Unlike Tommy or The Wall, the cinematic repercussions of Hansard's songs were never foretold in any of the Frames albums; all the songs involved were written during Carney's screenwriting process. Carney believes that three-minute pop songs can equally weigh with ten pages of dialogue and uses many of Hansard and his co-star Marketa Irglova's songs to relate emotional weight, an easy way out for exposition. Yet, the exposition is still there, and the songs played are melodramatic enough to make a VH-1 countdown show. Yes, yes, but Carney's idea is still sound.
Continue reading: Once Review
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