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Lola (1961) Review


Extraordinary
In an time when gunmen walk on ceilings, when men morph into monsters before our eyes, when future governors of California are shorn of their human skin to expose the glistening steel and circuitry underneath, Jacques Demy's classic 1961 Lola is a breathtaking reminder of what magic in the movies used to mean. Lola is a work of romance, and the magic on view is all of the fairy tale variety. What's transformed in Lola isn't a cyborg or a lycanthrope, but rather life itself.

Or maybe I should say "lives." Set in the dreary French port of Nantes, Lola tells the story of the title character, a cabaret dancer and paid companion to the American sailors who prowl the streets and bars of the city on leave. She's a single mother, the child's father having abandoned her during pregnancy seven years before. What sustains her is the hopelessly naive belief that this man will return to her - return to her rich, no less - and that her drab, hardscrabble life will become the vision of happiness she never stops imagining.

Continue reading: Lola (1961) Review

Lola Review


Extraordinary
In an time when gunmen walk on ceilings, when men morph into monsters before our eyes, when future governors of California are shorn of their human skin to expose the glistening steel and circuitry underneath, Jacques Demy's classic 1961 Lola is a breathtaking reminder of what magic in the movies used to mean. Lola is a work of romance, and the magic on view is all of the fairy tale variety. What's transformed in Lola isn't a cyborg or a lycanthrope, but rather life itself.

Or maybe I should say "lives." Set in the dreary French port of Nantes, Lola tells the story of the title character, a cabaret dancer and paid companion to the American sailors who prowl the streets and bars of the city on leave. She's a single mother, the child's father having abandoned her during pregnancy seven years before. What sustains her is the hopelessly naive belief that this man will return to her - return to her rich, no less - and that her drab, hardscrabble life will become the vision of happiness she never stops imagining.

Continue reading: Lola Review

Le Trou Review


Excellent
For a movie about digging a hole, Le Trou is pretty damn good. In typical French fashion (see also Rififi), the film utilitzes long, unbroken, often dialogue-free shots to dramatize its story: a simple one of prisoners attempting an ambitious escape from prison. While the beginning is stagey and stilted, once the movie gets going it's hard to look away, despite a 2 1/2 hour running time. Excellent work from Jacques Becker.
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