Mark Feuerstein - Premiere of Roadside Attractions' 'Love And Friendship' at Directors Guild Of America - Arrivals at Directors Guild Of America - Los Angeles, California, United States - Tuesday 3rd May 2016
Mark Feuerstein - Premiere of Roadside Attractions' 'Love And Friendship' at Directors Guild Of America - Arrivals at Directors Guild of America - Los Angeles, California, United States - Tuesday 3rd May 2016
I love movies. In particular, I hunger for films that invite me into a world beyond the limits of mundane, material, daily existence. While Woman on Top deserves some credit for its fresh, innocent effort to make this invitation, it is disappointingly infantile once we all get to the party.
Continue reading: Woman On Top Review
To say your siblings are terrifying is an understatement; they are either young enough to physically torture you and mentally annoy you with the precision of a mime or they are old enough to make you really worried. Rose Feller (Toni Collette) shares my torture in abundance, if not more so. She has been looking after and taking care of her younger sister, Maggie (Cameron Diaz), since their mother died. We meet Maggie while she is getting nailed in a bathroom stall at a high school reunion. Sparks fly when Rose catches Maggie screwing Jim, the man she is seeing, and throws her out of the apartment they've been sharing. Unable to go anywhere else, Maggie goes to her father's house where she uncovers years of hidden birthday cards from a grandmother she thought was dead. So Maggie packs her bags and heads to Miami to bunk up with grandma Ella (Shirley Maclaine), the grandmother who was cast aside by her father. Meanwhile, Rose starts seeing a fellow lawyer, Simon (Mark Feuerstein), starts a dog-walking business and sets out to reconnect with Maggie.
Continue reading: In Her Shoes Review
As all-star Chicago ad man Nick Marshall, Gibson is awash in the stereotypical world of a man's man. Ogling chicks, living high on the hog, and being a major player is his life. He has unending self-confidence just because he can bed babes, but ho, what he doesn't know....
Continue reading: What Women Want Review
You know how in testosterone-charged action movies an explosion will be shown over and over again in slow motion, and from four or five different angles? The ultimate sign of a guy movie, right?
Well, in "What Women Want" -- a romantic comedy starring Mel Gibson as a man who can hear women's thoughts -- director Nancy Meyers shows, on more than one occasion, Mel passionately kissing Helen Hunt in slow-mo and from four or five different angles.
Yes, what I'm saying is that "What Women Want" is very possibly the chickiest chick flick of all time.
Continue reading: What Women Want Review
There's a little more to "Abandon" than the stock woman-in-peril thriller it looks like. But since writer-director Stephen Gaghan stages the film like a stock woman-in-peril thriller, there's no way to know this until the last 10 minutes when the twists kick in.
The first 9/10ths of the picture consists largely of cutie coed Katie Holmes having her thesis-oriented last semester of college turned into a distractingly stressful ordeal by a cop (Benjamin Bratt) coming around to dredge up the two-year-old case of her missing boyfriend (Charlie Hunnam). Well, that and the fact that soon thereafter the boyfriend -- an arrogant, idle-rich kid with a silly shaggy hairdo and a penchant for brash theatrics -- reappears and begins stalking her from the shadows.
With only a few obscure, barely crumb-like hints that there might be something more going on than just unwelcome visits from a nefarious ex, the movie coasts along on perfunctory tension and Holmes' good looks for several reels while waiting for the other shoe to drop.
Continue reading: Abandon Review
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