Mark Duplass, Haley Lu Richardson, Thomas Middleditch, Melissa Rauch , Sebastian Stan - Los Angeles premiere of 'The Bronze' held at the Pacific Design Center in West Hollywood - Arrivals - Los Angeles, California, United States - Monday 7th March 2016
Jay Duplass , Mark Duplass - The Bronze Premiere at the SilverScreen Theater at the Pacific Design Center on March 7, 2016 in Los Angeles, CA. at SilverScreen Theater at the Pacific Design Center - Los Angeles, California, United States - Tuesday 8th March 2016
Katie Aselton , Mark Duplass - Los Angeles premiere of 'Mistress America' during the 2015 Sundance NEXT FEST held at Ace Hotel - Arrivals - Ace Hotel Downtown Los Angeles, California, United States - Friday 7th August 2015
Zoe is part of a group of scientists with the goal of bringing people back to life. Having being testing the Lazarus Serum (an injectable substance and the instrument of resurrection) on animals and successfully reviving a dog, they start to believe anything is possible - despite accusations that they are immorally 'playing God'. When the dog starts behaving strangely and dangerously, they discover that there's way too much neural activity going on its brain, but before they can investigate further, Zoe is electrocuted to death. Determined not to lose her, her partner Frank injects her and brings her back to life - with terrifying consequences. Zoe appears to have gained paranormal powers and reveals that she has come back from hell. Now the scientists have the job of keeping the dead dead, lest they unleash a destructive evil unto the world.
Continue: The Lazarus Effect Trailer
Richard Linklater is well known in the film industry as one of the stand out names in indie movie making. Responsible for a wide variety of films including the decade spanning romance 'Before Sunset' (and its sequels), music fuelled comedy 'School Of Rock', social misfit drama 'Slacker', and innovative animated thriller 'A Scanner Darkly', Linklater has inspired a generation of filmmakers and scooped two Oscar nominations and numerous film festival awards along the way. After 21 years, this Texas born innovator is still thoroughly impressing, his latest project 'Boyhood' having caused a stir for its unique quality of having been filmed over thirteen years. Just what will he do next?
Continue: 21 Years: Richard Linklater Trailer
Not perfect, but certainly a worthy entry to Elisabeth Moss' post-Mad Men career
Starring Mad Men’s Elizabeth Moss, The One I Love follows Ethan (Mark Duplass) and Sophie (Moss) attempt to salvage their flagging marriage by taking a vacation to a beautiful house for a weekend getaway. However, an unexpected journey forces them to look at their relationship, and themselves, in a totally different way.
Moss [L] and Duplass [R] are superb in 'The One I Love'
In a celebration of the leading twos’ acting, the critics have praised ‘The One I Love’, but were quick to point out some of the notable plot points that lead to a 76% rating on Rotten Tomatoes instead of something in the 90s.
Continue reading: Reviews: 'The One I Love' - Moss And Duplass Shine
Ethan and Sophie are going through some deep struggles in their relationship and decide that it's time to see a marriage counsellor to see if there's any way of getting their home life back on track. Fortunately for them, the expert has some ideas on how to reignite their ever diminishing flame and advise them to visit a glorious poolside retreat in the mountainous countryside. He claims that all couples who visit the getaway return from their vacation with a rejuvenated romance, and while Ethan and Sophie are a little sceptical at first, they soon begin to see that he's right. However, they start to become convinced that it's the only way to keep their marriage together and they soon want to go back there. Of course, one can have too much of a good thing as this pair are about to find out.
Continue: The One I Love Trailer
Melissa McCarthy is clearly in a rut: the title character in this film isn't very far removed from her previous roles in The Heat and Identity Thief. Yes, Tammy is another chubby slob who is on the road to some sort of epiphany, and along the way she realises that simply running a comb through her ratty hair might make her look more human. At least the film has a seriously strong supporting cast who almost make it worth a look.
Tammy (McCarthy) is sacked from her job at a fast-food outlet on the same day she discovers that her husband (Faxon) is having a fling with a neighbour (Tony Collette). In a childish rage, she runs home to her parents (Allison Janney and Dan Aykroyd) and then decides to keep running, taking her grandmother Pearl (Sarandon) along for the ride. Pearl has a dream to see Niagara Falls before she dies, but she's just about as immature as Tammy is, so they immediately start getting into trouble. Their antics include a series of incidents involving a jet-ski, flirting and more with a father and son (Gary Cole and Mark Duplass), robbing a burger joint and attending a raucous 4th of July party at the home of Pearl's wealthy cousin (Kathy Bates).
Tammy is even less worldly wise than McCarthy's previous variations on the character: she has never even attempted to grow up, so reacts to everything like a toddler. Aside from not being remotely funny, this is deeply annoying from the start. And even the characters around her don't laugh - they roll their eyes in exasperation. Then after establishing her as a relentless loser who brings misfortune on herself, the script (written by McCarthy and her real-life husband Ben Falcone, who also directs and appears as Tammy's boss) contrives to make Tammy sympathetic by portraying her as some sort of a victim. Meanwhile, she of course slowly begins to look less cartoonish simply because she changes her shirt and takes a shower along the way.
