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When Ana and Christian had their first fateful meeting, neither party knew much about the real person they were meeting. Christian didn't know just how naive Ana really was and Ana didn't quite understand just how dark Christian's thoughts ran. Though from completely different backgrounds and living entirely different lives, the pair were attracted to one another and they began a relationship - one mainly brought about after Christian seducing Ana, his latest younger woman. As dark secrets were uncovered, it became known to Ana that Christian was into BDSM. Still wishing to go ahead with the relationship, Ana finds out just how far Christian is willing to go to get his thrills but realises that she can't be with a man who inflicts that level of pain on someone they care about.
Time passes, Christian continues with his business lifestyle and Ana starts a new job at a publishing house and the former lovers reunite whilst at an exhibition of photography put on by one of Ana's friends. Christian begins to realise that his feelings for Ana run deeper than the usual dominant / submissive roles that usually define his relationships. With Ana now setting the rules, the pair begin a true relationship but as stories about Christian's past are revealed and Ana is introduced to some of the women that involve his past, neither party know exactly how they'll make their relationship work without sacrificing certain aspects.
Jamie Dornan and Dakota Johnson reprise their roles as Christian and Ana respectively. Kim Basinger is introduced to the plot as Elena Lincoln a lady Ana nicknames Mrs. Robinson after learning that she seduced Christian whilst still of a young age. Whilst Rookie Blue actor Eric Johnson is cast as Jack Hyde and Bella Heathcote as Leila Williams.
Will and Jillian are in love and both have recently graduated collage. Jillian managed to get a well-paid and high profile just almost instantly, Will on the other hand is still interning at companies for free but Will's luck is about to change (or so he thinks). He's just been offered a paid position at LA Weekly but when he turns up for work he's abruptly informed that the job position is no longer available because of downsizing.
Will lives with his pot loving buddies who are all really close but some might be on the verge of being called 'deadbeats'. Will and his friends are all in a similar position, they 'really struggling to find a job, Jillian is the only structured part of his life.
Needs must means Will must sell his beloved TV but things start to look up for the graduate when, against the odds, he's offered a job as a videographer. Just as Will gets into the swing at his new office Jillian finds herself jobless. Will is quick to encourage Jillian to get straight back out there but she finds herself with little luck.
Continue: Get A Job Trailer
The fabulous Lily Tomlin finally gets the lead role she deserves in this smart, engaging comedy-drama. Like her title character, the film itself refuses to play nice, tackling big issues like abortion and the strain between mothers and daughters without ever simplifying the topics or the people involved. The plot may feel a bit contrived, and the entire movie rather lightweight, but it's thoroughly entertaining. And the subtle approach to the big themes gives it a strong kick.
Tomlin plays Elle, a mature woman who has just broken up with her girlfriend Olivia (Judy Greer) for no real reason. Then her young granddaughter Sage (Julia Garner) turns up asking for money to terminate her pregnancy. Elle doesn't have the cash, but offers to help her find it, so they head off into Los Angeles in her rattling 1955 Dodge, visiting the unborn baby's stoner father (Nat Wolff) and some of Elle's colourful old friends (Elizabeth Pena, Laverne Cox and Sam Elliott). But both Elle and Sage are terrified that they might ultimately need to get in contact with Sage's workaholic mother Judy (Marcia Gay Harden), the daughter Elle never knew how to talk to.
The layers of mother-daughter interaction in this film are fascinating, and played with riotously jagged chemistry by the gifted cast. Tomlin punches every witty one-liner perfectly, capturing Elle's life-loving spirit and also her weary exhaustion at the way the world keeps changing around her. Tomlin finds terrific angles in each of Elle's relationships, drawing out Garner's wide-eyed yearning, Greer's steeliness and Harden's professional bluster. Each of the side roles feels like a fully formed person with a life of his or her own, which gives context to the humour and makes the entire film feel more weighty and meaningful.
