Very impressed!!! https://t.co/7BC4T96vuZ
This remake of Disney's 1991 classic is remarkably faithful, using present-day digital animation effects to give the story a photo-realistic sheen. The addition of more songs makes it feel much more like a big movie musical. And the use of real actors adds quite a lot of detail and subtext in the character interaction. But basically, this is still the same romantic fairy tale: lovely to look as it makes the audience swoon and sigh.
It's set in a French village, where Belle (Emma Watson) is looked at with suspicion by her neighbours for her empowered-female ways, reading books, expressing her opinions and running the farm where she lives with her single dad Maurice (Kevin Kline). It's no wonder that the vain soldier Gaston (Luke Evans) pursues her, since she's the only girl who isn't chasing him. Then one day Maurice and Belle have a fateful encounter with a castle hidden in a deep woods under a curse. Imprisoned by its beastly master (Dan Stevens), Belle befriends the staff, who have been transformed into household objects like a lampstand (Ewan McGregor), clock (Ian McKellen), teapot (Emma Thompson), harpsichord (Stanley Tucci) and feather duster (Gugu Mbatha-Raw). All of them conspire to help Belle fall in love with the Beast, which would break the spell.
Director Bill Condon (who made Dreamgirls and the final Twilight movies) makes the most of the live-action cast, allowing them to stir all kinds of undercurrents into their roles, which adds weight and interest to the rather predictable storyline. The film still looks largely animated thanks to an extensive use of digital backgrounds and characters, but the actors add an earthy tone that breaks the surface, bringing in some more textured emotions and sharper humour. The whole cast is excellent, with particular scene-stealing energy coming from Evans and Josh Gad (as his super-faithful sidekick LeFou), who are both funny and villainous at the same time. And Kline is also a standout for a surprisingly thoughtful performance.
Continue reading: Beauty And The Beast Review
Take a closer look at the cast of 'Beauty and the Beast' in the final trailer for the forthcoming live-action Disney re-boot. Gaston loves himself more than Belle, Belle loves books more than boys, and Maurice loves his daughter more than anybody else. Meanwhile, the Beast hates everything and everyone equally, but that's about to change when Belle volunteers herself as his prisoner in exchange for her father's freedom. She has much pity for the Beast and wants to make the best out of a terrible situation, especially when he presents her with the library of her dreams. He's relying on her love to rescue him from the curse that binds him in his monstrous form, and to rescue his friends and servants from their furnitural guises. But together they have an important lesson to learn about love and companionship.
Continue: Beauty And The Beast Trailer
To outsiders, the castle which sits on the outskirts of a small town is just another run down building soon to be turned into ruins but the secrets the beautiful building hold are some laced in magic.
The royal prince who lives in the castle hasn't been seen for years and no one but a witch knows the truth of what happened to him. When Prince Adam was young, he was confronted by a witch seeking shelter from the weather in return for a beautiful rose. The young prince had little time for beggars and dismissed the old woman without much of a thought. As punishment for his cruel arrogance and having seen the lack of love in his heart, the witch curses the prince and his castle.
Having been turned into an unsightly beast with horns and fur much like a goat, he now spends his life in a castle along with his bewitched staff - for they suffer the same curse as their master and have been turned into household objects. The witch didn't want to just punish the thoughtless Prince, she did give him a little hope - she left him with the rose he originally turned down; if he could find true love by the time the last petal fell from the rose on his 21st birthday, he and his castle would be free from the curse.
Continue: Beauty and the Beast Trailer
Unused lyrics from 1991 original will excite fans of Disney both old and new
The new live-action remake of Beauty and the Beast, coming out on the 17th of March, is set to feature lyrics that were unused in the 1991 version. The Bill Condon-directed film will use lyrics originally penned by the late Howard Ashman, who wrote songs with composer Alan Menken and will feature in the song 'Gaston'.
As Menken told Entertainment Weekly: "In 'Gaston,' we had a treasure trove of lyrics that Howard had written that we did not put in the movie. In many cases, they were a little bit risqué - not risqué sexually, but risqué in terms of sensibility. We all felt ready to have these lyrics. When Bill found out about those lyrics, he said, 'Oh my god, can we please look at that, because it would be a wonderful way to add an extra freshness to the movie.' So, yes, you're going to hear some unheard Howard Ashman lyrics."
Emma Watson at the Metropolitan Museum of Art Costume Insitute in May
Continue reading: Remake Of Beauty And The Beast To Feature New Lyrics
Luke Evans - Stars gather for the press night of the new Disney production of Aladdin at the Prince Edward Theatre London at Prince Edward Theatre, Disney - London, United Kingdom - Tuesday 14th June 2016
Disney have released the new teaser trailer for the remake of the much-loved animated film Beauty and the Beast. The 2017 version of this classic Disney film is a live-action movie and it is claimed that the Disney magic will not be lost as a result, but rather preserved and made even more magical. Emma Watson stars as the protagonist, Princess Belle and Dan Stevens as the Beast.
