Naturi Naughton in the press room at the 49th NAACP Image Awards 2018 held at the Pasadena Civic Auditorium. This year's big winners included Ava DuVernay, 'blacki-ish', 'Get Out' and Bruno Mars - Pasadena, California, United States - Tuesday 16th January 2018
Vin Diesel makes a bid for yet another franchise with a supernatural action romp that's both deeply ridiculous and enjoyably entertaining. The premise is basically Underworld with witches, and Diesel uses his meathead charm to coast through his role as an immortal warrior. Thankfully, the crazed production design and some solid costars do most of the acting for him. And director Breck Eisner keeps the pace snappy enough to hold the audience's interest, even if we're laughing at it rather than with it.
Diesel plays Kaulder, who in the 13th century killed a nefarious witch queen (Julie Engelbrecht) and was cursed with immortality. Now 800 years later, he's living the high life in Manhattan and leading the Axe and Cross to contain the world's witch population. His assistant is the 36th Dolan (Michael Caine), who has just named the 37th (Elijah Wood) when they're attacked by the mysterious Belial (Olaf Darri Olafsson). He's determined to resurrect the queen and return humanity to the dark ages. So Kaulder sets out to stop him, teaming up with helpful witch Chloe (Rose Leslie), who has some special abilities that aid them as things get increasingly crazed.
Continue reading: The Last Witch Hunter Review
Cast of Power, Joseph Sikora, Carmi Zlotnik, Mark Canton, Lela Loren, Curtis '50 Cent' Jackson, Chris Albrecht, Courtney Kemp Agboh, Naturi Naughton, Omari Hardwick and and David Knoller - Celebrities attend 'Power' Season Two Series Premiere at Best Buy Theater - Arrivals - New York City, United States - Tuesday 2nd June 2015
Jennifer Aniston delivers an Oscar-calibre performance in this rather over-worked drama, which tries to emphasise heavy-handed metaphors more than the characters themselves. But it's an involving personal odyssey thanks to Aniston's honest acting, and Daniel Barnz's sensitive direction manages to dodge most of the script's more glaring pitfalls.
Aniston plays Claire, a woman who has been in continual pain, both emotional and physical, following the car accident that claimed the life of her young son. Revelling in her bitter sarcasm, she has alienated her husband (Chris Messina), driven her physiotherapist (Mamie Gummer) to despair and so enraged her therapy leader (Felicity Huffman) that she's been thrown out of the group. The only person who patiently sticks by her side is her maid/assistant Silvana (Adriana Barazza), and she's beginning to waver. Then Nina (Anna Kendrick), a therapy-group member, commits suicide, making Claire question why she's still bothering to be alive. There has to be a spark of hope there, and she decides to stalk Nina's single-dad widower Roy (Sam Worthington) for answers.
While the premise seems to set up the usual story about two damaged souls healing each other, the story thankfully doesn't go down that tired route. Instead, Patrick Tobin's script keeps the interaction prickly and unexpected, even as it layers in so much symbolism that it becomes rather exhausting. Claire's physical scarring is clearly indicative of something deeper, as is her array of cruel defence mechanisms. Thankfully, Aniston plays these scenes with a mixture of black comedy and aching sadness that makes the character thoroughly involving and only slightly likeable. Her interaction with Barraza is the heart of the film, beautifully played because their connection remains mainly unspoken. By contrast, Worthington feels almost superfluous; he sharply matches Aniston's cynicism, but is too nice to register very strongly.
Continue reading: Cake Review
Fans of the 2007 Spartan war romp 300 probably won't care that this spin-off is even more chaotic and much murkier to look at. It still features armies of scantily clad muscle men grunting idiotic declamatory dialogue as they charge into cartoon-style battles against all odds. No, this isn't particularly subtle filmmaking: it's loud and brutal. And good for an unintentional laugh.
At the same time as Spartan King Leonidas (a briefly glimpsed Gerard Butler) is leading his 300 men to battle against Xerses (Santoro), Greek General Themistocles (Stapleton) approaches Leonidas' wife Gorgo (Headey) for help facing Xerses vengeful military commander Artemisia (Green) on another front at sea. Themistocles' main officers are Aesyklos (Matheson) and Scyllias (Mulvey), whose son Calisto (O'Connell) secretly joins the army as they set sail for an epic ship-based battle against Artemisia's fearsome forces. And there are two more watery conflicts to come, each more outrageous than the one before, as Artemisia taunts Themistocles seductively while dispensing fiery death and destruction at every turn.
