Mark Lenard

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Star Trek IV: The Voyage Home Review


Excellent
This is the one with the whales. That's right. The Romulans and Klingons are put aside for one episode in order to create an enemy from a faraway world, suggesting that humpback whales are not native to earth -- that they're an alien species that communicates with the whales of earth through some unknown method. When the space whales haven't heard from their earthbound pals (we're told they were driven to extinction centuries in the movie's past), they decide to pay a visit. The unintended consequence is the destruction of the power systems of everything in its path.

Solution: The Enterprise crew takes a trip back through time (in the stolen Klingon bird-of-prey from Star Trek III) to the 1980s (conveniently coinciding with the production time fram of the film) in order to snag a couple of whales and repopulate the future.

Continue reading: Star Trek IV: The Voyage Home Review

Star Trek VI: The Undiscovered Country Review


Very Good
The rule of thumb with Star Trek movies continues to be: even-numbered good, odd-numbered bad. The first Star Trek movie was a sub-Kubrickian snore. The third and fifth were marred by gratuitous action and sentimentality, respectively. On the other hand, Star Trek II: The Wrath of Khan was an entertaining swashbuckler highlighted by good performances, Kirstie Alley's debut and James Horner's score. Star Trek IV: The Voyage Home was a cute riff on the 20th century environmental crisis.

Paramount eventually noticed the pattern. Star Trek VI: The Undiscovered Country, the sixth mission of the starship Enterprise, was largely the work of director/screenwriter Nicholas Meyer, who wrote Khan, and executive producer Leonard Nimoy (who played Spock, of course), director of Star Trek IV. The sixth movie generally reflects Meyer's and Nimoy's concern for integrity.

Continue reading: Star Trek VI: The Undiscovered Country Review

Mark Lenard

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