Or not. The Mexican has the distinction of being a romance that manages to keep its lovey-dovey costars further apart than any film since Sleepless in Seattle. Not that there was any way around it. Brad Pitt's Jerry is a completely hapless bagman for a shifty mob boss (Bob Balaban), sent from L.A. to Mexico to retrieve the titular objet d'art -- an antique pistol.
Continue reading: The Mexican Review
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