A Little Girl's Mother has high expectations of her daughter, given her own career success, and thus takes it upon herself to plan out her entire life, complete with a rigorous study and exercise schedule. The Little Girl agrees to knuckle down at first, but soon finds herself distracted by her peculiar elderly neighbour, The Aviator, who wishes to tell her the story of his encounter with The Little Prince - an other worldly being who lived on an astronaut before landing in the middle of a desert on Earth. The Little Girl is fascinated by the tale, and starts to understand what the most important things are in life, such as friendship. She starts to lament the idea of growing up and the idea of forgetting the significant things she understands as a child; that only the heart can give her a true vision in life.
Continue: The Little Prince Trailer
Rihanna is the new face of Dior!
Rihanna has signed as the new face of Dior. The French fashion house confirmed the news on Friday (13th March). Rihanna will star in Dior's Secret Garden campaign. The series of campaign videos, shot by Steven Klein, feature models cavorting around the Palace of Versailles. Rihanna will star in the fourth instalment of the Secret Garden films, which Dior has reinvented since 2012.
Rihanna has signed as the new face of Dior.
Continue reading: Rihanna Signs As New Face of Dior
Marion Cotillard - The 87th Annual Oscars - Vanity Fair Oscar Party at Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall - Arrivals at Wallis Annenberg Center for the Performing Arts, Oscars - Beverly Hills, California, United States - Sunday 22nd February 2015
Marion Cotillard - Celebrities attend 2015 Vanity Fair Oscar Party at Wallis Annenberg Center for the Performing Arts with City Hall in Beverly Hills. at Wallis Annenberg Center for the Performing Arts - Los Angeles, California, United States - Sunday 22nd February 2015
Marion Cotillard - Hollywood's biggest stars were snapped on the red carpet as they arrived for the 87th Annual Oscars awards ceremony which was held at the Dolby Theatre in Los Angeles, California, United States - Sunday 22nd February 201
Marion Cotillard - A host of stars were photographed as they attended the Vanity Fair Oscar Party which was held at the Wallis Annenberg Center for the Performing Arts and The Beverly Hills City Hall in Los Angeles, California, United States - Sunday 22nd February 2015
The much-respected actress won a Best Actress Oscar at the fifth time of asking - and very well deserved it was too.
Julianne Moore won Best Actress at the 2015 Oscars. She won her gong for the lead role in Still Alice, in which she plays Dr. Alice Howland, a woman struggling with Alzheimer’s.
She fended off fierce competition from Marion Cotillard (Sandra Bya in Two Days, One Night), Felicity Jones (Jane Hawking in The Theory of Everything), Rosamund Pike (Amy Elliott-Dunne in Gone Girl) and Reese Witherspoon (Cheryl Strayed in Wild).
Julianne Moore won the Best Actress Oscar for her portrayal of an Alzheimer's sufferer in 'Still Alice'
Continue reading: Julianne Moore Wins Best Actress Oscar For 'Still Alice'
Marion Cotillard is a picture of elegance as she arrives at Los Angeles International (LAX) airport wearing a leopard print poncho, elaborate sunglasses and a stripped top. As she leaves her car, she signs autographs for awaiting fans as members of her entourage remind them 'Just one each!', while ignoring questions from paparazzi about her Oscar nomination.
Models and actors alike were spotted arriving outside the 2014 Guggenheim Dior International Gala in New York, with 'The Immigrant' star Marion Cotillard drawing a lot of attention in her simple black sleeveless dress and bright booties.
'My Week with Marilyn' star Michelle Williams, 'The Dark Knight Rises' actress Marion Cotillard and 'The Bling Ring' director Sofia Coppola were among the star arrivals at the inauguration of the Louis Vuitton Foundation in Paris. The building houses an art gallery and was opened to the public in October 2014.
The Dardenne brothers consistently make compelling dramas that win awards, from Rosetta (1999) to The Kid With a Bike (2011), and this drama might be their best yet. It takes a simple premise and twists it into a comment on the changing structure of global society, all while never losing the intensely personal perspective. It's never a statement film, but it says much more than movies that shout their messages loudly.
The central character is Sandra (Marion Cotillard), who has just returned to work after an emotional breakdown. Then she's left stunned when her boss (Baptiste Sornin) calls a vote on a Friday afternoon, and employees choose to make Sandra redundant so they can keep their €1,000 bonuses. Her friend Juliette (Catherine Salee) gets the boss to agree to re-run the vote on Monday by secret ballot, which gives Sandra the weekend to sway people to save her job, which she desperately needs to keep her family afloat. Her husband Manu (Fabrizio Rongione) accompanies her on this degrading task, begging her colleagues one by one to give up their cash for her. And it's almost more than she can bear. For every thrilling surge of compassion she feels, there's another worker who coldly refuses her pleas.
