and also served as a breakthrough for two of its actors, Robert De Niro and Harvey Keitel. The film featured what would become the hallmarks of a great Scorsese picture: violence, Catholic guilt, machismo and a gritty New York setting.
In 1974, Scorsese directed Alice Doesn't Live Here Anymore, at the request of the lead actress Ellen Burstyn. Burstyn went on to win an Oscar for the role.
In 1976, Scorsese released Taxi Driver. The film, which again starred Robert De Niro as Travis Bickle, also featured Jodie Foster playing an underage prostitute, with Harvey Keitel as her pimp.
Martin Scorsese's first big-budget picture was the stylised musical, New York, New York. The film, which starred Robert De Niro and Liza Minnelli, was a failure at the box office.
In the midst of a spiraling depression and addiction to cocaine, Scorsese made the seminal documentary The Last Waltz, capturing the final concert by The Band, a performance that featured the likes of Bob Dylan, Neil Young, Neil Diamond and Joni Mitchell.
De Niro finally convinced Martin Scorsese to kick his cocaine habit and return to filmmaking. The result was Raging Bull, the biopic depicting the life of the boxer Jake La Motta.
In 1983, De Niro and Scorsese teamed up again, for The King of Comedy. The film was something of a departure in style for Scorsese and took a satirical view of the world of celebrity and the media.
Scorsese began work on The Last Temptation of Christ in 1983 but pressure from religious groups shut down the production.
After Hours, released in 1985, was a low-budget black comedy about a New York word processor's unfortunate night out and has become something of a cult classic since its release.
In 1986, Scorsese made The Color of Money, a sequel to The Hustler (1961). Paul Newman won an Oscar for his work in the film.
The success of The Color of Money gave Scorsese the financial clout to be able to continue working on The Last Temptation of Christ. The film was the cause of much controversy, even before its release, though it still earned Scorsese a Best Director Oscar nomination.
The 1990 release of Goodfellas was a return to form for Scorsese, as well as its stars, Robert De Niro and Joe Pesci (who won an Oscar for his performance). Goodfellas is largely hailed as one of Scorsese's greatest achievements.
In 1991, Scorsese remade Cape Fear, his seventh collaboration with Robert de Niro. Two years later, he directed The Age of Innocence, an adaptation of an Edith Wharton novel. Then, in 1995, Scorsese worked on Casino, again featuring both De Niro and Pesci. The film also featured Sharon Stone, who was nominated for a Best Actress Oscar for her performance.
Scorsese's 1997 work, Kundun alienated many of his fans. The account of the life of the 14th Dalai Lama was a huge departure from Scorsese's usual subject matter and its distributor, Disney, distanced itself from the project, due to their desire to expand into the Chinese market.
1999's Bringing Out the Dead was another dark comedy, but did not perform as well as some of the director's previous releases.
Gangs of New York, released in 2002, had a huge budget of over $100 million. Starring Daniel Day Lewis and Leonardo DiCaprio, the film took a number of years to complete but eventually won Scorsese his first Golden Globe for Best Director, as well as receiving 10 Oscar nominations.
Leonardo DiCaprio took the lead role in The Aviator, the true story of Howard Hughes. The film, which also starred Cate Blanchett, won five Oscars, though Scorsese lost the Best Director award to Clint Eastwood. Scorsese followed this with No Direction Home, a documentary about Bob Dylan.
With The Departed, Martin Scorsese returned to familiar ground by casting Leonardo DiCaprio and also worked with Jack Nicholson and Matt Damon for the first time. The film also starred Mark Wahlberg. Steven Spielberg, Francis Ford Coppola and George Lucas presented Scorsese with his first Best Director Oscar for the film.
In 2006, Martin Scorsese filmed a concert by The Rolling Stones. The footage was made into the highly regarded film Shine a Light.
Personal Life: Martin Scorsese's first marriage was to Laraine Brennan, with whom he had a daughter, Cathy.
His second daughter, Domenica Cameron-Scorsese, who is now an actress, is a product of his second marriage, to Julia Cameron.
Between 1979 and 1983, Martin Scorsese was married to Isabella Rossellini.
In 1985, Scorsese married Barbara De Fina but that marriage also ended in divorce.