The addition of two strong women adds a bit of interest here, but the focus is still on the bare-chested men, even if only three or for of them actually emerge into proper characters. Headey's chief contribution is a rambling voiceover narration explaining everything for us, while Green's wry smirk and momentous glower let her steal every scene. By contrast, the men seem rather feeble. Stapleton is manly and commanding, but not hugely charismatic. Rising-star O'Connell barely gets two decent scenes. Santoro is hilariously grouchy eye candy. And everyone else is clearly expendable.
Continue reading: 300: Rise Of An Empire Review
Gianni Nunnari and Mark Canton - Celebrities attend premiere of Warner Bros. Pictures and Legendary Pictures' "300: Rise Of An Empire" at TCL Chinese Theatre. - Los Angeles, California, United States - Tuesday 4th March 2014
You know not to expect something deep and meaningful when a movie stars Stallone and Schwarzenegger, and indeed this is pretty much what we expect: a slick thriller that's utterly preposterous but not quite stupid. But the premise has a certain idiotic charm to it, and there are just enough clever touches to keep our brains engaged.
Stallone plays brilliant security expert Breslin, whose job entails being thrown into maximum-security prisons so he can find the weakness in the system. Clearly unbothered by being beaten and brutalised by guards and inmates, Breslin is backed up by a support crew (Ryan and Jackson) and his business partner (D'Onofrio) back in the office. But now the CIA wants Breslin to check out its new top-secret enemy combatant lock-down. To do this, Breslin must go off the grid. And when he realises that the evil warden Hobbes (Caviezel) isn't playing ball, he teams up with brilliant scientist inmate Rottmayer (Schwarzenegger) to, yes, plan an escape.
As the story develops we get the feeling that the screenwriters sat around thinking of ways they could make this prison increasingly impossible to believe. Indeed, one mid-film twist is so incredible that it actually makes us admire the writers' audacity. Arthouse director Halstrom gleefully indulges in all of this silliness, keeping the imagery sharp and cool while name-checking pretty much every cliche of both prison and heist movies. There's even a bit of political context in the way a private contractor is abusing the system to profit from the War on Terror.
Continue reading: Escape Plan Review
Maddy (Panabaker) is back home in Arizona from grad school, working in the water park she owns with her breast-obsessed stepdad Chet (Koechner). But after the Lake Victoria disaster, prehistoric piranhas have migrated here, drawn to the park's chlorine. After consulting with wild-haired expert Goodman (Lloyd), Maddy tries to avert disaster with the help of deputy Kyle (Zylka) and nice-guy Barry (Bush), who are rivals for her affections. But as the summer launch party nears, Chet refuses to close the park.
Continue reading: Piranha 3DD Review
Theseus (Cavill) is a peasant being groomed for greatness by the god Zeus (Evans, or Hurt in human guise). And Greece needs him, because the mad King Hyperion (Rourke) is on the rampage looking for the all-powerful Epirus Bow so he can release the imprisoned titans and kill the gods. But Theseus will need the help of virginal seer Phaedra (Pinto) and slave sidekick Stavros (Dorff), because the gods are forbidden from intervening.
Continue reading: Immortals Review
Arizona's Lake Victoria is being invaded by virtually naked young people during spring break, but teen Jake (McQueen) has to babysit his young siblings (Brooklynn Proulx and Sage Ryan) because his mother Julie (Shue) is especially busy as the town sheriff. As a sleazy filmmaker (O'Connell) hires Jake to show him the lake, Julie is investigating evidence that an underwater rift has released a school of voracious prehistoric piranhas. So not only must she get all of these drunken revellers out of the water, but she needs to make sure her kids are safe.
Continue reading: Piranha 3D Review
Land of the Dead is Romero's fourth zombie picture, a sequel of sorts to his last "...of the Dead" picture, Day of the Dead. It all began, of course, with the infamous '60s shocker Night of the Living Dead - now a denizen of the public domain and released by every fly-by-night DVD company around - which combined social commentary and, at the time, shocking gore. It was a combo that inspired a whole genre, the zombie-athon, and countless imitators, very few of which are as inspired as any of Romero's. (The engaging and referential Shaun of the Dead comes closest.)
Continue reading: Land Of The Dead Review
What the hell has happened to all good American action movies? Did I unknowingly miss a meeting somewhere? When did all of the bad-ass, kicking butt and taking names, gun-toting, crazed, vengeful characters of the 1980s -- from such films as Commando, Cobra, Predator, Raw Deal, First Blood -- suddenly turn into innocent, compassionate, sensitive, teary-eyed knuckleheads. The only place to turn these days for an honest action film is towards the East -- and I don't mean New York City.
Continue reading: Get Carter (2000) Review
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