Margaret Cho at the David Lynch Foundation event A National Night Of Laughter And Song. Held at the John F. Kennedy Center for the Performing Arts - Washington DC, District Of Columbia, United States - Monday 5th June 2017
Margaret Cho unveiled the truth to her Twitter fans.
The announcement of Eddie Monsoon and Patsy Stone returning in an 'Absolutely Fabulous' movie was met with a huge amount of enthusiasm, but now that's become somewhat muted by an uncomfortable controversy that could potentially set the film back a few decades in regards to political correctness: introducing, yellowface-gate.
Jennifer Saunders is returning in Absolutely Fabulous
The show sees the return of former guest actress Janette Tough, who's best known TV role was as Wee Jimmy Krankie; one-half of comedy duo The Krankies. She's reported to be playing a Japanese fashion designer named Huki Muki in the upcoming 'Ab Fab' movie, a move that has been slammed by comedian Margaret Cho.
When it comes to homosexuality in men, there are plenty of stereotypes associated with it. One of the most profound of all is that characteristic 'gay voice', that even the least bigoted person in the world can't deny exists. But why is it that some gay men have such an effeminate pattern of speech? What is it about being gay that leads many members of the gay community into this 'camp' convention? Especially when you take into account that many gay men were bullied for the way they spoke when they were young kids. David Thorpe seeks to challenge his own vocal habits, combat his anxiety about his feminine speech and learn the reasons behind why many people often subconsciously adopt this stereotypical persona - especially in a world no so against stereotypes of all descriptions.
Continue: Do I Sound Gay? Trailer
Hollywood is really getting on the internet bandwagon - even if it is a few years late.
These days, it’s not an award show without an official selfie or photobomb or whatever image-related bandwagon Hollywood is hopping on that week. I’m talking, of course, about Benedict Cumberbatch, that painstaking “penguin” pronouncing pun producing pharaoh of the internet (feel free to pitch in a synonym starting with “p”).
Benedict Cumberbatch: the most awkward Brit in showbiz?
Here’s the backstory. Displaying the typical Hollywood amount of cultural sensitivity, hosts Tina Fey and Amy Poehler were doing a bit on North Korea. Meanwhile, Meryl Streep was posing for a photo-op with an in-disguise Margaret Cho. Oh, and guess who was behind the camera? A treat for older viewers – it was Michael Keaton. It kind of begs the question - is BC's photobomb this year's Oscars selfie?
Continue reading: Benedict Cumberbatch's Globes Photobomb: The Oscar Selfie Of 2015
LuAnn Boylan, Margaret Cho and Linda Perry - The L.A. Gay & Lesbian Center's Annual "An Evening with Women" Show at The Beverly Hilton - Beverly Hills, California, United States - Sunday 11th May 2014
A schizoid doppelganger mind-bender wrapped around your standard ticking-bomb scenario (it's hidden somewhere in Los Angeles and could take out the whole basin if detonated -- or something), Face/Off is an utterly lunatic film in the best possible way. Originally a futuristic thriller, the script was retooled for a modern-day setting, keeping several of its sci-fi elements but focusing more intently on its personality-shifting aspects which seemed to come straight out of Woo's international breakthrough, The Killer. An FBI agent, Sean Archer (John Travolta) has been hunting jet-set super-criminal Castor Troy (Nicolas Cage) for years. For Archer, it's gone beyond personal to haunted obsession, particularly after Troy tried to shoot Archer but missed and killed his son instead. After a gonzo opening sequence involving a Humvee/private jet showdown on a runway and about ten thousand expended rounds (mostly fired by people flying sideways in slo-mo, of course), Archer's team brings down Troy.
Continue reading: Face/off Review
When we first meet Celeste (Cho), she's miserable in her '80s-era Illinois high school. As the only overweight Asian goth-punk in school, she's destined to feel like an outsider. Her only friend is the flamboyantly gay Bam Bam (Bruce Daniels), with whom she plans to make a great escape to the big city.
Continue reading: Bam Bam And Celeste Review
Given just a few days to live (a rather contrived Dark Victory-style setup but one that is apparently based on a true story), Nick decides to commit suicide rather than suffer at the end the way so many of his AIDS-afflicted friends have. But before he goes, he decides to throw a two-day party to which he will invite all his friends, hand out parting gifts, and say goodbye with laughs and drinks rather than with tears and sadness.
Continue reading: It's My Party Review
Taped at a May 14, 2005 concert in Washington, D.C., Margaret Cho: Assassin starts off like her 2000 film I'm the One That I Want with a parade of gushing fans, then segueing into the show itself, but unlike that much more ambitious effort, this film shows a comic treading water. Like many other performers in recent years, George W. Bush's presidency has spurred Cho to cover more political matters, usually a deadly development with comics. Although Cho has always been admirably outspoken in her support of gay and feminist causes, this change of focus to red-blue state matters leaves Assassin dead on arrival. The problem with Cho's tirades on Bush and the Christian right is not her choice of target - they're obviously subjects rife with possibility - but rather her inability to say anything remotely fresh or cutting about them. Bush is stupid? Check. The pro-life right is hypocritical on Terri Schiavo? Check. There is hardly a politically-targeted line in this show which has not already been uttered many times before, and by less talented people; it's like catching a second-rate rerun of The Daily Show.
Continue reading: Margaret Cho: Assassin Review
Such is the case with Notorious C.H.O., Margaret Cho's follow-up to the successful I'm the One That I Want. A comedienne with chutzpah and natural sense of comic timing, Cho can provoke laughter through the most overused humor, while the camera operators switch between continuously unmotivated angles in the hopes that your eyes won't get too bored. Maybe if you have access to several cameras you should use them regardless, but if a film keeps cutting between lenses without purpose, attention span will drop to zero.
Continue reading: Notorious C.H.O. Review
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