Marc Abraham

Marc Abraham

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Marc Abraham, Carrie Fisher, Robert Flello MP , Lucy Watson - Actress Carrie Fisher who plays Princess Lea in the Star Wars movies joins activists to protest against the Chinese Yulin Dog Meat Festival. Protesters gathered at the Chinese Embassy in London and an attempt was made to hand in an a 11 million signature petition but the Embassy did not answer the door. at Chinese Embassy, Portland Place - London, United Kingdom - Tuesday 7th June 2016

Marc Abraham, Carrie Fisher, Robert Flello Mp and Lucy Watson
Marc Abraham, Carrie Fisher, Robert Flello Mp and Lucy Watson
Marc Abraham, Carrie Fisher, Robert Flello Mp and Lucy Watson

I Saw The Light Review

Weak

Writer-director Marc Abraham gets ambitious with this biopic about iconic country music star Hank Williams, but the film is far too choppy to provide much insight. Leaping through the decades without much context, the film never explores what made Williams such an important artist, so it's difficult to understand the impact of his tragic death at just 29. That said, Tom Hiddleston shines in the role.

Cutting around in time, the film shows Hank (Hiddleston) as a young man with a singular vision: he's determined to perform at the Grand Ole Opry in Nashville. His young wife Audrey (Elizabeth Olsen) and his mother Lillie (Cherry Jones) argue about who will control his career, but Hank just gets on with it, relying on help from music publisher Fred Rose (Bradley Whitford). Finally at 26 he gets his first No 1 single, and lands a spot at the Opry, becoming a fast-rising superstar. But the chronic back pain he has suffered since childhood leads him into alcohol and drug abuse, which of course begins to take a toll on his career as well as his friendships, marriage and health.

The film skips around Williams' life, moving on to the next scene before this one seems quite finished. This means that the story is never able to build up any momentum, and also that each fragmented period of time feels under-explained. And the people around Williams appear and disappear at random, so the actors never get any traction in their roles. Hiddleston does find moments of resonance, simply because he's in every scene in the film and establishes a bit of rapport with the audience. It's also astonishing that he performs the songs himself. But Abrahams's approach to storytelling never offers any insight into Williams' fame, talents or personal life.

Continue reading: I Saw The Light Review

Marc Abraham - Los Angeles premiere of 'I Saw The Light' at the Egyptian Theatre - Arrivals at The Egyptian Theater - Hollywood, California, United States - Tuesday 22nd March 2016

Marc Abraham
Marc Abraham
Marc Abraham
Tom Hiddleston and Marc Abraham
Tom Hiddleston and Marc Abraham
James Dumont, Denise Gossett, Tom Hiddleston, Marc Abraham, Josh Brady and Will Beinbrink

Maddie Hasson, Marc Abraham, Tom Hiddleston , Elizabeth Olsen - Los Angeles premiere of 'I Saw The Light' at the Egyptian Theatre - Arrivals at The Egyptian Theater - Los Angeles, California, United States - Tuesday 22nd March 2016

Maddie Hasson, Marc Abraham, Tom Hiddleston and Elizabeth Olsen
Maddie Hasson
Maddie Hasson
Maddie Hasson
Maddie Hasson
Maddie Hasson

Marc Abraham - Various celebrities attend Guide Dogs Annual Awards 2015 - London, United Kingdom - Wednesday 9th December 2015

Marc Abraham
Marc Abraham
Marc Abraham
Marc Abraham
Marc Abraham

I Saw The Light Trailer


I Saw The Light is the new biopic about Hank Williams. The film follows his personal life and rise to fame and his tragic death at the age of 29. Having released 30 singles in a very short amount of time Hank Williams became one of the US's favourite musicians.

Having begun work in the music industry recording tracks for a radio station, eventual turn of events and the war led Williams onto starting a solo career. Both his mother and his wife played a huge part in his musical success with his wife Audrey initially managing him which led onto Hank being signed to MGM Records.

Hank always wished to be the best father he could to his child, but constant time on the road, an addiction to pain medication, alcohol topped with his promiscuous ways lead to an unstable home life, despite the wholesome image the outside world had of him.

Continue: I Saw The Light Trailer

Marc Abraham - Battersea Dogs & Cats Home Collar And Coats Ball - Arrivals - London, United Kingdom - Thursday 12th November 2015

Marc Abraham

I Saw The Light - In The Studio Clip


Hank Williams was one of the most iconic country stars America has ever seen, moving crowds to their feet (and often to tears) with such hits as 'Lovesick Blues', 'Hey Good Lookin'' and 'I'm So Lonesome I Could Cry'. But away from the mic stand, his life was often in turmoil. Plagued by crippling chronic back pain from his spina bifida occulta, he found himself repeatedly drawn to alcohol which made figures in the music industry refuse to work with him, and later other substances including painkillers and morphine prescribed by a fraudulent doctor. If that wasn't bad enough, his love life was hardly blissful either; both his marriages were marred by legal misfortunes and can only be described as tumultuous and unstable. By his 20s he had developed heart problems, which ultimately led to the saddening and untimely demise of one of country music's most unforgettable legends.