Continue reading: Grandma Review
Marcia Gay Harden - Celebrities attend People's Choice Awards 2016 Press Conference at The Paley Center for Media. at The Paley Center for Media, People's Choice Awards - Los Angeles, California, United States - Tuesday 3rd November 2015
Marcia Gay Harden, Jane Lynch, Christina Milian, Ming-Na Wen, Betsy Brandt , Abigail Spencer - People's Choice Awards Nominations 2016 held at the Paley Center for Media in Beverly Hills at Paley Center for Media, People's Choice Awards - Los Angeles, California, United States - Tuesday 3rd November 2015
Marcia Gay Harden - People's Choice Awards Nominations 2016 held at the Paley Center for Media in Beverly Hills at Paley Center for Media, People's Choice Awards - Los Angeles, California, United States - Tuesday 3rd November 2015
Raza Jaffrey , Marcia Gay Harden - The CBS, The CW, and Showtime 2015 Summer TCA Party at Pacific Design Center - Arrivals at Pacific Design Center - Los Angeles, California, United States - Monday 10th August 2015
Marcia Gay Harden - Celebrities attend the CBS, The CW, and Showtime 2015 Summer TCA Party at Pacific Design Center. at Pacific Design Center - Los Angeles, California, United States - Tuesday 11th August 2015
Harry Ford, Marcia Gay Harden, William Allen Young, Bonnie Somerville and Ben Hollingsworth - A host of stars were snapped as they attended the 3rd Annual CBS Television Studios Rooftop Summer Soiree which was held at the London Hotel in West Hollywood, California, United States - Tuesday 19th May 2015
Marcia Gay Harden and Bonnie Somerville - Celebrities attend the 3rd Annual CBS Television Studios Rooftop Summer Soiree at The London Hotel. at The London Hotel - Los Angeles, California, United States - Tuesday 19th May 2015
On November 22nd 1963 in Dallas, Texas, the hugely adored President John F. Kennedy was shot to death as he arrived in the city with First Lady Jackie Kennedy. A women's clothing manufacturer named Abraham Zapruder had no idea of the events that would unfold as he set up his camera preparing for Kennedy's arrival; no idea that his footage would be seen by millions repeatedly as the only visual evidence for what took place that day. Few people know anything about this man, or indeed the other people who ended up becoming involved in this historic tragedy, such as the doctors and nurses who were forced to perform immediate life-saving attempts even with their initial shock and devastation, and the family of alleged killer US Marine Lee Harvey Oswald.
This historical drama tells the stories of the lesser known figures who became involved with one of the most famous assassinations in the history of the world ahead its 50th anniversary. It has been directed and written by Peter Landesman who is best known for his sex slavery article 'The Girls Next Door' which was published in the New York Times. 'Parkland' will be released in UK theatres on November 8th 2013.
'Gladiator' star Russell Crowe, who plays Superman's biological father in 'Man Of Steel', was spotted posing next to rapper RZA at the movie's world premiere at Alice Tully Hall at the Lincoln Center in New York City. The movie's composer Hans Zimmer, and two other stars, Antje Traue and Christopher Meloni, also made appearances.
Henry (Brody) takes a month-long assignment teaching at a tough school run by beleaguered principal Carol (Harden). Unflappable in the face of the unruly students, he calmly tries to get through to the teens. He clicks with fellow teacher Sarah (Hendricks). As a substitute, Henry's job is to maintain order, which seems like an impossible challenge. So he instead reaches out to a teen hooker (Gayle), thinking he might actually be able to make a difference in her life. But he can't help but wonder if he's doing more harm than good.
Continue reading: Detachment Review
Henry Barthes is a highly recommended substitute teacher, a compliment he doesn't really accept. His latest job is subbing at an inner city high school for a month, where exam grades are slipping; the pupils are unruly and the head teacher is under fire for the decline in standards there.
