A perfect example of the no-holds-barred well of creativity bubbling overseas is Seijun Suzuki's Pistol Opera. A sequel to the Japanese director's 1967 cult piece Branded to Kill, the film sets the stage for a wondrous tale of violence, betrayal, vengeance, and death. But while the film is gorgeous to behold, it winds up being strange without being interesting.
Continue reading: Pistol Opera Review
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