Continue reading: Tammy Review
When Tammy is late for work following an unlikely road accident, she is fired from her job at Toppy Jacks fast food restaurant. And that's just the icing on the cake when she gets home to find that her husband has been sleeping with their neighbour. With nowhere to stay, she decides to take a road trip to Niagara Falls, but first she needs to borrow the car from her mother. When she refuses, the only person left to turn to is her alcoholic and diabetic grandmother Pearl who, unfortunately for Tammy, also happens to have an adventurous streak and wants to come along for the ride. The journey is, predictably, full of serious hitches. Not only does Pearl get arrested, but Tammy gets into some serious trouble with the police after she attempts an 'armed' robbery on a nearby Toppy Jacks, crashes a speedboat on the side of a lake and nearly runs some sightseers over in a nature park. It's no smooth ride, but it could be the perfect bonding experience.
'Tammy' is a hilarious new comedy serving as main star Melissa McCarthy's ('The Heat', 'Bridesmaids') first venture into film writing. It co-stars and has been co-written and directed by her husband Ben Falcone in his directorial debut and it is scheduled for UK release on July 4th 2014.
Tammy's life seems to have just become an unfortunate string of events having been dismissed from her job at fast food joint Toppy Jacks and discovered that her husband has been having an affair with the neighbour. Now penniless and virtually homeless, Tammy decides to set out on a road trip to Niagara Falls. Her mother down the street refuses to lend her the car, however, and she is forced to beg a favour from her diabetic but resolutely alcoholic grandmother Pearl. Unfortunately for Tammy, Pearl wants to come along for the ride, and after finding out that Pearl has enough money to provide for them both on the way, Tammy accepts - even if it means becoming her grandmother's personal carer. It's by no means a smooth ride, with Pearl getting arrested and Tammy trying to rob a Toppy Jacks, but it could change both their lives forever.
Continue: Tammy - Teaser Trailer
When Abraham Zapruder, a women's clothing manufacturer from Texas, excitedly set up his camera to record the grand arrival of the much-loved President John F. Kennedy and First Lady Jackie Kennedy in Dallas on November 22nd 1963, he had no idea that he would in fact record one of the most shocking and most watched films in history when the President was fatally shot by a nearby gunman. He became one of a string of unlikely individuals to get involved in one of the world's most publicised assassination cases, along with all the doctors and nurses who were forced to overcome the shock when Kennedy was rushed to Parkland Hospital; the family of the alleged killer, US Marine Lee Harvey Oswald; and those FBI agents who could've prevented the incident when they had Oswald in their grasp.
'Parkland' is a new historical drama about one of the most famous assassinations in history which is set for release ahead of the event's 50th anniversary. It has been directed and written by Peter Landesman who is controversially best known for his New York Times article on sex slavery 'The Girls Next Door' which he later turned into a film called 'Trades' and which was publicly accused of being at least partly fictitious. 'Parkland' is set to be released in the UK on November 8th 2013.
First-time filmmaker Aselton creates one of the most assured thrillers in recent memory, throwing finely developed characters into a very nasty situation that makes us squirm in our seats. It's also a rare film that acknowledges how difficult it actually is to kill someone: no one dies as easily as they do in most Hollywood horror movies, and the psychological nastiness is even worse than the physical stuff.
The title refers to an isolated island off the coast of New England, where Sarah (Bosworth) is planning a reunion camping trip with her two childhood pals, Lou and Abby (Bell and Aselton). The problem is that Abby hasn't spoken to Lou for six years, following an unforgivable incident. So Sarah has to trick them into coming along, then convince them to bury the hatchet for a weekend on the island they used to visit as little girls. Just as they've reached a peaceful accord, they run into three cute young hunters (Bouvier, Paulson and Richardson). But after an evening of alcohol and flirting, things take a very dark turn, and the boys start hunting the girls through the woods. They may be armed, but these feisty women know their way round the island a lot better.
Even though the back-story is essentially very simple, it adds to the dynamic between these three women, creating characters we are interested in right from the start. And their dialog is smart and offhanded, bringing out lively humour, dark emotions and the tensions between these strong-minded women. Opposite them, the three ex-soldiers are also intriguing because they show signs of post-traumatic stress. So the girls know they will never give up looking for them: they can't just hide, they have to fight back if they want to survive.
Continue reading: Black Rock Review
Blistering writing, directing and acting hold us firmly in our seats as this procedural drama snakes its way to a riveting action finale. Although it's sometimes not easy to know whether director Bigelow and writer Boal are celebrating or criticising the way America has conducted itself on the world stage in its war on terrorism. Clearly the characters believe that these dodgy methods are essential tools in their job. But the film cleverly respects and challenges our own views on the issues.
The story begins with the events of 9/11, after which the CIA is determined to track down Osama bin Laden. Spearheading the search is tenacious analyst Maya (Chastain), who works with her colleague Dan (Clarke) to interrogate prisoners and mobilise their team (including Ehle and Perrineau) to action. Their bosses (Chandler and Strong), the CIA director (Gandolfini) and the national security advisor (Dillane) offer support and challenges. And eventually they get approval to illegally send a black-op team into bin Laden's suspected hide-out in Pakistan.
It's astonishing that Boal and Bigelow have managed to tell this true story without taking sides. They have been criticised for possibly using classified details or for depicting torture as an interrogation tool, but the facts can't be denied just because we don't like them. And your attitude going in will probably colour how you feel about the movie: some will find this a story of triumph while others will be troubled by the methods it depicts. Either way, it's impossible to ignore the film's urgency as it pulls us into a fascinating story.
Continue reading: Zero Dark Thirty Review
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