The narrative follows Belle on her quest to find her father who has been captured and imprisoned in the Beasts castle, on arriving at the castle she finds herself becoming imprisoned as well. In order to free her father she agrees to stay in the Beasts castle as his prisoner. After spending time with the Beast she starts to see beyond his frightening exterior and into his kind heart and soul, which leads her to start falling in love with him.
However Belle soon finds herself caught in the middle between the two men who want her, the Beast and Gaston and it is in this climatic end that leads her to confess her love for one of them, but which one she chooses, you'll have to watch and see.
The protagonist Rachel Watson (Emily Blunt) in The Girl On The Train is a troubled woman who isn't coping with the divorce from her ex-husband and subsequently becomes involved in the investigation to the murder of Megan Hipwell. In this chilling thriller based on Paula Hawkins' bestselling novel we follow the story of Rachel and her internal battle of being afraid of herself and what she is capable of doing.
Continue: Girl On The Train Trailer
The Wolverine actor once starred as Gaston in a stage production of ‘Beauty And The Beast’.
Hugh Jackman faced off with Luke Evans in an epic sing-off on ‘The Jonathan Ross Show’, Saturday evening, when both actors sang Gaston’s theme from Beauty and the Beast. Swilling from beer tankards, the pair belted out the tune, with help from fellow guests Taron Egerton and Shazia Mirza.
Hugh Jackman had an epic Gaston sing-off on ‘The Jonathan Ross Show’.
Jackman played the role of the Beauty and the Beast villain early on in his career on stage in Melbourne, while Evans will take on the role for the upcoming live action remake which also stars Emma Watson.
After a string of award-winning arthouse hits like Kill List and A Field in England, director Ben Wheatley and writer Amy Jump stumble with this adaptation of the 1970s J.G. Ballard novel. The satirical dystopian setting offers buckets of eye-popping visual style, plus outrageously twisted characters the A-list cast have a lot of fun sinking their teeth into. But while the themes are strong, the people on screen are so aggressively loathsome that it's not an easy movie to watch.
It's set in a brutal concrete tower within commuting distance of London, where new resident Robert (Tom Hiddleston) is learning his way around the building's modern, self-contained design. He especially enjoys flirting with his sexy upstairs neighbour Charlotte (Sienna Miller). But the building has a social structure that is creating some serious tension. Wealthy residents like the tower's architect Anthony (Jeremy Irons) live at the top, while economically struggling families like Helen and Richard (Elisabeth Moss and Luke Evans) are closer to the ground, with middle-class families in between. So when the lower floors lose their supply of water and electricity, they revolt against the upper classes, waging all-out war in the hallways.
The political commentary is astute and perhaps even more timely today than it was in 1975, when the novel was written and when the film is set. And each of the characters is full of energy and anger. So it's frustrating that the choppy editing style seems to lose track of people and plot-threads as it shifts around to various angles on the action. This makes all of the violence and sex feel oddly random and excessive, as things get increasingly nasty and each of the people loses the audience's sympathy. Hiddleston has terrific presence, but the film kind of abandons him along the way. While Irons is hamming it up shamelessly, Evans is inexplicably brutal and both Moss and Miller are little more than victims.
Continue reading: High-Rise Review
'If only we had enough money to move to a bigger house', an ongoing predicament in most households around the world. Just a little more space, just a little more comfort. Robert Laing is a young doctor who's currently embracing the single life.
Robert thinks that a beautiful closed off high-rise apartment is just the place for him to make a home. His flat is located on the twenty-fifth floor which is somewhere in the middle and as Robert settles in and is introduced to his new neighbours, he soon begins to realise that there's a hierarchy within the building -the higher the floor you're on, the more your life is worth.
The higher you go in the 40-odd floored building, the more palatial your surroundings become. Somehow the man behind the design of the building appears to hold more answers than he's willing to give. Lines are soon crossed and war breaks out between the self-imposed floor class system.
Continue: High-Rise Trailer
The DVD sales of 'The Hobbit: The Desolation of Smaug' have got us totally psyched for the final film, 'The Hobbit: There and Back Again'. But what can we expect from the third installment of the trilogy?
Yesterday saw the release of The Hobbit: The Desolation of Smaug on DVD, which leaves us free to obsessively think about the final instalment of the trilogy! The Hobbit: There and Back Again is the third and last film based on JRR Tolkien’s 1937 book of the same name and will provide us with a conclusion to the adventures of Bilbo Baggins and the band of dwarves. But what do we know about The Hobbit: There and Back Again, and what can we expect?
Will Bilbo play more of a backseat role in the upcoming movie?
