Marianne Denicourt

Marianne Denicourt

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La Belle Noiseuse Review


Good
Fine art's a funny thing that I barely pretend to understand. In this molasses-slow four-hour drama, Jacques Rivette proves that he's got an understanding of fine art, but a minimal one of the art of movies. Four hours of sketching, painting, and posing a naked Emmanuelle Béart has a certain summer-in-the-south-of-France charm to it, but that can't drag us through 240 full minutes. The story is threadbare: Old artist, young visitor, his girlfriend becomes the old artist's model -- and together they figure out that neither of them is really in charge of the artistic process. Lots of self-discovery and philosophizing along the way. Very French, and actually much more capable of being enjoyed at a setting of x2 speed on your DVD player.

The Lost Son Review


OK
Forget 8MM. The Lost Son's look at a troubled P.I. who gets caught up in what turns out to be a nasty child prostitution ring is exceptional considering it's barely anything more than a direct-to-video thriller packed with stars that barely speak English.

French ¾ber-actor Daniel Auteuil stars as Xavier, an investigator with a seedy past -- he's had a mysterious scrape or two, and now, to get by, he does double time, accepting money for an engagement only to blackmail the subject for more. When a wealthy woman (Nastassja Kinski) and her family hire Xavier to find a grown man who's gone missing, Xavier ends up cracking a child porn gang wide open.

Continue reading: The Lost Son Review

Sade Review


Weak
It would be hard for anyone to follow the critically acclaimed Quills, a vibrant portrayal of the Marquis de Sade, brilliantly coming alive through the talents of Geoffrey Rush. As a point of interest, the recently released Sade was actually made in the same year (2000). Having another strike against it for being foreign with subtitles, it had to take its time coming over to the United States. Being based on a similar subject, and created at the same time, it's nearly impossible to discuss without some sort of comparison.

This Sade (Daniel Auteuil) is no less seductively charismatic than Rush was, but he has less to do, as Sade chooses to focus more attention on the cultural climate than any specific, provocative interaction between characters. Rush was allowed more leeway to display range from torment to arrogance while Auteuil's Sade is a bit too impervious to his surroundings. What they do both achieve is providing an easy attraction. Neither have the stereotypically sexual physique the average woman clambers for, but their wit and intelligence are arousing. The acting isn't necessarily better in the English counterpart, but there is more weight given to individual motivation so that you're more attuned to personal struggles in the progressively oppressive Napoleonic era.

Continue reading: Sade Review

Me Without You Review


Grim
It should have won an award for worst accent ever, as "star" Michelle Williams' faux-Britspeak fades in and out and makes the movie borderline unbearable. The movie itself follows several years in the lives of two London friends (Williams and the far more interesting Anna Friel), who engage in all manner of self-destructive behavior. The film looks a lot more fun for the two girls than it is for us to watch. Very corny and often sappy to boot.
Marianne Denicourt

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