Tykwer reunites with Lola star Franka Potente, casting her as Sissi (the princess, presumably) a troubled mental ward nurse who probably ought to be a patient herself. After a morose 20-minute setup wherein the players are cryptically introduced, we find Sissi lying near death under a semi truck, run down in a city street. To her rescue comes the unlikely hero Bodo (the warrior?), played by the Gary Oldmanesque Benno Fürmann (also Potente's Anatomy costar), a two-bit crook who indirectly caused the collision in the first place. Bodo saves Sissi's life by giving her a homemade tracheotomy, and after a long recovery, the already unstable Sissi soon finds herself obsessed with her savior.
Continue reading: The Princess And The Warrior Review
The second collaboration between German writer-director Tom Tykwer and his muse, actress Franka Potente, "The Princess and the Warrior" couldn't be a further departure from "Run Lola Run," the influential and groundbreaking piece of kinetic, adrenaline-fueled pop cinema that put them both on the map.
In that 1999 hit, Potente played a boyishly sexy post-modern alt-punk trying to save the life of her petty criminal boyfriend, who lost a cash delivery for his gangster boss. Set to Tykwer's own rave-styled soundtrack and edited to match, "Lola" followed Potente as she marathoned across Berlin seeking desperate last-minute solutions before the scheduled money drop. It's not quite an all-out assault on the senses, but it's nothing if not hyperactively energetic.
By contrast, "The Princess and the Warrior" is eerily serene, deliberately paced (135 minutes to "Lola's" 84), deeply reflective and intensely psychological.
Continue reading: The Princess & The Warrior Review
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