Racism has always been a red-hot button obsession of Fuller's ever-present like a festering ooze in his films from Run of the Arrow to The Crimson Kimono to China Gate to the rabid Shock Corridor. But in no other Fuller film has racism been depicted in a such a raw-boned and festering way as in Fuller's final Hollywood film, White Dog, barely released by Paramount in 1982 amid false charges of racism against Fuller by the NAACP.
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Roots begins with Kunta Kinte, emerging from childhood and undergoing warrior training in his tribal homeland. The slavers arrive soon enough, and after a harrowing three-month ride back across the Atlantic, Kunta is sold, becomes Toby under his new master, attempts repeated escapes, and eventually accepts his fate as he settles down with a wife and child. The Revolutionary War comes and goes, and Toby's daughter Kizzy is sold, becoming the mother of her new master's son, known as Chicken George. Chicken George in turn is sent to England to pay off a gambling debt. When he returns home after 14 years, he is a free man. The Civil War arrives, and the rest of the slaves are freed. Soon enough the family faces the perils of vehement racism and the KKK, and Chicken George finally leads his family to safety in a new settlement.
Continue reading: Roots Review
The Guardians return two months after their epic battle against Ronan with their criminal records erased