Christoph Waltz posing with Gustavo Dudamel and Maria Valverde at the Los Angeles Philharmonic's 2016/17 Opening Night Gala: 'Gershwin and the Jazz Age' held at Walt Disney Concert Hall - Los Angeles, California, United States - Tuesday 27th September 2016
On the board between Mexico and the United States, something big is brewing. A war between the police force and Cartel drug-runners is ready to explode into something cataclysmic. When concert violinist Jacob (Anton Yelchin) returns to his family's home with his fiancé to see his brother, Buddy (Chris Marquette), spirits are high. Buddy is unable to attend the upcoming wedding, but has invited his brother down to see the new ranch he has built. Things don't add up, however, as there is no way that Buddy would ever have been able to afford to pay for all of the work that has been done. Slowly, the plot begins to unravel, and it turns out that Buddy isn't all that he seems.
Continue: Broken Horses Trailer
Aside from impressive 21st century digital effects, this new take on the Moses story pales in comparison to Cecil B. DeMille's iconic 1956 version, The Ten Commandments, which is far more resonant and intensely dramatic. Biblical epics are tricky to get right, and Ridley Scott certainly knows how to make them look and feel terrific (see Gladiator and Kingdom of Heaven), but his films are generally about the spectacle rather than the human emotion. So this version of the biblical story will only appeal to viewers who have never seen a better one.
It's set in 1300 BC, when the Israelites have been in captivity in Egypt for 400 years. Now rumours of liberation are circling, centring on Moses (Christian Bale), the adopted son of Pharaoh Seti (John Turturro), raised as a brother alongside the future Pharaoh Ramses (Joel Edgerton). When it emerges that Moses is actually a Hebrew, he is sent into exile in the desert, where he finds a new calling as a shepherd and marries his new boss' sexy daughter Sefora (Maria Valverde). Moses also has a run-in with the Jewish God, who appears in the form of a young boy (Isaac Andrews), challenging Moses to free the Israelites. As Moses attempts to spark a slave revolt, God sends seven horrific plagues to convince Ramses to let his people go.
The script struggles to have its cake and eat it too, finding rational explanations for the plagues and miracles while still maintaining God's supernatural intervention. It's a rather odd mix that demonstrates just how compromised the movie is: it's a big blockbuster rather than a story about people. Several elements work well, such as depicting God as a boy, although the screenplay never manages to make much of the female characters. And only Ben Mendelsohn manages to inject any proper personality as the weaselly overseer of the slaves. Bale and Edgerton both catch the complexity of their characters' situations, privilege mixed with personal revelations. But Scott is more interested in parting the Red Sea than taking them anywhere very interesting.
Continue reading: Exodus: Gods And Kings Review
Joel Edgerton, Golshifteh Farahani, Andrew Tarbet, Giannina Facio, Sir Ridley Scott, Maria Valverde, Sir Ben Kingsley and Christian Bale. Sibi Blazic - Photographs of a variety of celebrities as they took to the red carpet for the UK premiere of 'Exodus: Gods and Kings' which was held at the Odeon Leicester Square in London, United Kingdom - Wednesday 3rd December 2014
Director Ridley Scott (Alien, Gladiator, Kingdom of Heaven) talks about world of his new film, 'Exodus: Gods and Kings'. The film follows the life of Moses (Christian Bale), and works on "the complexity of his character". Scott also talks about what drew him to the material, namely, the "beauty in the massive scale of it". He discusses the process of using computers to turn four thousand extras look like twenty thousand soldiers. Aside from the battle scenes, we see evidence of the biblical plagues that come from the original story at work.
Continue: Exodus: Gods and Kings - Featurettes
Moses and the Egyptian Pharaoh Ramses grew up together as brothers after the former was saved from drowing in the Nile. However, Moses has not forgotten the reason why he was cast into the river; all newborn Israelites were condemned to death by the past Pharaoh for fear of their growing numbers. Now he is enlisted by God to save the Israelites from their slavery at the hands of the Pharaoh's people, but to do so he must turn his back on his brother and friend. The Egyptians fight back as Moses defiantly leads the Israelites on an arduous journey across the desert, while God unleashes a series of horrific plagues and turns their Nile to blood. Egypt face new dangers as God decides that rules need to be laid down for Moses and his people.
Continue: Exodus: Gods And Kings Trailer
It's 1934 England, and a group of girls rule their isolated school as members of the diving club coached by the impossibly glamorous Miss G (Green). Di (Temple) is the leader of the pack, and she's the one threatened when an aristocratic Spanish girl, Fiamma (Valverde), moves into their dorm room.
Fiamma is beautiful and worldly, and is also an expert diver, so the girls are immediately threatened by her presence. And while they start making her life miserable, Miss G is having her own unexpected reaction.
Continue reading: Cracks Review
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