Lynda Myles

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Killing Me Softly Review


OK
Hey, remember when Joseph Fiennes was a big artsy star after Shakespeare in Love? No. Well, neither does he. Today you're more likely to find him in a film like this, a bizarre erotic thriller from Chen Kaige, best known as the director of a variety of Chinese historical epics. Killing Me Softly features Fiennes as a maybe-he's-a-creepy-rapist/maybe-he's-not kinda fellow, and Heather Graham is the woman who falls in love with him at first sight. What develops is a story about a lost mountain expedition (which Fiennes was part of), missing ex-girlfriends, and lots of blind clues (think typewritten letters shoved under the door) that suggest Fiennes is a really bad dude. In the end the film comes across like a kind of cheap knockoff of Basic Instinct, right down to the string-heavy score. Fiennes even has a taste for kinky sex, and as a fearful Graham is tied to the kitchen table she says, "Sometimes I feel like I don't know you." It's pretty campy-silly, but it's surprisingly watchable for some reason, maybe because of the name-brand actors sleazing it in this Skinemax would-be classic. Who knows. Just check out the unrated edition for extra fun.

When Brendan Met Trudy Review


Excellent
Harry, Sally: You've been replaced.

One of the liveliest comedies to come along in a decade, When Brendan Met Trudy is an imported riot that messes with the romantic comedy genre in such a way that it might never recover. And I mean that in a good way.

Continue reading: When Brendan Met Trudy Review

The Commitments Review


Very Good
Released in 1991, The Commitments was Alan Parker's third film about pop music. His first, Fame, was a frothy coming-of-age-musical that made the most of its youthful enthusiasm despite a disease-of-the-week-style script. The second, Pink Floyd: The Wall, was a depressive, insular, and angular pastiche of moody myth-making that was interesting mainly for people who fried their brains listening to "Shine on You Crazy Diamond" a hundred times too often. The Commitments sits somewhere in the middle: An engaging, open-hearted entertainment that pulls off two neat tricks. First, it's one of the few movies about rock-pop-soul music that seems to have the right idea about why and how bands come together, with some fine performances from rank amateurs. But more impressively, it finds some great humor in a setting that's defined by grinding poverty.

The setting is North Dublin, where Jimmy Rabbite (Robert Arkins) is trying to simultaneously shrug off his parents' bad taste and the dole-driven life that surrounds him. Jimmy carries a deep and abiding love for soul music of the pre-Motown era - Wilson Pickett, Jackie Wilson, and so on - though he understandably has a hard time convincing his friends and family that soul isn't an exclusively black music. In a video store, Jimmy plays old-school soul tapes to the unbelievers before uttering the film's funniest and most poignant line: "The Irish are the blacks of Europe. Dubliners are the blacks of Ireland. North Dubliners are the blacks of Dublin."

Continue reading: The Commitments Review

Lynda Myles

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Dev Patel Is A Lost Boy In Touching True Story Drama 'Lion'

Dev Patel Is A Lost Boy In Touching True Story Drama 'Lion'

There's already an Oscars buzz surrounding this movie.

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Lynda Myles Movies

When Brendan Met Trudy Movie Review

When Brendan Met Trudy Movie Review

Harry, Sally: You've been replaced.One of the liveliest comedies to come along in a decade,...

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