Mr. Axel Cruau, Martin Landau and Guest - The Consul General Of France, Mr. Axel Cruau, Honors The French Nominees For The 87th Annual Academy Awards at French Consul Residence, Academy Awards - Beverly Hills, California, United States - Monday 23rd February 2015
Martin Landau and producer Susan Landau Finch - A host of stars were photographed as they attended the Vanity Fair Oscar Party which was held at the Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall in Los Angeles, California, United States - Monday 23rd February 2015
Martin Landau and Gretchen Becker - Norby Walters' 24nd Annual Night Of 100 Stars Oscar Viewing Gala held at Beverly Hills Hotel - Arrivals - Los Angeles, California, United States - Sunday 2nd March 2014
With a snappy sense of childish curiosity and lavishly skilled animation, Tim Burton makes one of his most endearing and enjoyably offbeat movies in years. It's actually a remake of a half-hour short he shot in 1984, fleshed out with terrific side characters and a much grander plot. But it's also been painstakingly made with detailed stop-motion animation that's both artistic and witty.
Set in what looks like the suburb from Edward Scissorhands, it's about lonely teen Victor Frankenstein (voiced by Tahan), whose best friend is his dog Sparky. When Sparky dies suddenly, Victor gets an idea from his science professor (Landau) to reanimate him. And it works! Victor hides this from his parents (O'Hara and Short) and the nice girl (Ryder) next door, but chatterbox classmate Edgar (Shaffer) blabs to some other kids in school, who decide they need to make their own science projects a lot more interesting. Suddenly the whole town is under siege by undead pets.
The film looks like a classic monster movie, shot in black and white with deep shadows and expressive faces, plus a hilariously entertaining attention to detail that will make you want to see the film over and over again. It's also packed with gags about the genre, including the names of characters, sudden sight gags (like the Bride of Frankenstein hair of the zapped poodle next door), and more witty references such as Gremlin-like sea-monkeys and a Godzilla-like reanimated tortoise (named, of course, Shelley). There's even an old Christopher Lee Dracula film showing on the TV. But the best thing about this film is the way it never relies on us getting the jokes: Burton has created his own classic too.
Continue reading: Frankenweenie Review
Victor Frankenstein is a young fanatic of science and loves making home movies with his pet bull terrier and best friend, Sparky. On discovering that his dog has died, he is devastated and will do anything to bring him back. His mother tries to offer comfort, telling Victor that Sparky will always be in his heart, but nothing she says makes him feel any better; that is, until, she says, 'If we could bring him back, we would' which triggers an idea in Victor's head - even more so after a science class at school shows how you can use electricity to stimulate muscle movement in deceased animals. He takes a trip to the cemetery and sets up a makeshift laboratory in which he attempts to rouse Sparky using various pieces of scientific equipment. When there is no movement from the dog, Victor is disappointed but, suddenly, Sparky starts moving and leaps off the table to his owner's utter delight. Victor has to hide him away in the attic of his house to avoid suspicion from his parents. However, Sparky escapes into the streets terrifying the neighbours and revealing secrets to the world that are probably best left undiscovered.
Continue: Frankenweenie Trailer
Number 9 (Wood) is a brave little creature who wakes up into a decimated city where meets the inventive 2 (Landau), who's promptly captured by a scary monster. Soon 9 finds a community led by conservative leader 1 (Plummer) with his muscly/dim bodyguard 8 (Tatasciore) and obsessive sketch artist 6 (Glover).
It's the friendly 5 (Reilly) who accompanies 9 to rescue 2, and along the way they meet swashbuckling 7 (Connolly) and bookish twins 3 and 4. Together they need to figure out how to stop a voracious soul-sucking machine.
Continue reading: 9 Review
For the residents of the city of Ember, these are troubled times. The massive generator that keeps the town functioning is failing, and Mayor Cole (Bill Murray) is at a loss for answers. A bumbling bureaucrat through and through, he'd rather maintain order than find a viable solution. Two young members of the community, Doon Harrow (Harry Treadway) and Lina Mayfleet (Saoirse Ronan) don't want to give up. He wants his father (Tim Robbins) and an elderly co-worker Sul (Martin Landau) to help him get to the damaged energy source. She discovers a strange box which may hold a key to saving the day. Unfortunately, a hidden cabal of city leaders may be trying to undermine any effort to bring Ember back from the brink.
Continue reading: City Of Ember Review
The movie opens with Agents Mulder (Duchovny) and Scully (Anderson) finding themselves on a new assignment after the closing of the X-files. Of course, through a bizarre coincidence, their very first assignment leads them to uncover a conspiracy involving the hiding of bodies of some would-be aliens. The plot turns alternately confusing and ridiculous after that.
Continue reading: The X Files (1998) Review
The film follow two losers, played by Scott Caan and David Arquette, who run a septic truck business for the local town of Lusk, Wyoming. Their idol is Jimmy King (Oliver Platt), grand champion belt holder of the WCW Federation, who proclaims "I WILL RULE YOU!" after every victory. Caan and Arquette attend a WCW bout and, in horror, watch their idol fall from grace by turncoat WCW wrestlers. Jimmy King is beaten to a bloody pulp and a fellow wrestler, Diamond Dallas Page, takes the belt from the fallen king. After the show, Caan and Arquette strike out to find their defeated hero and once again place the crown upon the rightful king of the ring.
Continue reading: Ready to Rumble Review
City Hall is a drama/thriller with most of the thrill sucked out of it. After a ridiculously convoluted opening, filled with the weak voice-over of the Deputy Mayor of New York City, Kevin Calhoun (John Cusack), we find ourselves embroiled in the world of Mayor John Pappas (Pacino). As the film opens, we find a cop and mobster killed in a shoot-out, taking with them the life of a six-year old boy.
Continue reading: City Hall Review
Although McKay - whose irritating narration, the usual guff about moving to New York from Indiana and just how exciting it all was, brackets the film - never really posits what exactly he's on about with "The Golden Age," two things quickly become clear: The time period he and his subjects want to talk about is Broadway theater from the 1930s to the 1950s, and that period really would have been something to behold. The cavalcade of interviewees all point to not just the embarrassment of riches that were around then in terms of both the material (Lerner & Lowe and Rodgers & Hammerstein were like musical hit factories, not to mention the new dramatic work being produced by the likes of Tennessee Williams and Arthur Miller) and the talent, but another very simple factor: It was cheap. In a time of $480 The Producers tickets, it's partially nice but mostly infuriating to know that not so long ago it could cost less to go to a Broadway show than the movies.
Continue reading: Broadway: The Golden Age, By The Legends Who Were There Review