Eight people are called into an examination room by the Invigilator (Salmon) and given simple instructions to get through the last phase of a job interview.
But when the 80-minute clock starts ticking, they realise there's no question on their exam sheet. Trying to work out what to do involves collaborating and competing, and eventually turning on each other. And everyone seems to know something they're not telling the others.
Continue reading: Exam Review
Playing Conway-as-Kubrick is John Malkovich. He's the main attraction here, and for all of Colour Me Kubrick's considerable flaws, you can't take your eyes off Malkovich's flamboyant take on Conway. Depending on whom Conway's trying to hustle -- whether it's Jasper (Richard E. Grant), a hard-luck restaurateur; Rupert (Luke Mably), a studly would-be fashion designer; or Lee Pratt (Jim Davidson), a cut-rate Tom Jones-wannabe -- we see him adapting wildly different variations on the "Kubrick" persona. He's the sly English fop for the gay scenesters, or a variation on the brash, business-minded American (often with a shrill Brooklyn accent) for the investors and entertainers. Always, though, he dresses with the sensibility of a natty, low-rent hipster -- as if Kubrick must dress dowdily, yet with an impeccable sense of thrift-store chic. Conway's coup de grace involves conning the aforementioned Pratt, the English crooner, into believing he -- Kubrick -- is going to help him score a show in Vegas. After Pratt calls his bluff, the balance of Conway's vodka-loving life is spent in a rehab facility for the fancy rich. What we marvel at, beyond the gullibility of his victims, is how Conway is always playing a role, and getting away with it, right up to the very end.
Continue reading: Colour Me Kubrick: A True...ish Story Review
Try as she might, Stiles doesn't fit comfortably within the framework. Her slightly deep voice has an intelligence to it that physically undermines her attempts to slum. Yet she persists. Unfortunately, I fear the onslaught of Down to You, Save the Last Dance, and now The Prince & Me has left Stiles a little stunted and worse for wear. She's spent so much time in the teen ghetto that even when she emerges in an allegedly grown-up movie like Mona Lisa Smile, something feels off. An aura of routine hangs in the air, and other actresses upstage her. Stiles may, in real life, resemble her character in The Prince & Me: smart, down-to-earth and good-humored. It's a tribute to the thinness of her starring roles that she still manages to come off awkward, even fake.
Continue reading: The Prince & Me Review
Let me begin this review of the insultingly trite, insipidly twinkly, romantically suspect and aggressively unoriginal fairytale "The Prince and Me" with the least of the movie's thousands upon thousands of problems: It takes place in Wisconsin and Denmark between the months of September and January, and yet the trees are green, there's no snow on the ground and the characters never wear anything heavier than a long-sleeve shirt.
It's a movie in which all European royalty speak with English accents no matter what country they're from. It's a movie in which a character moves into a dorm room and starts taking classes 24 hours after deciding to go to college. (Admissions process? What's that?) It's a movie without an ounce of chemistry between its romantic leads, and it's a movie in which people are supposed to learn What's Really Important In Life -- and yet it cops out and goes for the crowd-pleaser ending that doesn't jive with the lessons supposedly learned.
But these are merely symptoms of a much larger problem, which is that there is not a single creative plot point, original line of dialogue, unique personality trait or even fresh note of music in the entire everygirl-meets-royal-hottie fantasy.
Continue reading: The Prince & Me Review
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Let me begin this review of the insultingly trite, insipidly twinkly, romantically suspect and aggressively...