Consul General of France, Christophe Lemoine , Martin Landau - Champagne Brunch Reception Honoring The French Nominees For The 88th Academy Awards at French Consulate La Residence de France, Academy Awards - Beverly Hills, California, United States - Monday 29th February 2016
Martin Landau - 26th Annual Night of 100 Stars held at the Beverly Hills Hilton Hotel - Arrivals at Beverly Hilton - Beverly Hills, CA - Los Angeles, California, United States - Sunday 28th February 2016
Mr. Axel Cruau, Martin Landau and Guest - The Consul General Of France, Mr. Axel Cruau, Honors The French Nominees For The 87th Annual Academy Awards at French Consul Residence, Academy Awards - Beverly Hills, California, United States - Monday 23rd February 2015
Martin Landau and producer Susan Landau Finch - A host of stars were photographed as they attended the Vanity Fair Oscar Party which was held at the Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall in Los Angeles, California, United States - Monday 23rd February 2015
Martin Landau and Gretchen Becker - Norby Walters' 24nd Annual Night Of 100 Stars Oscar Viewing Gala held at Beverly Hills Hotel - Arrivals - Los Angeles, California, United States - Sunday 2nd March 2014
With a snappy sense of childish curiosity and lavishly skilled animation, Tim Burton makes one of his most endearing and enjoyably offbeat movies in years. It's actually a remake of a half-hour short he shot in 1984, fleshed out with terrific side characters and a much grander plot. But it's also been painstakingly made with detailed stop-motion animation that's both artistic and witty.
Set in what looks like the suburb from Edward Scissorhands, it's about lonely teen Victor Frankenstein (voiced by Tahan), whose best friend is his dog Sparky. When Sparky dies suddenly, Victor gets an idea from his science professor (Landau) to reanimate him. And it works! Victor hides this from his parents (O'Hara and Short) and the nice girl (Ryder) next door, but chatterbox classmate Edgar (Shaffer) blabs to some other kids in school, who decide they need to make their own science projects a lot more interesting. Suddenly the whole town is under siege by undead pets.
The film looks like a classic monster movie, shot in black and white with deep shadows and expressive faces, plus a hilariously entertaining attention to detail that will make you want to see the film over and over again. It's also packed with gags about the genre, including the names of characters, sudden sight gags (like the Bride of Frankenstein hair of the zapped poodle next door), and more witty references such as Gremlin-like sea-monkeys and a Godzilla-like reanimated tortoise (named, of course, Shelley). There's even an old Christopher Lee Dracula film showing on the TV. But the best thing about this film is the way it never relies on us getting the jokes: Burton has created his own classic too.
Continue reading: Frankenweenie Review
Victor Frankenstein is a young fanatic of science and loves making home movies with his pet bull terrier and best friend, Sparky. On discovering that his dog has died, he is devastated and will do anything to bring him back. His mother tries to offer comfort, telling Victor that Sparky will always be in his heart, but nothing she says makes him feel any better; that is, until, she says, 'If we could bring him back, we would' which triggers an idea in Victor's head - even more so after a science class at school shows how you can use electricity to stimulate muscle movement in deceased animals. He takes a trip to the cemetery and sets up a makeshift laboratory in which he attempts to rouse Sparky using various pieces of scientific equipment. When there is no movement from the dog, Victor is disappointed but, suddenly, Sparky starts moving and leaps off the table to his owner's utter delight. Victor has to hide him away in the attic of his house to avoid suspicion from his parents. However, Sparky escapes into the streets terrifying the neighbours and revealing secrets to the world that are probably best left undiscovered.
Continue: Frankenweenie Trailer
Number 9 (Wood) is a brave little creature who wakes up into a decimated city where meets the inventive 2 (Landau), who's promptly captured by a scary monster. Soon 9 finds a community led by conservative leader 1 (Plummer) with his muscly/dim bodyguard 8 (Tatasciore) and obsessive sketch artist 6 (Glover).
It's the friendly 5 (Reilly) who accompanies 9 to rescue 2, and along the way they meet swashbuckling 7 (Connolly) and bookish twins 3 and 4. Together they need to figure out how to stop a voracious soul-sucking machine.
