It doesn't help that Lohan's latest film, Georgia Rule, endured documented production delays due in part to her childish on-set antics. And now that we're able to see the finished product, we realize the star plays... well, a coarse version of the pseudo-diva we've grown accustomed to. Without judging whether her scandalous exploits are accurate, it's difficult to hear Lohan utter lines like, "You can't stop what is done to you. You can only survive it," without applying such words of wisdom to her well-publicized, off-camera existence.
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Aside from a few quibbles, As Good As It Gets really stands out as one of the year's best films. Mark Nicholson down for a well-deserved Oscar. In fact, just watching him do two hours of his irredeemable Melvin by himself would be a treat. Match him up with a fine supporting cast, and it's golden.
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But much of Life as a House is completely watchable. Mark Andrus's script (he's written As Good As It Gets and the underrated, rarely seen Late For Dinner) appears cookie-cutter: he gives us the lazy, lonely, eccentric nobody (Kevin Kline); his estranged family, including beautiful ex-wife (Kristin Scott Thomas) and alienated teen (Hayden Christensen); and his predictably uptight neighbors, pissed off that his ramshackle of a house has stood in their beautiful oceanside neighborhood for twenty years.
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Being neither a mother, daughter, nor woman at all, I acknowledge the fact that I'm not 100% qualified to comment on Sisterhood. I did trudge through it, though, which instantly earns me the type of respect normally bestowed on veterans of a vicious war. Just be warned. A self-proclaimed celebration of the feminine spirit, this story, this film... hell, the actual theater showing this film is no place for any transporter of testosterone.
Continue reading: Divine Secrets Of The Ya-Ya Sisterhood Review
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