The second film left us on a monumental cliffhanger. With Smaug finally sick of talking he makes his way towards Laketown, breathing “I am fire, I am death.” Cue credits. Thanks a lot, Peter Jackson! We’re guessing that Bard will be having none of Smaug’s home invasion, there were some hints dropped that he may be whipping out his black arrow (not a euphemism) and fighting back against the greedy guts who’s been hogging all that gold for years. Luke Evans, who plays the Bard, told MTV, “We’ve only just touched on Bard’s real storyline. It’s exciting. That’s why I’m so excited about it.” We’re pretty darn excited too!
Clearly designed to be as grisly as humanly possible, this movie combines a brutal central character with a very flimsy premise. And the result is actually rather good fun simply because it's so over-the-top. While happily indulging in every gross-out cliche they can think of, the filmmakers may play it far too straight but they also give horror fans exactly what they want.
There's even the hint of a back-story, as an unnamed man (Evans) drives through the American Northwest with his reluctant girlfriend (Ramsey), who is furious over an affair he had. When they stop in a small town for the night, the televisions are full of stories about the hunt for kidnapped heiress Emma (Clemens). And they inadvertently become the target for a gang of violent burglars (Tergesen, Magyar, Olivo, Knapp and Clay) who have just killed an entire family. But the driver isn't a man to mess with, and when the thugs discover Emma hidden in his car, she warns them that he's a psychopathic maniac who won't leave any of them alive.
From here the movie essentially becomes an extreme slasher horror from the killer's perspective, as director Kitamura merrily indulges in the most grotesque torture and carnage he can think of. And it's so bloodthirsty that we can hardly stifle our laughter. There's also a level of soapy psychological tension to go along with the physical nastiness, which gives the actors something to work with. Evans prowls through each scene with unblinking ferocity, deploying whatever he finds on the gang's farm (oh look, a wood-chipper!). Meanwhile, the goons reply by having a vicious power struggle between Tergeson's cool-headed leader and Magyar's trigger-happy meathead.
Continue reading: No One Lives Review
The most impressive thing about the sixth entry into this noisy franchise is that it's both more preposterous and more self-important than ever before. Which is no mean feat. The cast and crew clearly went for something bigger and more explosive, but by removing their tongues from their cheeks they leave us laughing at them rather than with them. Even so, some of the crazed action scenes are breathtaking.
The story picks up right where the last one ended: Dominic and Brian (Diesel and Walker) have taken the fortune they grabbed in Rio and started an idyllic life in the Canary Islands. Brian and Dom's sister Mia (Brewster) have even produced an adorable baby. Then US Agent Hobbs (Johnson) appears asking for their help in capturing the villainous Shaw (Evans), who is collecting military technological gadgets for some nefarious purpose. And they agree to go along because Dom's presumed-dead girlfriend Letty (Rodriguez) is working with him. So they reassemble the team (Pataky, Gibson, Bridges, Kang, Gadot and Carano) and get started in London.
Yes, this chapter takes place in Europe, which gives the filmmakers new landmarks to race past in their elaborately orchestrated chase sequences, throwing cars like toys at every plate-glass window in sight. The first night-time set-piece in London is fairly incoherent (and nonsensical), but things get better from there, with a whizzy bit of competitive driving for Dom and Letty and a few other showdowns before the action moves to Spain for a couple of massive, gob-smacking action sequences that would boggle the mind if we thought for a second that they were even marginally possible.
Continue reading: Fast & Furious 6 Review
Can 'The Fast and the Furious 6' pick up where the well-received Fast Five left off?
Vin Diesel in Fast & Furious 6
The final trailer for Fast & Furious 6 is finally here, featuring Dwayne Johnson, Tyrese Gibson and Vin Diesel driving cars really, really fast. Ok, so it's a little more than that, though not too much. Essentially, the latest trailer is the best bits from the previous clips that have made their way online.
If you're a fan of the franchise you're probably aware that Justin Lin's swan song in the series follows Dwayne Johnson's Luke Hobbs tracking down Dom Toretto (Diesel) in order to ask for his help in taking down a much more dangerous criminal gang, led by Owen Shaw (Luke Evans). Johnson's character needs to recover Letty Ortiz (Michelle Rodriguez) whom he assumed was dead. Of course, nothing is ever that simple in the world of the Fast and the Furious and Shaw has his own team of experts pulling off dating heists.
In the weeks before his inexplicable death in 1849, author Edgar Allan Poe (Cusack) finds himself at the centre of a series of murders in which a killer is recreating his stories in grotesque scenarios around Baltimore. Detective Fields (Evans) asks Edgar to help with the case, but he's distracted by his girlfriend Emily (Eve), whose harsh father (Gleeson) refuses to allow the couple to marry. As the murders get increasingly personal for Edgar, he realises that his own fate is entwined with the fiendishly clever killer, whoever he may be.