Continue: Detachment Trailer
In Bodeen, Texas, Bliss (Page) is the rebellious teen daughter of a proud society mom (Harden) and a laid-back, beer-loving dad (Stern). Then with her best pal (Shawkat) she discovers the roller derby in Austin, where her surprisingly strong audition catches the notice of the coach (Wilson) as well as the stars (including accident-prone Barrymore, wacky Wiig, sassy Eve and tough-girl Bell). Renamed Babe Ruthless, she joins the Hurl Scouts team, discovering that some things are more important than beating their archrivals for the championship, the Holy Rollers (led by Lewis).
Continue reading: Whip It Review
Based on a novella by Stephen King, the worst electrical storm on record has a small coastal Maine town assessing the damages to their homes and businesses. Locals have flocked to the town's only grocery store to stock up on supplies while police, fire, and military personnel blanket the surrounding area. As a result of the storm, everything is out -- power, phones, and radios; the town is cut-off from the rest of the world. Oh, and the storm has also left behind an ominous mist that quickly shrouds the town, trapping those inside the grocery store when it appears that bloodthirsty, inhuman monsters are lurking outside.
Continue reading: The Mist Review
Four years later, Outside magazine contributor Jon Krakauer documented McCandless' travels in his debut novel Into the Wild, which serves as a blueprint for Sean Penn's adaptation of McCandless' life. Look at me cross-eyed all you want but this tale of "a rebellious 1990s Thoreau" (as the press notes ponder he might be) brings out a buoyancy in director and terminal humbug Penn that's been absent in his filmography thus far. One might think Penn would be more apt to adapt Krakauer's recent Under the Banner of Heaven instead, but his direction in Wild is astute and brisk though not always as concise as one would hope.
Continue reading: Into The Wild Review
Except that he's dead, of course, but assuming, as The Invisible does, the existence of a rather flexible netherworld between living and death, filling in further details isn't a problem either. When Nick wakes up as a sort of half-ghost, traveling through the land of the living without the ability to be seen or heard while his body lies on the brink of death, his detective skills need only to consist of following the murderers around, overhearing their motivations.
Continue reading: The Invisible Review
Richard Gere, perfectly cast, plays Clifford Irving, a down-and-out writer who in 1971 wrote (and nearly got published) a fake biography of Howard Hughes. Desperate to jump-start his career, Irving duped his editor Andrea Tate (Hope Davis) and the top dogs at McGraw-Hill into believing he was not only a friend of Hughes, the notorious recluse, but that the billionaire had tapped Irving to write his life story. Smelling a publishing sensation, McGraw-Hill offered Irving a then-record publishing deal, and the writer suddenly found himself the crown prince of the publishing world.
Continue reading: The Hoax Review
Following these sideline characters, the screenplay circles the girl herself, a prostitute played by Brittany Murphy in a final, haunting segment. This structure eschews typical ensemble payoffs -- only a few of the characters intersect and they sure as hell don't learn valuable lessons from each other -- for its own subtle rewards. These narrative threads, never running over 20 minutes, are as close to short fiction as Blue Car, but the new film also has the unity of a fine, slim story collection.
Continue reading: The Dead Girl Review
The good news is that Aric Avelino has at least one brilliant spin on the tale in the ensemble piece American Gun, which tracks a handful of characters in the wake of a Columbinian tragedy. The brilliance? Making one of the main characters the single mother of the (now deceased) shooter. Now trying to cope in the same community, and trying to raise another son with less violent tendencies, she doesn't have the cash to leave and, as expected, finds himself surrounded by hate. Played by Marcia Gay Harden, the addled mother is trying to figure out how her son could have done such a thing, while facing the exact same question from the people that surround her. It's the highlight of the film, a searing portrait of humanity and society at its worst.
Continue reading: American Gun (2005) Review
The two we care about are Louise (Laura Linney) and F. Scott (Topher Grace), an admissions officer at Columbia University and a prospective student, respectively. Their relationship hangs on a fascinatingly awkward hook: F. Scott is the spitting image of Louise's long-ago first love (now deceased): in body, mind, soul, and some other ways that are even harder to fake, like handwriting. Louise, a lonely divorcee, latches onto F. Scott's eerie familiarity. F. Scott, as a young man, latches onto Louise's cautious older-woman hotness.
