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Filmmaker Daniels follows up his acclaimed hit Precious with what might be the trashiest movie in recent memory: a swampy thriller packed with desperate characters hiding grisly secrets. Daniels and his cast dive headlong into this garish world, refusing to blink as they take us to the fringes of human behaviour. It's so marvellously audacious that we feel like we need a shower after watching it.
The film takes us into the steamy backwoods of central Florida in 1969, as Miami journalist Ward (McConaughey) returns home with his black colleague Yardley (Oyelowo), who sparks whispers of racism everywhere he goes. Staying with his editor dad (Glenn) and delivery boy brother Jack (Efron), Ward is investigating the case of death row inmate Hillary (Cusack), whose trashy fiancee Charlotte (Kidman) is filing an appeal. The 20-year-old Jack is instantly smitten with the overtly sexual Charlotte, who seems happy to seduce every man she meets. And as Ward, Yardley and Jack dig deeper into the case, they get several startling surprises.
Daniels keeps the film sweaty and snarky as he delves into the story's seriously dark corners. And the actors all go along with him. The always terrific Kidman really goes for broke here, prowling through each scene and oozing raw sexuality. It's no wonder she triggers Jack's lust, and Efron plays him with a delicate balance of intelligence and naivete, underscored of course with relentless horndog desire. None of the characters are as dumb as they look, and McConaughey, Oyelowo and especially Cusack revel in playing against expectations. Each actor packs every line with attitude and insinuation, creating fascinating chemistry along the way.
Continue reading: The Paperboy Review
The cast of upcoming movie 'The Paperboy' arrive at the 50th annual New York Film Festival for the Gala Tribute to Nicole Kidman; an honouree at the event which was held at the Lincoln Center.
Charlotte Bless is a busty, blonde, middle-aged woman who enchants most men she meets with her looks and sexual appeal. She has fallen emphatically in love with Hillary Van Wetter, an inmate on death row accused of murdering a sheriff with whom she is regularly in correspondence with, and plans to marry him once she finds a way of getting him released. She enlists the help of two newspaper reporters to investigate the circumstances surrounding the crime and to gather evidence to prove his innocence. One of their main objections is that the judge who sentenced Wetter did not see the evidence that was presented before him in court. Whilst Charlotte is convinced that Wetter is not a bad person, young Jack Jansen is equally convinced that she doesn't really love Wetter and becomes deeply infatuated with her.
Continue: The Paperboy Trailer
Macy Gray is back with her fifth studio album 'The Sellout'. You couldn't imagine a world without this charismatic character gracing us all with that soul and distinctive raspy voice. Macy Gray continues in fine form with 'The Sellout' and maintains her legacy as a unique artist. Like all true musicians/vocalists it takes time to grow and mature enough to show genuine individuality and on listening 'The Sellout' is further confirmation that Gray is a decent artist with more to offer.
Continue reading: Macy Gray, The Sellout Album Review
Sadly, producer, director, and "experiencer" Arquette did exactly one thing well: the title. All We Are Saying is appropriately a dull, bloated gab marathon. And since she didn't clear the featured artists' music for the movie, it's all talk, no song, not even a few bars from a stage performance. Imagine The Aristocrats without the joke, stretched out over 105 minutes.
Continue reading: All We Are Saying Review
You don't need to have heard a single song by Outkast to appreciate Idlewild's brilliance. The film has a life - at times almost fantastical - that springs from the screen and pounces and coos in your lap as though it's wooing you. Barber was a video clip director, he cut his teeth on three minute commercials for bands like Outkast, and he's got the polish down so tight it's almost part of the celluloid. At times it can be distracting. Sometimes there is so much happening on screen that you eyes overload and your brain shuts down. You just can't catch it all. But the music - that snaky (perfectly used) synth bass line, that flapping guitar work, the sugary gut punch of the horns - pulls you back into the film like a musical whirlpool.
Continue reading: Idlewild Review
This has never happened to me in a movie before: There I was, ignoring a host of petty quibbles and enjoying the heck out of the unabashed comic-bookish cool of Sam Raimi's summer blockbuster "Spider-Man" adaptation -- then the second the credits rolled, I was overwhelmed by a feeling of bitter disappointment.
Why? Because with the candy-like taste of it fading faster than 25-cent bubble gum, I realized this is a throwaway movie that won't stand the test of time. It's a trifle -- nothing more than a fleeting piece of 2002 pop culture for teenage boys that down the road will seem as dated and dopey as the 1989 "Batman" has become and the 1978 "Superman" has been for a long time.
I expected more from Raimi, whose gift for great cheese (e.g. the "Evil Dead" movies) seems to have been suppressed here by commercial concerns (beyond selling soundtrack CDs, what purpose does it serve to have a performance cameo by hip-pop star Macy Gray?) and by an evangelical adherence to what might be called the Marvel Comics Movie Adaptation Handbook.
Continue reading: Spider-Man Review
The "Scary Movie" horror spoofs must be some kind of mutant, alien movie franchise. There's just no other explanation for the fact that the sequels actually keep getting better. And unlike the hilarious but indefensibly scattershot second installment, "Scary Movie 3" even has a coherent combo-platter plot.
Serving up campy twists on The Ring's" killer-videotape plot and the alien invasion from Signs" -- with a little mock-"8 Mile" thrown in for flava -- the story catches up with wide-eyed dingbat heroine Anna Faris (who goofed on Neve Campbell's "Scream" character in the first two films) after she has become a blonde TV reporter (a la Naomi Watts in "The Ring") who discovers the creepy VHS cassette that curses anyone who watches it to die horribly in seven days. But when she tries to warn the world of its dangers, her producer puts his foot down: "No more paranoid on-air rants about the supernatural!"
Meanwhile Charlie Sheen -- returning to the kind of parody he showed such a deadpan knack for in 1991's "Hot Shots!" -- plays a farmer and former priest (shades of Mel Gibson in "Signs") whose cornfields have been flattened in a mysterious "crop circle" that from above reads "Attack Here!" with an arrow pointing to his house.
Continue reading: Scary Movie 3 Review
Date of birth
6th September, 1967
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Narrow minded people get on my fkkng nerves.
Filmmaker Daniels follows up his acclaimed hit Precious with what might be the trashiest movie...
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Tyler Perry re-works and Ntozake Shange's 1975 choreopoem/play For Colored Girls Who Have Considered Suicide...
This has never happened to me in a movie before: There I was, ignoring a...
The "Scary Movie" horror spoofs must be some kind of mutant, alien movie franchise. There's...