It shames flashy movies like The Matrix sequels, which adopt surface style and frenetic movement but lack sheer, sumptuous vision. Altman's movie isn't just a pretty sheen ("I hate pretty!" snaps Malcolm McDowell as the head of the ballet company), it's a full audio-visual experience. For all the limbs blown apart in Matrix Revolutions it's got nothing on the Company dancers bandaging their bruised heels and toes, or the horrifying moment when a tendon snaps during a rehearsal. It's something we can respond to, relate to. It's emotion pictures, corresponding to the vibrant, emotive images of the dance.
Continue reading: The Company Review
Paul McCartney has worked with some of the world's most talented acts.
Ten brave stars that lived through cancer.
The actress welcomed her second child with her husband Ashton Kutcher four months ago, and she says that owning dogs is great practice for having...
November sees Queen and Adam Lambert back in Europe for a 25-date tour.
Rumours surface that Kris Marshall will star as the 13th Doctor.
The best queer movies of all time.