Marion Ross - The Academy of Television Arts & Sciences' 22nd Annual Hall of Fame Induction Gala at The Beverly Hilton Hotel - Arrivals - Beverly Hills, California, United States - Monday 11th March 2013
Smiley Face's stoner heroine Jane F. (Anna Faris) may be about as dull as bongwater, so a story about her had better be sharp and stepped up for it to register, and it can't even for half a beat be afraid that it's not making sense. The best slapstick flicks -- of which the stoner comedy is the modern-day update -- do not care if you get the jokes or not, or even if you like them very much (those qualities help make everything from The Three Stooges to Airplane! to the aforementioned Harold & Kumar so charming). In this regard, Araki's approach to the material is rather cautious, as the genre goes; there's a been-there-done-that whiff about this humor, and he wants to endear us to Jane and her story too insistently. Most troublesome is that Araki and screenwriter Dylan Haggerty beat a very simple premise -- that this chick is baked out of her gourd -- into the ground over and over again. The entire extent of Smiley Face's comedy rests on Faris pulling the dopey stoner face and stumbling through the scenery as she scrambles to pay off her dealer so he won't confiscate her furniture.
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The Evening Star picks up in 1988, and follows 8 more years of the further adventures of Aurora Greenwood's (Shirley MacLaine) über-dysfunctional extended family. Now, Emma's (Debra Winger in Terms) kids have grown up under Aurora's eye, and the jury's still out on how well she did. Their Aunt Patsy (Miranda Richardson) is now a wealthy divorcee who is constantly one-upping Aurora. The caustic Aurora finds brief happiness in the arms of a younger man (Bill Paxton). Rosie (Marion Ross) is still in Aurora's kitchen, and a whole horde of minor players weave in and out of the action, mainly serving to dredge up the past and to breathe some new life into the Endearment franchise.
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The actor plays the titular hero in the forthcoming adaptation.
Rock legend Eric Clapton has admitted the era of the guitar may be ''over''.