Another achingly evocative and melancholy near-masterpiece from virtuoso writer-director Wong Kar-Wai, "2046" is breathtakingly beautiful and lush with color, narratively dense and psychologically complex, and blessed with vivid, visceral performances that burst at the seams with reserved passion.
Its tender yet abrasive story catches up with Chow (Tony Leung), one of the broken-hearted lovers from Wong's unforgettable "In the Mood for Love," years after the affair that redefined his life has ended. Now a cold, slippery, charming, Brylcreem-ed playboy, newspaper hack and pulp writer in 1960s Hong Kong, he lives a film-noir life (complete with gritty voice-over and dark wit) in a semi-seedy hotel, across the hall from Room 2046 where he once spent the night with the love of his life. Lately the room has been occupied by a string of beautiful women (Gong Li, Faye Wong and Zhang Ziyi among them), and Chow seduces (or is seduced by) each of them in turn, often with unforeseen emotional consequences.
These liaisons and the quiet turmoil they produce in his leathered soul serve as fuel for Chow's latest dime novel, a highly symbolic science-fiction story of ardent rebel activists and android women incapable of love, set largely onboard a bullet train speeding on elevated tracks through worldwide skyscraper canyons in the year 2046. (The title -- which is also the year China's promise of sovereignty for Hong Kong expires -- crops up many times.)
Continue reading: 2046 Review