Within the first five seconds of the musical number that opens the film adaptation of "Chicago," director Rob Marshall has established such a sublimely vivacious speakeasy atmosphere of hot jazz, cigarette smoke and showgirls that you'll feel as if you've been transported backstage at a posh 1920s cabaret.
The scene crackles with seductive energy as vaudeville siren Velma Kelly (Catherine Zeta-Jones) prowls across the footlights with a phalanx of sexy dancers, cooing "All That Jazz" in a voice that turns the men at the darkened tables around the stage into putty.
And just for a second, wannabe song-and-dance girl Roxie Hart (Renée Zellweger) imagines herself up there in Velma's place. As the beautiful flapper floozy stands in the shadows at the back of the theater, wide-eyed but reeking of wily ambition, Marshall (who directed the recent stage revival of "Cabaret") shows us a flash of Roxie's imagination in which she's the fabulous star of the fabulous show, wearing a fabulously silver sequined waterfall dress, strutting and singing to wild applause.
Continue reading: Chicago Review
It was on this day (June 15th) in 1979 that Joy Division unveiled their iconic debut album 'Unknown Pleasures'.
The best Stephen King adaptations in film history.
Download Festival finally got the stunning weather it deserved, as over 100,000 fans descended with the likes of Guns N Roses, Ozzy Osbourne and...
Slaves sweat it out in the video for their latest single 'Cut And Run'; the first single from their forthcoming new release, the details of which are...
This year's winning shows were 'The Cursed Child' and 'The Band's Visit'.