Continue: I Saw The Light - In The Studio Clip

RoboCop Review


Good

There's a robust, intelligent tone to this action remake that makes it continually intriguing, even if it's never properly exciting. The problem is that the characters are far too simplistic for us to care about, with moral dilemmas that are extremely cut and dried. Because the premise deals with several provocative themes, it wouldn't have taken much work to beef up the screenplay.

Set in the near future when American military robots patrol the world but are outlawed at home, the story centres on Omnicorp boss Sellars (Keaton), who is determined to sell his robots to the US market as police enforcers. So he decides to get around the law by putting a man inside a robot, drafting seriously injured Detroit cop Murphy (Kinnaman) as his guinea pig. Doctor Norton (Oldman) does an amazing job, building a machine around Murphy with extremely high technical capabilities. But Murphy can't help but worry about his wife (Cornish) and son, and he's obsessed with revenge over his attempted murder. So Norton is forced to use chemicals to suppress his emotions.

In other words, Murphy is actually more machine than man now, and operates at the whim of Sellars and his media spokesperson (Ehle), marketing nerd (Baruchel) and a rabid TV host (Jackson) to manipulate the US Congress to change the law. This greedy corporation gives the film a bite of satire, as does the issue of America's rampant willingness to brutally suppress anyone outside its borders. But without even a shading of complexity, the plot feels predictable and, frankly, rather dull. It's fun to watch everything happen, but our pulse rates never rise at all.

Continue reading: RoboCop Review

The Last Exorcism Part II Review


Good

When you qualify your movie as the "last" anything, a sequel seems a bit out of the question, but these new filmmakers have essentially relegated the 2010 original to a mere backstory. They have moved on from the video-cam format and the whole debunking premise to make a much more straightforward horror romp. And while it's packed with cliches, it heads full-speed into a final act that's jaw-droppingly bonkers enough to make this a guilty pleasure.

After the carnage of that farmhouse exorcism, Nell (Bell) is the only survivor. She's taken to a New Orleans halfway house with other battered women, who begin to teach her how to live her life after growing up in isolation. She still has a sense of her religious roots, but learns to enjoy pop music and even starts flirting with a cute handyman (Clark). Even though she wants to believe that her demon-possession wasn't real, it becomes apparent that maybe that previous exorcism didn't quite take. "A piece of him is still inside you," says an occult expert (Jensen), completely without irony. Indeed the demon is back with a vengeance, and he has something awful in mind.

Filmmaker Gass-Donnelly keeps the atmosphere tense, throwing in elements from every horror film in recent memory, including creepy masked figures, staticky broadcasts, insidious phone calls, buzzing houseflies and even a sassy psychic (Riggs). The soundtrack is full of creep-out noises, while the images are intercut with flickers of the previous film. But all of this is done in that bland Hollywood style that makes us jump without actually freaking us out. Thankfully, the film has Bell on board to deliver a performance much better than the movie deserves: she's genuinely unsettling as the tormented innocent.

Continue reading: The Last Exorcism Part II Review

The Man With The Iron Fists Review


Weak

Rapper-turned-actor-turned-filmmaker RZA is clearly influenced by cohorts Quentin Tarantino and Eli Roth as he indulges in this crazed pastiche of 1970s kung fu action romps. It's energetic and often quite funny, but far too silly to come together properly, mainly because he never adds any sense of post-modern wit. If the action scenes were more coherent, it at least could have been a guilty pleasure.

In a 19th century Chinese village, an American ex-slave (RZA) is known only as Blacksmith, forging weapons for gang members to raise the money to buy his girlfriend Lady Silk (Chung) from the local brothel's Madam Blossom (Lucy Liu). But their fate is caught up in a battle for power after the patriarch of the Lion clan is murdered and the swaggering Silver Lion (Mann) challenges rightful heir Zen Li (Yune). After a vicious attack by Silver Lion's muscled henchman Brass Body (Bautista), Zen Li is rescued by Blacksmith. And they get help from Englishman Jack Knife (Crowe) to fight Silver Lion and his thugs.

The title refers to something that happens about halfway in, when Blacksmith forges new arms for himself after being attacked by Silver Lion for helping Zen Li. This sets the stage for an orgy of metal-on-metal battling (there are also bronze and copper characters), leading to a clattering showdown between Blacksmith and Brass Body, who for some inexplicable reason can morph his body into, yes, brass. As such a wild fantasy, it's not surprising that the plot makes so little sense, although a bit more genuine character depth would have helped hold our interest.

Continue reading: The Man With The Iron Fists Review

The Last Exorcism Review


Excellent
The best thing about this film is the way it continually subverts our expectations. It tells an unnerving story in a disarmingly natural way that's thoroughly believable, all without resorting to corny movie hokum. Until the end, that is.

