Maria Schneider

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The Passenger Review


Good
The ads for Volkswagen declare that "on the road of life, there are passengers and there are drivers," the gist being that there are people who lead and take charge and others who are content to stare out the window and let things happen.

If the passenger became a driver, could he or she handle all the metaphorical responsibilities that go with it? That question is central to Michelangelo Antonioni's re-released The Passenger (1975) and the answer provides a sobering glimpse into the souls of the contenders who foolishly wish for that second chance, that empty stretch of road, and don't have any idea where to start.

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Last Tango in Paris Review


OK
Last Tango in Paris raised a lot of eyebrows, but not for its plot. Rated X, there's enough nudity and naughty talk to almost make you forget you're looking at Marlon Brando's sweaty body. Almost.

Unfortunately, this "torrid love affair" between a grieving American (Brando) and a pouty Parisian (Maria Schneider) -- they don't even tell one another their names -- is overlong and overblown. It's Bertolucci, after all, making a film inspired by his creepy desire to bone an anonymous woman he once saw. The story is one of dysfunction and thinly veiled misanthropy; love is left as an afterthought.

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Maria Schneider

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