Maria Conchita Alonso at the premiere of Sony Pictures Classics' "Norman" held in the Linwood Dunn Theater at the Pickford Center for Motion Study - Hollywood, California, United States - Wednesday 5th April 2017
Rob Zombie has matured as a filmmaker, as witnessed by this well-structured horror shocker, which plays with both historical events and familiar movie imagery to keep us unnerved even if it's ultimately rather silly. Best of all is the way he remembers the value of schlock both to entertain and to gross us out. And it's his old-style touches that make the film much scarier than the usual shock-and-go horror movies.
The story draws on the 17th century Salem Witch Trials, at which women were brutally executed for suspicion of witchcraft. In present day Salem, free-spirited DJ Heidi (Moon Zombie) receives a mysterious record from an unknown band called The Lords, and when she plays it people start behaving strangely. Historical expert Francis (Davison) takes an interest in the record due to its odd tones, but he begins to worry that something nasty might be afoot. Indeed, Heidi starts having freaky dreams and visions. And it becomes apparent that she's the fulfilment of a dark prophesy involving the spawn of Satan himself.
Moon Zombie is terrific as the confused heroine who thinks what's happening is related to her recent decision to give up hard drugs. But of course, we know better. And we also know that she certainly should not trust the three cackling sisters (Geeson, Quinn and Wallace) who live downstairs. In addition, we see flashback scenes from 1696 in which a preacher takes on a coven of naked witches who dance around a bonfire led by their witchy leader (Foster). Yes, Zombie packs the movie with nutty ceremonies, grisly apparitions and naked, blood-soaked women.
Continue reading: The Lords Of Salem Review
Since Predator took place in the jungle, Hollywood's sense of irony dictates that the sequel should take place in the city: In this case, Los Angeles, where a bloody gang war is underway. But the cops (notably renegade do-gooder Danny Glover) can't quite reconcile the body count, and it isn't long until they start to realize that another force is at work, which might explain the metallic bits that no one can identify and the corpses missing all their vital organs.
Continue reading: Predator 2 Review
That movie is The Running Man, the 1987 Arnold Schwarzenegger action vehicle that resembles a lot of the Governator's best work: He kills people by the dozens, says some funny puns in that fist-thick Austrian accent and tags along with a hot exotic beauty. If that formula works for you, read on.
Continue reading: The Running Man Review
You say a thinly-veiled fictionalization of the Columbine massacre. I say directed by Uwe Boll (He'll make four movies based on video games from 2003 to 2006.)
Continue reading: Heart Of America Review
High Noon, a remake of the 1952 film starring Gary Cooper, puts Skerritt in the role of the now-immortal cop on the eve of his retirement. Newly married, our sheriff hero finds that his arch-enemy (Michael Madsen) has been pardoned by the governer, and he's on his way to the town to exact his revenge. The train arrives at noon... will he stay and fight or run away like the rest of the town?
Continue reading: High Noon (2000) Review