Lynda Obst - A host of stars were snapped as they attended the 20th Annual Critics' Choice Movie Awards which were held at the Hollywood Palladium in Los Angeles, California, United States - Thursday 15th January 2015
Brainy blockbuster maestro Christopher Nolan heads into deep space with this epic adventure, which is packed with thoughtful ideas and big emotions even if the plot wobbles badly in the middle. But although it ultimately feels somewhat forced, the film is still a mesmerising exploration of parenthood and survival, bending time and gravity in ways that keep our brains spinning. And the seamless visual effects combine with some wrenching performances to make it unmissable.
It opens in a future America where a desperation for food has overtaken the need for technology and innovation. Which is a problem for Nasa pilot Cooper (Matthew McConaughey), who is now working a massive corn farm that he runs with his father (John Lithgow). Then Cooper and his daughter Murph (Mackenzie Foy) discover a gravitational anomaly that leads them to a secret base run by father and daughter scientists Brand and Amelia (Michael Caine and Anne Hathaway), who are looking for a new home planet for humanity since Earth is dying. So Cooper joins up and heads through a wormhole with Amelia and crew (Wes Bentley and David Gyasi). Meanwhile, Murph (who grows up to be Jessica Chastain) gets involved in the project back on earth, wondering if her dad will ever return home as he promised.
The first act of the story is a beautiful depiction of yearning for discovery, that innate curiosity that drives people to do crazy things in the hopes of pushing the humanity forward (or in this case, saving it). Nolan directs this section beautifully, with sharp editing propelling the story out into space with real energy and passion. But once they begin visiting other planets, there are some extended episodes that feel oddly contrived, including an encounter that leads to unexplained violence, explosions and melodrama. These kinds of things undermine the characters' motivations to the point where the audience just has to take Nolan's word for it and ride it out, even as the underlying ideas begin to lose their weightiness.
Continue reading: Interstellar Review
Lynda Obst - Photo's of the stars as they arrived at the New York premiere of Sci-Fi action movie 'Interstellar' held at the AMC Lincoln Square Theater in New York City, New York, United States - Monday 3rd November 2014
Lynda Obst - Photographs of the Hollywood stars as they attended the UK Premiere of Sci-Fi movie 'Interstellar' The premiere was held at the Odeon Cinema in Leicester Square, London, United Kingdom - Wednesday 29th October 2014
In an alternate reality in which humanity hasn't developed the ability to lie, Mark (Gervais) is a loser who accidentally discovers dishonesty and quickly realises the power of his words in a world where everyone believes him. Lying his way to fame and wealth is easy, but things start to spiral out of his control when people develop a religion based on his tall tales. And his biggest problem is that he wants Anna (Garner) to fall in love with him. But lying to her would be cheating.
Continue reading: The Invention of Lying Review
The question driving Abandon is who abandoned who? Did charismatic but manipulative Embry (Charlie Hunnam) leave his clingy college sweetheart, Katie (Katie Holmes, who probably would get confused if she and her character didn't share a first name), or is it the other way around? And is Embry alive and kicking on a European jaunt, or dead, as a sleazy, washed-up detective (Benjamin Bratt) believes but can't prove?
Continue reading: Abandon Review
Earlier this year, Saving Private Ryan was so disturbing; I had to leave the theater. This is coming from someone who watches gory, bloody action movies all the time. Ryan used the most graphic violence in any movie I've ever seen to be powerful. The Siege is effective in a more intelligent way. Denzel Washington stars as FBI agent Anthony Hubbard, who seems to be affected the most by all these bombings that have been happening in New York. Soon the Arab bombings keep coming, with a body count bigger every time, the only thing left to do is send the military in, headed by General Devereaux (Bruce Willis). All Arabs are held in stadiums, innocent people are tortured, even though they don't know anything. After a while, you start to wonder. What if it were black people being treated this way? Whites? Jews?
Continue reading: The Siege Review
This spurious conjecture is sadly far more interesting than How to Lose a Guy in 10 Days, a film which effectively loses its audience inside of 10 minutes.
Continue reading: How to Lose a Guy in 10 Days Review