In "The Reckoning," a troupe of 14th century traveling actors abandon their standard Bible-story fare while visiting a small fiefdom in order to reenact the recent murder of a local boy, and discover in the process that the official version of events is a cover-up for something far more disconcerting.
Having an outsiders' perspective, the players can sense something amiss with the local Church-based justice, and one of their number -- himself a disgraced priest on the run played by Paul Bettany -- feels compelled to investigate. A mute, wild-woman healer (and thus a suspected witch) is scheduled to hang for the crime, but what he discovers leads the actors to risk their lives to expose the truth by presenting a play based on the facts.
Unfortunately, writer Mark Mills (who adapted Barry Unsworth's novel "Morality Play") and director Paul McGuigan utterly fail to address one fundamental problem with their story: What makes them think the people of this village would pay to see the still-fresh horror of a child's brutal murder fictionalized for them like some Middle-Ages Movie of the Week?
Continue reading: The Reckoning Review