How a Polish script, a German director, an Australian lead actress, and an Italian-American actor managed to concoct such an authentic vision of the deceased French filmmaker is beyond comprehension, but they accomplished it nonetheless. Heaven looks, feels, and sounds like a Kieslowski film with its limited dialogue and slow, deliberate pacing, but it's actually the product of Tom Tykwer, who directed the acclaimed films Run Lola Run, and The Princess and the Warrior. Tykwer gives credit to Kieslowski's writing, but the cinematography, the scenes, the sound design, and the performances are a result of his decisions.
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Tykwer reunites with Lola star Franka Potente, casting her as Sissi (the princess, presumably) a troubled mental ward nurse who probably ought to be a patient herself. After a morose 20-minute setup wherein the players are cryptically introduced, we find Sissi lying near death under a semi truck, run down in a city street. To her rescue comes the unlikely hero Bodo (the warrior?), played by the Gary Oldmanesque Benno Fürmann (also Potente's Anatomy costar), a two-bit crook who indirectly caused the collision in the first place. Bodo saves Sissi's life by giving her a homemade tracheotomy, and after a long recovery, the already unstable Sissi soon finds herself obsessed with her savior.
Continue reading: The Princess And The Warrior Review