Continue reading: 9 Review
A legend of Hollywood, the 1963 production of Cleopatra has so much curiosity surrounding it I hardly know where to start. It was budgeted at $2 million and eventually cost (up to) $44 million to produce -- close to $300 million in today's dollars. Liz Taylor almost died during the filming and was given a tracheotomy to keep her alive. The production was forced to move from Rome to London and back to Rome again. Two of its stars fell in love (Taylor and Burton) on the set, ruining both of their marriages. 20th Century Fox essentially went bankrupt, leading to the ousting of its chief. The first director was fired after burning $7 million with nothing to show for it. The second director (Mankiewicz) was fired during editing, only to be rehired when no one else could finish the picture. Taylor threw up the first time she saw the finished product. Producer Walter Wanger never worked in Hollywood again. And the original six-hour epic was cut to a little over three.
Continue reading: Cleopatra (1963) Review
David Arquette's escaped-lunitic-on-a-double-espresso style of nitwit comedy is an aquired taste. Or at least I assume it is since I don't find him funny but movie directors continue to cast him and AT&T saw fit to make them their collect-calling spokesman.
He's a one-note Jim Carrey wannabe with a Jerry Lewis IQ and two facial expressions: Half-asleep stoner and vein-popping screaming mimi. He's also a front-runner for Least Convincing Actor Alive, as he frequently seems to be looking desperately toward the camera for approval of over-the-top his antics.
David Arquette is also the star of "Ready To Rumble," a slow-pitch comedy about professional wrestling fans, seemingly made for some niche market of moviegoers that find Pauly Shore pictures too intellectually taxing.
Continue reading: Ready To Rumble Review
"EDtv" doesn't pass on a single opportunity for a laugh. A lightsatire about an earnest Everyman picked to be the subject of a 24-7 cableTV show, even when its cuts away to a shot of the show's nervous directorholed up in a broadcast van, the camera zooms in for a tight shot of hisbad hair plugs as he yells into his headset.
The first comedy in 14 years from director Ron Howard ("Ransom,"Apollo 13," "Splash"), and by far his funniest, "EDtv"stars Matthew McConaughey as Ed, an affable San Francisco video store clerkwho becomes a national sensation as the star of his own always-on "RealWorld"-like cable network after winning a contest he never plannedto enter.
Continue reading: Edtv Review
Who better to revamp Washington Irving's classic spook tale of the Headless Horseman than Tim Burton, the modern maestro of movie macabre?
A little tweaking here (a conspiracy plot), a little re-writing there (Ichabod Crane is now a nervous police detective instead of a nervous school teacher) and -- ta-da! -- it's "Sleepy Hollow," a sumptuously stylized, oddly traditional, darkly comical, and unmistakably Burton-esque take on this uniquely American fairy tale.
Taking place in 1799, this inventive reinterpretation of "The Legend of Sleepy Hollow" -- written by "Fight Club" scripter Andrew Kevin Walker and polished by "Shakespeare In Love" scribe Tom Stoppard -- features Johnny Depp as Ichabod Crane, an ungainly, outcast, New York City constable come to the upstate hamlet of Sleepy Hollow to investigate a spate of beheadings that local legend has pinned on the noggin-less ghost of mad a Revolutionary War mercenary.
Continue reading: Sleepy Hollow Review
"Hollywood Homicide" is a sly satire of buddy-cop action-comedies that replicates the genre's trappings so precisely many moviegoers will mistake it for a genuinely bad buddy-cop action-comedy.
The vaguely ridiculous title and overtly assembly-line plot all by themselves had me dreading the press screening. A handsome, aging, grumpy detective (Harrison Ford) in a wise-cracking reluctant partnership with a handsome rookie detective (Josh Hartnett), both of whom are way out of their depths investigating the gunning down of a rap group in a hip-hop club? Talk about knee-deep in Hollywood pig slop.
But writer-director Ron Shelton ("Tin Cup," "Bull Durham") -- who wrote this film just after completing his for-hire helming of the genuinely cliché-riddled L.A. cop drama "Dark Blue" -- embraces this ostensible triteness and reshapes it into comedy of the absurd without being conspicuously ironic or self-aware. "Hollywood Homicide" is often authentically slapdash, shallow and hackneyed because its mockery of Hollywood's pre-fabricated blockbuster mentality is meant to sneak up on you.
Continue reading: Hollywood Homicide Review
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With a snappy sense of childish curiosity and lavishly skilled animation, Tim Burton makes one...
Victor Frankenstein is a young fanatic of science and loves making home movies with his...
Victor Frankenstein is a young boy with an interest in science and home movies....
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