Continue reading: The Raven Review
Immortals follows the epic tale of a blood-thirsty King, Hyperion as his brutal and murderous army travel throughout Greece, destroying everything in their path with a ruthless efficiency. As a string of villages fall to Hyperion's power, the powerful King moves closer to his ultimate goal: to unleash the power of the imprisoned Titans in order that they may triumph over the Gods of Olympus along with the rest of the human race.
Continue: Immortals Trailer
Theseus (Cavill) is a peasant being groomed for greatness by the god Zeus (Evans, or Hurt in human guise). And Greece needs him, because the mad King Hyperion (Rourke) is on the rampage looking for the all-powerful Epirus Bow so he can release the imprisoned titans and kill the gods. But Theseus will need the help of virginal seer Phaedra (Pinto) and slave sidekick Stavros (Dorff), because the gods are forbidden from intervening.
Continue reading: Immortals Review
D'Artagnan (Lerman) is a country teen who heads to Paris to join the musketeers, special officers loyal to King Louis (Fox) but not the manipulative Cardinal Richelieu (Waltz), who has a guard of his own headed by Rochefort (Mikkelsen). D'Artangan immediately falls foul of the three musketeers Athos, Porthos and Aramis (Macfadyen, Stevenson and Evans), then teams up with them to fight off Richelieu's goons. And soon they're involved in a devious plot by Richelieu and Milady (Jovovich) to spark a war between Louis and England's Duke of Buckingham (Bloom).
Continue reading: The Three Musketeers Review
Brant (Statham) is a bad-boy South East London detective always in trouble with the authorities. But he gets the job done, so his loyal chief (Rylance) protects him. His new challenge is to find a brazen psycho (Gillen) who's killing cops in cold blood. Working with new boss Nash (Considine), who's tormented for being gay, Brant starts bullishly breaking the rules to solve the case. Meanwhile, the killer is leaking information to a tabloid hack (Morrissey). And another of Brant's cop pals (Ashton) is struggling with returning to the job after her stint in rehab.
Continue reading: Blitz Review
D'Artagnan has always dreamt of becoming a Musketeer but being too young he's never been able to leave his home town of Gascony and make the trip to Paris. Now a little older and less naive he travels to Paris where, through a rather unusual scenario, befriends three seasoned and well respected Musketeers named Athos, Porthos, and Aramis.
Continue: The Three Musketeers Trailer
When a psychopathic man sets out on a vicious killing spree targeting police officers the police force bring in a hard hitting cop called Brant in to investigate and hunt down the man who calls himself Blitz. Knowing the rampage will not stop until the man is captured the Brant must use all his wits to stay one step ahead of the killer who seems to have an intricate knowledge of the local police station and how they operate.
Continue: Blitz Trailer
Bestselling author Nicholas (Allam) and his efficient wife Beth (Greig) use their Dorset farm as a writer's retreat, while the goings on in the nearby village provide plenty of inspiration. Especially when notorious journalist Tamara (Arterton) returns to town. Her childhood boyfriend (Evans) is stunned when she falls for posing rocker Ben (Cooper), who's the object of obsession for two local 15-year-old girls (Barden and Christie). Meanwhile, Beth's patience with Nicholas' straying eye is being sorely tested just as a visiting writer (Camp) starts paying her some attention.
Continue reading: Tamara Drewe Review
Tamara Drewe might originally be from the countryside but it's been years since she's visited the place of her youth. Much has changed in the small village from her childhood, but so has she! (with the help from a little cosmetic surgery).
Tamara returns the the village with her city ways to see a few of the other people have also adopted the city lifestyle. There's the rockstar (who's just after one thing..), the city workers who return to the village every weekend and there's the old citizens, the ones who've been around for ever. The beauty (and her hotpants) make a huge impact in the little village and all the men seem to adore her, but when it comes to finding the man who would be best for her, she might just surprise herself with her choice.
Running time: 107 minutes
Starring: Gemma Arterton, Roger Allam, Dominic Cooper, Luke Evans, Tamsin Greig, Bronagh Gallagher, Pippa Haywood
Disabled by polio at age 10, Ian Dury (Serkis) grew up with a fierce determination to be himself, and against the odds became an iconic leader of Britain's punk scene in the 1970s. But his unruly lifestyle takes a toll on his personal relationships, and he barely knows his son Baxter (Milner) from his first wife Betty (Williams). So Baxter comes to stay with him and his current girlfriend Denise (Harris), and both father and son need to figure out how to relate to each other. And to realise how much they need each other.
Continue reading: Sex & Drugs & Rock & Roll Review
Date of birth
15th April, 1979
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The Lonely Mountain has been reclaimed from the dragon Smaug. The dwarves of Thorin Oakenshield...
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