Rev Cotton Marcus (Fabian) has been a preacher since he was a little boy, following in the footsteps of his father (Wright) to hold his congregation in the palm of his hand and exorcise demons when necessary. But a crisis has undermined his faith, so he hires a TV crew (Bahr and Grimes) to document the the ridiculous trickery he uses to perform one final exorcism. But nothing about this possessed girl (Bell), her father (Herthum) or brother (Jones) is as expected. And Cotton starts to doubt that there's a logical explanation.

Continue reading: The Last Exorcism Review

The Emperor's Club Review


Excellent
There's an old cheap saying that goes "those who can, do; those who can't, teach". Professor William Hundert (Kevin Kline) would disagree. A true scholar of the Classics, this intellectual believes that there is no greater endeavor than the passing-on of knowledge, that molding a young man's life is a noble and important vocation. What Professor Hundert gets for his lofty ideals is a lesson in cynicism, and maybe humility, in this fine effort from director Michael Hoffman (A Midsummer Night's Dream), which features an exceptionally strong performance from Kline, an actor who consistently raises the level of nearly every film he's in.

It's the mid-1970s at a proper boys' prep school in DC, and Kline's Hundert encounters his first splash in the face with the cold water of life outside revered academia when he meets the father of a mischievous underachieving student. The stern dad, a brash U.S. senator, scolds Hundert: "You will not mold my son, I will mold my son". With a dose more sympathy for the kid, Hundert befriends him and watches him turn into a studying machine.

Continue reading: The Emperor's Club Review

Spy Game Review


Good
Oh sure, it's all fun and games in the CIA. Robert Redford's CIA, that is. Of course, if Redford ran the world, we'd all be wearing $98 bison leather moccasins while we drank our lattes.

And so we go back to 1991, where haggard spy Nathan Muir (Redford) is retiring from The Agency, but wouldn't ya know it -- that very day, his old protégé Tom Bishop (Brad Pitt) has gotten captured on a mission in Eastern China. And Tom is going to be executed -- when? In 24 hours, of course. And the CIA isn't going to save him. In fact, they're trying to paint him as a crazy renegade unaffiliated with the U.S.

Continue reading: Spy Game Review

Bring It On Review


Weak
There's a point about 35 minutes into Bring It On where you suddenly realize you're sitting in a movie theater, watching Bring It On, wondering exactly how the hell the events in your life conspired to put your ass in an uncomfortable movie theater seat... to watch Bring It On. But soon you give up, knowing there is no answer to this dilemma, and you resign yourself to watching the next hour of Bring It On, knowing full well that since it's a PG-13 movie, nothing scandalous is ever going to happen to make it interesting.

Going in to this movie, I knew full well it was, well, a movie about cheerleading, so I wasn't expecting another American Beauty (which, now that I think of it, was partly about cheerleading, but anyway...). Suffice it to say that my expectations were low. And sure enough, Bring It On is an utterly vapid film with horrendous character development, hackneyed dialogue, and a questionable theme. No surprise there. Essentially it is Fame in short skirts.

Continue reading: Bring It On Review

Marc Abraham

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Marc Abraham Movies

I Saw the Light Movie Review

I Saw the Light Movie Review

Writer-director Marc Abraham gets ambitious with this biopic about iconic country music star Hank Williams,...

I Saw The Light Trailer

I Saw The Light Trailer

I Saw The Light is the new biopic about Hank Williams. The film follows his...

I Saw The Light - In The Studio Clip Trailer

I Saw The Light - In The Studio Clip Trailer

Hank Williams was one of the most iconic country stars America has ever seen, moving...

RoboCop Movie Review

RoboCop Movie Review

There's a robust, intelligent tone to this action remake that makes it continually intriguing, even...

The Last Exorcism Part II Movie Review

The Last Exorcism Part II Movie Review

When you qualify your movie as the "last" anything, a sequel seems a bit out...

The Man With the Iron Fists Movie Review

The Man With the Iron Fists Movie Review

Rapper-turned-actor-turned-filmmaker RZA is clearly influenced by cohorts Quentin Tarantino and Eli Roth as he indulges...

The Last Exorcism Movie Review

The Last Exorcism Movie Review

The best thing about this film is the way it continually subverts our expectations. It...

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Let's Go to Prison Movie Review

Let's Go to Prison Movie Review

I can attest first-hand that there are certain facts about Let's Go to Prison that...

Children Of Men Movie Review

Children Of Men Movie Review

Perhaps because of its bleak outlook, its lushly dark tones, or its often blunt criticism...

The Emperor's Club Movie Review

The Emperor's Club Movie Review

There's an old cheap saying that goes "those who can, do; those who can't, teach"....

The Rundown Movie Review

The Rundown Movie Review

The dentist responsible for maintaining The Rundown cast's teeth deserves an Academy Award. Leading man...

Spy Game Movie Review

Spy Game Movie Review

Oh sure, it's all fun and games in the CIA. Robert Redford's CIA, that...

Bring It On Movie Review

Bring It On Movie Review

There's a point about 35 minutes into Bring It On where you suddenly realize you're...

The Family Man Movie Review

The Family Man Movie Review

Just in time for Christmas comes a story worthy of both Ebenezer and Jimmy Stewart,...

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