When Bobby gets kicked off his L.A. construction job, he pleads with minor crime boss Max (Peter Falk) to give him something better to do than smooth concrete and fistfight his buddies. And so the hijinks begin... as Bobby and Ricky head for New York in an unspecified role as heavies for some deal of Max's.
Continue reading: Made Review
Sclock-horror maestro Roger Corman constantly reminded his writers of the vital importance of the first ten minutes of a film. That's when you capture the audience and set the tone for the entire film. Many filmmakers waste time with a useless montage or shots of a cityscape, etc. With the new horror film "Saw," we start exactly when the characters do: we suddenly wake up in a bathtub full of water in a dark room with no memory of how we got there. It's literally a birth into a new and uncertain world.
Two other recent films started this way, "Cube" and "Dark City," and both have become cult classics. "Saw" may be destined for the same.
First-time writer/director James Wan and co-writer/actor Leigh Whannell unfold their story slowly, giving information only as it's required -- or when it's unexpected. Adam (Whannell) climbs out of the bathtub and takes in his surroundings. It's a disgusting industrial bathroom with lots of huge pipes winding all over the walls and ceiling. He has no shoes on and his ankle is locked and chained to one of the pipes. A man lies in a pool of blood in the middle of the floor, a gun in one hand and a tape recorder in the other. A third man, a live one, Dr. Lawrence Gordon (Cary Elwes) is chained to the opposite side of the room.
Continue reading: SAW Review
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