Not Connor Mead. McConaughey's latest egocentric womanizer has bedded thousands of girls in the name of casual sex, and they all come back to haunt him on the eve of his kid brother's (Breckin Meyer) wedding in Mark Waters' Ghosts.
Continue reading: Ghosts Of Girlfriends Past Review
Director Gavin O'Connor certainly understands the difference between the two. Though Glory lays out a complex yet solvable mystery, it's far more interested in loyalty and the familial bonds that exist among lifetime police officers. It also wears its adoration for the badge -- and those who wear it -- on its sleeve.
Continue reading: Pride And Glory Review
CIA watchdog Corrine Whitman (Streep) sets up the titular protocol when evidence is uncovered against Chicago family man and chemical engineer Anwar El-Ibrahimi (Omar Metwally), Egyptian by birth. Whitman suspects that El-Ibrahimi had a hand in a recent bombing of an unnamed North African tea house; an attempt on the life of North African security head Fawal (Igal Naor). Fawal heads the "interrogation" with CIA analyst Douglas Freeman (Jake Gyllenhaal) there as counsel while they electrocute, drown, beat, and strangle Anwar to give up information on the attack.
Continue reading: Rendition Review
Alan is a hopeful young man in a hopeless situation. After years estranged from his father Doug (Tom Atkins), he heads to San Diego for a long overdue reunion with the hope of starting anew. But as soon as he arrives, he sees that things are different in this late-1950s household. His new stepmother Ronnie (Lindsay Crouse), is warm and welcoming, but the house is already full and brimming with conflict.
Continue reading: Lemon Sky Review
Linklater scored critical praise for his similarly paced School of Rock, and makes only slight alterations to the slacker-mentors-kids formula in hopes of duplicating his success. His cringeworthy Bears places former major league pitcher Morris Buttermaker (Billy Bob Thornton) in charge of a scornful army of selfish brats, then marches them through conventional hurdles on the way to a preposterous championship game.
Continue reading: Bad News Bears Review
The silly, one-joke story is reason enough to find Whammy (not a movie about Press Your Luck!) so inspiring. Leary plays a cop who, only through some fault of his own, is never able to bust a perp. It starts out in a fast food joint, when a gunman drives through the wall and starts shooting. Leary slips and hits his head, and a little bespectacled kid uses his gun to save the day. Later, his apartment supervisor is killed while he's oblivious in the building. Various quirky characters (like Hurley's masseuse) try to distract you into thinking this movie is actually about something, but the deception never works too well.
Continue reading: Double Whammy Review
The subjects of this film are the intertwined worlds of modeling, soap operas, and music videos in New York City, and given the nature of these industries, it is obvious from the beginning that the film's director (Tom DiCillo of Living in Oblivion fame) is setting us up for another stale commentary about the superficiality of these image industries with little actual plot to revolve around.
Continue reading: The Real Blonde Review
Tom DiCillo wrote and directed this new low-budget story of making a film-within-a-film, and it comes off superbly better than most of its predecessor "movies about movies." DiCillo has assembled the most perfectly matched cast I've come across in ages, featuring Steve Buscemi as Nick, a film director for whom nothing will work out, Catherine Keener as a much too sensitive leading lady, Dermot Mulroney as a leather-clad cinematographer, and James LeGros as an unbelievably shallow leading man--possibly his best role ever.
Continue reading: Living In Oblivion Review
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