Martin has been married to Helen Morris since 1999. Their daughter, Francesca, appeared in both The Departed and The Aviator.
Martin Scorsese's upcoming 'The Irishman', featuring Robert De Niro, is reportedly moving to Netflix from Paramount.
Netflix’s status as a powerhouse in movie industry has received another boost with the news that the streaming giant has landed Martin Scorsese’s next film, a gangster flick featuring Robert De Niro titled The Irishman.
The legendary director had originally lined up the $100 million project to be packaged with Paramount, which released Scorsese’s previous movie, Silence. However, changes at the top of Paramount following a disappointing 12 months for the studio have caused Scorsese to have second thoughts and he has chosen to conclude a deal for his project elsewhere, report IndieWire.
Martin Scorsese's 'The Irishman' is reportedly moving to Netflix
Continue reading: Martin Scorsese's 'The Irishman' Reportedly Moving To Netflix
Driver worked with Martin Scorsese on historical drama ‘Silence’.
Driver worked with Scorsese on historical drama Silence and was initially intimidated by the legendary director. However Driver soon found that Scorsese was very good at “demystifying himself” and allowing actors to take ownership of their role.
Adam Driver in Silence
The actor praises his latest collaborator.
Andrew Garfield has praised director Martin Scorsese for his work on their Catholicism based film 'Silence', dubbing him a 'master' at what he does. The film is released this week, and it's already received much critical acclaim for its depiction of the journey of two Jesuit priests to Japan in the 17th century.
Andrew Garfield stars in 'Silence'
'Silence' has been something that Martin Scorsese wanted to work on since the release of his last major religious project , 1988's 'The Last Temptation of Christ'. It's based on the 1966 novel of the same name by Shusaku Endo and also stars Liam Neeson and Adam Driver. It explores a period of time where Christianity was prohibited in Japan, though missionaries still ventured there to spread the word of God and suffered desperately as a consequence.
Continue reading: Andrew Garfield Says Martin Scorsese Is A 'Gift' To Storytelling
Faith is a topic Martin Scorsese can't quite shake, courting controversy with complex films like The Last Temptation of Christ (1988) and Kindun (1997). And now he has adapted the Shusaku Endo novel into this profound exploration of religion. As seen through the eyes of a 17th century Jesuit priest in Japan, it's a dark, contemplative film that sometimes feels a bit too murky for its own good. But it also has bracing insight into our need to believe.
At the centre of the story is the disappearance of Father Ferreira (Liam Neeson) as Japan cracks down on foreign religions in 1640, brutally persecuting local converts. Back in Portugal, two of Ferreira's proteges, Rodrigues (Andrew Garfield) and Garrpe (Adam Driver), volunteer to go in search of him. But the journey is dangerous, requiring them to trust exiled Japanese drunk Kichijiro (Yosuke Kubozuka) to sneak them into a rural village near Nagasaki. There they find an underground group of devout Catholics who are hiding from the cruel Inquisitor Inoue (Issei Ogata). After they split up to search for Ferreira, Rodrigues is captured by Inoue and interrogated by his interpreter (Tadanobu Asano), who is determined to show him that Christianity can never take root in Japan.
The film has an eerie resonance in today's divisive global climate, where everyone seems determined to protect their own culture from any outside influence, especially a religion that seems to run counter to long-held traditions. But the film's deeper themes explore the idea that we all have a yearning to understand the world and our existence in a way that makes sense to us. So debating the relative benefits of Christianity and Buddhism is actually beside the point. When the movie lets these ideas simmer under the surface, it has real power, especially in Rodrigues' experiences, which are gruelling both physically and emotionally.
Continue reading: Silence Review
The director explores Christianity in more films than you thought.
Director and producer of 'Silence' Martin Scorsese reflects on his exploration of religion in a vast fraction of his movies. For someone who has in the past described himself as a 'lapsed Catholic', he has always been fascinated enough to include Catholicism in his movies.
Martin Scorsese opens up about the prominence of Catholicism in his films
'My interest in all things Catholic, those elements have showed up in my other films; 'Mean Streets', 'Taxi Driver' to a certain extent, 'Raging Bull' certainly', he explains. 'In many pictures, but I think I approached it from different ways, the idea of the tenets or beliefs of Christianity in the everyday life that we lead.'