Jean-Pierre and Luc Dardenne based the film on a real scenario, which is awful to imagine. Indeed, most of the film's characters express horror at the unfairness of the situation, but Sandra and Manu just have to get on with things in a matter-of-fact way that grounds the film in earthy emotion and, thankfully, wry humour. Cotillard gives another fully invested performances as a woman barely keeping a grip on herself, let alone finding the reserves needed to take care of her kids. She hides her true feelings from everyone as long as she can, and her main flaw seems to be an inability to see that she has a husband and colleagues who genuinely care about her. She's not facing this seemingly hopeless situation alone.
Continue reading: Two Days, One Night Review
While the story centres on twisted moral dilemmas, this 1970s-set thriller takes such a hesitant, internalised approach that if never lets viewers under the characters' skin. As a result, there's virtually no spark of real life here, despite the presence of several fine actors and a twisty plot that focusses on how decisions affect relationships. It's an oddly muted approach to events that really should have a much stronger emotional jolt.
It's 1974 Brooklyn, where Chris (Clive Owen) has just been released after 10 years in prison. His police detective brother Frank (Billy Crudup) offers help with finding a place to stay, getting a job and escaping his former life of crime, but the options are limited. While trying to reconnect with his junkie-prostitute ex Monica (Marion Cotillard), Chris also begins dating the younger Natalie (Mila Kunis). And he finds himself drifting back into his old gangster role. This causes a conflict of interest for Frank in his work as a cop, especially since he's further compromised by having an affair with Vanessa (Zoe Saldana), whose boyfriend (Matthias Schoenaerts) he's just put in jail.
Filmmaker Guillaume Canet is remaking the 2008 French thriller Rivals (in which he played the Frank character), and he recreates the period beautifully, shooting the film in a grainy 1970s style that emphasises character over action. So it's odd that the characters feel so thinly written, with most of the ambiguity drained from each moral issue they face. Much of this is because everyone is pushing their emotions away and internalising their thought processes so no one else can see them. But this leaves the audience out in the cold. And as a result, everything feels obvious and inevitable, which makes it impossible to get involved as events escalate. It's as if these people are tragic losers, so no amount of sympathy will save them.
Continue reading: Blood Ties Review
Contenders jostle for Cannes Film Festival awards on Sunday, 'Star Wars' offers fans a chance to join the cast, and 'Batman v Superman' starts filming in Michigan. New trailers arrive for action blockbusters 'Transformers', 'Guardians of the Galaxy', 'Kingsman' and 'Life of Crime'...
As the Cannes Film Festival winds down this weekend, a handful of films are emerging as frontrunners for the prestigious awards ceremony. Higher-profile contenders include David Cronenberg's 'Map to the Stars' starring Robert Pattinson, Mike Leigh's 'Mr Turner' starring Timothy Spall, the Dardenne brothers' 'Two Days One Night' starring Marion Cotillard and Tommy Lee Jones' 'The Homesman' starring Hilary Swank. Disappointments have included Olivier Dahan's 'Grace of Monaco' starring Nicole Kidman and Ryan Gosling's directing debut 'Lost River' starring Christina Hendricks. Take a look over our own top five Palme d'Or Winner predictions.
But for most movie fans, the even bigger news is that 'Star Wars: Episode VII' has started filming at Pinewood in London, complete with a competition fans can enter for a chance to actually appear in the movie. In a video clip for the charity initiative Star Wars: Force for Change, Jj Abrams explained this week that the programme will work with Unicef to help children around the world. Watch 'Star Wars: Force For Change' Trailer.
‘Two Days, One Night’ (‘Deux Jours, Une Nuit’) has gained positive reviews from the world’s press following its premiere in Cannes yesterday (20th May).
Marion Cotillard has impressed critics with her performance in Two Days, One Night ‘Deux Jours, Une Nuit’ after the film premiered at the Cannes Film Festival on Tuesday (20th May).
Marion Cotillard shined as much in the film as at the premiere of Two Days, One Night.
The film centres on Sandra (Cotillard), a working class woman who, with the threat of unemployment looming, is forced to ask her colleagues to give up their bonuses so she can keep her job. Sandra is aided in her quest by her husband Manu, played by Un village français actor Fabrizio Rongione.