Malvina Penne

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Love In The Afternoon (1972) Review


Good
The finale of Eric Rohmer's "moral tales," a six-part filmed essay on modern morality. Unfortunately, Love is distinguished by little more than the tepid non-choice presented by its milquetoast hero (lovely Chloe (Zouzou) tries to seduce the otherwise happily married man) and some of the worst lighting ever to sour a film (though this has thankfully been repaired in Criterion's new DVD release). The self-obsessed running commentary of Frédéric (Bernard Verley) isn't so much a bore as it is simply conceited, but there's something deep here as he wrestles with whether he should give in toe Chloe's advances or return home to his loving (though boring) wife. At least as moral quandaries go, Love has one worth pondering. And if you feel otherwise, you can at least groove on the 1970s fashions.

For more discussion of the "six moral tales," see the review of My Night at Maud's.

Continue reading: Love In The Afternoon (1972) Review

Love In The Afternoon Review


Good
The finale of Eric Rohmer's "moral tales," a six-part filmed essay on modern morality. Unfortunately, Love is distinguished by little more than the tepid non-choice presented by its milquetoast hero (lovely Chloe (Zouzou) tries to seduce the otherwise happily married man) and some of the worst lighting ever to sour a film (though this has thankfully been repaired in Criterion's new DVD release). The self-obsessed running commentary of Frédéric (Bernard Verley) isn't so much a bore as it is simply conceited, but there's something deep here as he wrestles with whether he should give in toe Chloe's advances or return home to his loving (though boring) wife. At least as moral quandaries go, Love has one worth pondering. And if you feel otherwise, you can at least groove on the 1970s fashions.

For more discussion of the "six moral tales," see the review of My Night at Maud's.

Continue reading: Love In The Afternoon Review

Chloe In The Afternoon Review


Weak
The finale of Eric Rohmer's "Moral Tales," a six-part filmed essay on modern morality. Unfortunately, Chloe is distinguished by little more than the tepid non-choice presented by its milquetoast hero (lovely Chloe (Zouzou) tries to seduce the otherwise happily married man) and some of the worst lighting ever to sour a film. Especially a French film. The self-obsessed running commentary of Frédéric (Bernard Verley) isn't so much a bore as it is simply conceited. Oh, and the 1970s fashions are difficult to look at -- even if they're out of focus and hard to make out in the dark.

Continue reading: Chloe In The Afternoon Review

Malvina Penne

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