Makenzie Vega

Makenzie Vega

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Alexa Vega and Makenzie Vega - Los Angeles premiere of 'Machete Kills' held at Regal Cinemas L.A. Live - Los Angeles, California, United States - Wednesday 2nd October 2013

Alexa Vega and Makenzie Vega
Carlos Pena and Alexa Vega
Alexa Vega
Alexa Vega
Alexa Vega
Alexa Vega

Alexa Vega and Makenzie Vega - Alexa Vega and Makenzie Vega Friday 10th August 2012 The 27th Annual Imagen Awards Gala

Alexa Vega and Makenzie Vega
Alexa Vega and Makenzie Vega
Alexa Vega
Alexa Vega
Alexa Vega

Alexa Vega and Makenzie Vega - Alexa Vega (L) and and Makenzie Vega Wednesday 22nd February 2012 Premiere of Walt Disney Pictures' 'John Carter' at Regal Cinemas L.A. Live

Alexa Vega and Makenzie Vega
Alexa Vega
Alexa Vega
Alexa Vega
Alexa Vega
Alexa Vega

Alexa Vega and Makenzie Vega - Alexa Vega and sister Makenzie Vega Hollywood, California - Los Angeles Premiere of 30 Minute Or Less held at Grauman's Chinese Theater Monday 8th August 2011

Alexa Vega and Makenzie Vega
Alexa Vega

Makenzie Vega and CBS - Monday 20th September 2010 at Gotham Hall New York City, USA

Makenzie Vega and Cbs
Makenzie Vega and Cbs
Makenzie Vega and Cbs
Makenzie Vega and Cbs
Makenzie Vega and Cbs
Makenzie Vega and Cbs

Made Review


Excellent
Practically heckled out of the ring at their boxing match, best friends Bobby and Ricky (Jon Favreau and Vince Vaughn) are hardly your titans of the fights. In fact, they aren't much in the way of titans of anything. They're almost losers. Whenever Bobby gets ahead, Ricky's antics pull him back down -- never on purpose, he just doesn't know how to behave any better.

When Bobby gets kicked off his L.A. construction job, he pleads with minor crime boss Max (Peter Falk) to give him something better to do than smooth concrete and fistfight his buddies. And so the hijinks begin... as Bobby and Ricky head for New York in an unspecified role as heavies for some deal of Max's.

Continue reading: Made Review

SAW Review


Good

Sclock-horror maestro Roger Corman constantly reminded his writers of the vital importance of the first ten minutes of a film. That's when you capture the audience and set the tone for the entire film. Many filmmakers waste time with a useless montage or shots of a cityscape, etc. With the new horror film "Saw," we start exactly when the characters do: we suddenly wake up in a bathtub full of water in a dark room with no memory of how we got there. It's literally a birth into a new and uncertain world.

Two other recent films started this way, "Cube" and "Dark City," and both have become cult classics. "Saw" may be destined for the same.

First-time writer/director James Wan and co-writer/actor Leigh Whannell unfold their story slowly, giving information only as it's required -- or when it's unexpected. Adam (Whannell) climbs out of the bathtub and takes in his surroundings. It's a disgusting industrial bathroom with lots of huge pipes winding all over the walls and ceiling. He has no shoes on and his ankle is locked and chained to one of the pipes. A man lies in a pool of blood in the middle of the floor, a gun in one hand and a tape recorder in the other. A third man, a live one, Dr. Lawrence Gordon (Cary Elwes) is chained to the opposite side of the room.

Continue reading: SAW Review

Makenzie Vega

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Makenzie Vega Movies

Made Movie Review

Made Movie Review

Practically heckled out of the ring at their boxing match, best friends Bobby and Ricky...

SAW Movie Review

SAW Movie Review

Sclock-horror maestro Roger Corman constantly reminded his writers of the vital importance of the first...

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