Continue reading: Martin Scorsese Talks About Religion In His Movies
The director reconciles with the Catholic Church with his latest film.
Academy Award winning director Martin Scorsese took a private audience with Pope Francis ahead of the world premiere of his movie 'Silence' at the Vatican this week, where they discussed the mission of the Jesuit priests in the 17th century as told in his visceral onscreen tale.
Martin Scorsese meets the Pope
The premiere today (November 30th 2016) took place following a screening in front of 300 Jesuit priests, which coincided with Scorsese's meeting with the Pope yesterday. Based on Japanese author Shusaku Endo's 1966 novel which spawned a film adaptation by Masahiro Shinoda in 1971, the director has been working on the movie for the last 20 years.
Continue reading: Martin Scorsese Visits Pope Francis Ahead Of Vatican 'Silence' Premiere
Mick Jagger seen alone and with Keith Richards, Ronnie Wood,Tommy Hilfiger and Charlie Watts at The Rolling Stones Exhibitionism opening night held at Industria Superstudio, New York City, United States - Tuesday 15th November 2016
Miles Teller poses alone ans with Martin Scorsese, Katey Sagal and Keleigh Sperry at the New York premiere of 'Bleed For This,' hosted by Open Road with Men's Fitness, at the AMC Lincoln Square Theater in New York City, United States - Monday 14th November 2016
Hopkins played cannibalistic serial killer Hannibal Lecter in the 1991 thriller.
Jodie Foster has revealed that she was too scared of her co-star Anthony Hopkins to speak to him on the Silence Of The Lambs set. Appearing on ‘The Graham Norton Show’, Foster said that after seeing Hopkins as Hannibal Lecter during the first day read through, the actor had scared her so much that she didn't want to talk to him again.
Jodie Foster has revealed she was terrified of Silence of the Lambs co-star Anthony Hopkins.
“I never spoke to him because he was so scary,” Foster told Norton. “The first day we had a read through and by the end of it I never wanted to talk to him again – I was petrified.”
This is our kind of scavenger hunt.
Everyone likes a good Easter Egg hunt this time of year, but one of our favourites involves searching them out in iconic films. Of course, these 'Easter eggs' aren't of the chocolate variety, merely snippets from films containing amusing inside jokes or tributes to other movies.
In honour of all the scavenger hunts that will be happening amongst children tomorrow as they set about discovering what the Easter bunny has left, we reflect on some more sophisticated kind of 'Easter eggs'; that is, the various hidden meanings in some of our favourite movies.
Sam Raimi pays tribute to Wes Craven
Continue reading: Top 10 'Easter Egg' Moments In Iconic Movies
The upcoming show stars Olivia Wilde and Bobby Cannavale.
Finally, the premiere date for forthcoming HBO drama 'Vinyl' has been announced, with a feature length pilot episode to kick it all off. Exploring music in the 1970s, the series has been produced by legendary filmmaker Martin Scorsese and The Rolling Stones' Mick Jagger.
Bobby Cannavale stars as Richie Finestra in 'Vinyl'
Created by the Oscar nominated Terence Winter, best known for his work on such shows as 'Boardwalk Empire' and 'The Sopranos' as well as movies like 'The Wolf Of Wall Street', the show has been in production since 2011 but after much waiting, we'll see the finished result for the first time in 2016. 'Vinyl' follows the story of a fictional New York record label called American Century Records and its founder Richie Finestra, tracing music through the decades from punk, through disco, to rock 'n' roll.
Continue reading: HBO To Show Scorsese And Jagger's Music Drama 'Vinyl' On Valentine's Day
The dream team of De Niro, Pacino, Pesci and Scorsese will team again for the biopic of mobster Frank Sheeran.
Robert De Niro has confirmed he’ll be reuniting with Martin Scorsese for mob film, I Heard You Paint Houses, which they plan to begin shooting next year. The duo first worked together on 1973 crime thriller Mean Streets and have since collaborated on classic such as Goodfellas, Taxi Driver and Raging Bull.
Robert De Niro says he will reunite with martin Scorsese for I Heard You Paint Houses.
Speaking to Digital Spy, while promoting his latest move, The Intern, De Niro said, "We are doing it... We should be doing it sometime next year. We’re slowly, slowly getting it in place.”
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