Continue reading: P.S. Review
Continue reading: Miller's Crossing Review
Enter former President Monroe Cole (Gene Hackman). He's the most liked President since JFK, and he has decided to make Mooseport his retirement haven. Not that he has much of a choice since his ex-wife, the former First Lady, has nearly cleaned him dry in a nasty divorce. Mooseport is also going through a crisis. The mayor has recently died, and the troubled city council cannot find anyone willing to run for office. With President Cole now living in town, the city council sees him as the answer to their prayers, and after enough of their pressure, Cole enters the race for no other reason than to keep his last possession: his vacation home.
Continue reading: Welcome To Mooseport Review
Linklater scored critical praise for his similarly paced School of Rock, and makes only slight alterations to the slacker-mentors-kids formula in hopes of duplicating his success. His cringeworthy Bears places former major league pitcher Morris Buttermaker (Billy Bob Thornton) in charge of a scornful army of selfish brats, then marches them through conventional hurdles on the way to a preposterous championship game.
Continue reading: Bad News Bears Review
Rambling through its first 30 minutes with no real direction, The First Wives Club eventually turns into a story about three old friends who want to exact vengeance on their wayward ex-husbands. Elise (Hawn) is an aging movie star, obsessed, as most aging movie stars are, about her looks. Brenda (Midler) is a bitter ex-housewife who loves her son and bemoans her lack of funds to support him -- and hasn't changed her hair since 1969. Annie (Keaton) is basically a middle-aged version of Annie Hall, only now she has a lesbian daughter and an intrusive mother, and Woody Allen is nowhere to be seen.
Continue reading: The First Wives Club Review
Some manage, but most do not, and River drowns in tedium and cumbersome symbolism as a result. The 73-year-old Eastwood remains a meat-and-potatoes filmmaker. He's not afraid to take chances when selecting material, but his no-nonsense approach regardless of the content dooms this and other projects to a static and mind-numbingly wearisome state.
Continue reading: Mystic River Review
A good example: Pollock was suicidal, maniacal and violent throughout his 44-year life. The first sentence of Naifeh's and Smith's book -- the very first sentence -- is this quote from Pollock: "I'm going to kill myself." Explains a lot, but for some odd reason, Harris only hints at Pollock's suicidal tendencies in his long-anticipated film.
Continue reading: Pollock Review
Smile stars Julia Roberts as Katherine Watson, a new teacher who has accepted a position to teach art history at Wellesley - the all women college in Massachusetts. Much to her dismay, the progressive thinking taught in California is not embraced by the stiff administrators at Wellesley, and prompts comments like, "You didn't come to Wellesley to help people find their way, you came to help people find your way."
Continue reading: Mona Lisa Smile Review
Six women from the U.S. with different life experiences and unique values are brought together in their quests to adopt a baby in an unstated South American country (though shot in and around Acapulco, Mexico). The problem they all face is the bureaucracy that's in charge of the process -- one that feels uncomfortably arbitrary, subject to more whim than substance.
Continue reading: Casa De Los Babys Review
As an actor portraying the inner turmoil of Jackson Pollock -- the revolutionary abstractionist known for his splatter-and-drip painting style -- Ed Harris gives a commanding, potent performance in "Pollock" that is a torrential mix of the artist's chaotic talent and his more chaotic psyche.
As a director depicting Jackson Pollock's world, Ed Harris (yes, he did double-duty on this film) captures with vivid, lively authenticity both the astute yet pretentious buzz of the 1940s Manhattan art scene and his subject's tumultuous personal life, marked by hard drinking and a stormy long-term affair with fellow painter Lee Krasner (Marcia Gay Harden).
Together Ed Harris the actor and Ed Harris the director create an imposing, invigorating cinematic biography fueled by its subject's stubborn, manic energy and his strangely uncommunicative charisma.
Continue reading: Pollock Review
Date of birth
14th August, 1959
Please follow the Official Twitter of #MarciaGayHarden at @MGH_8!
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